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Lutheran Church --- Doctrines --- Catholic Church --- Protestant authors --- Council of Trent --- Council of Trent.

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Justification (Christian theology) --- Lutheran Church --- Lutheran Church --- History of doctrines --- Relations --- Catholic Church --- Doctrines --- Luther, Martin --- Catholic Church --- Catholic Church --- Relations --- Lutheran Church --- Doctrines --- Council of Trent --- Council of Trent --- Bible --- Bible --- Criticism, interpretation, etc. --- History --- Hermeneutics

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Bis heute ist der nach der Reformation einsetzende universalkirchliche Machtzuwachs des Papsttums kaum verstanden. Sicher scheint nur, dass hierbei der Umsetzung des Konzils von Trient (1545 – 1563) ganz besonderes Gewicht zukam. Genau in diese Forschungslücke stößt die vorliegende Studie anhand des seinerzeit wichtigsten Reformanliegens des Konzils: der Residenzpflicht von Pfarrern und Bischöfen. Was heute selbstverständlich erscheint, war damals gänzlich anders. Vielmehr stellte die Abwesenheit von Geistlichen das seelsorgliche Hauptproblem überhaupt dar, dem man mit den neuen Beschlüssen konsequent entgegentreten wollte. Die Römische Kurie schuf hierfür eigens neue Verwaltungsorgane, um die zentralistisch koordinierte Implementierung der neuen Normen in den katholischen Territorien der Welt zu gewährleisten. Inwiefern dem Papsttum diese unter römischen Vorzeichen stehende Konzilsumsetzung gelingen sollte, arbeitet das Werk auf der Grundlage unerschlossenen Quellenmaterials erstmals im Detail heraus. Die Untersuchung kommt dabei zu dem erstaunlichen Ergebnis, dass Rom zwar seine Kompetenzen sukzessive erweiterte, der neu gewonnene Einfluss jedoch kaum über die italienische Halbinsel hinausreichte.

Papacy --- History --- Catholic Church --- Council of Trent --- Council of Trent. --- Concilio di Trento --- Concilium Tridentinum --- Konzil von Trient --- Trent, Council of, --- Tridentskiĭ sobor --- Influence. --- Popes --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- 262.13 <09> --- 262.13 <09> Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--Geschiedenis van ... --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--Geschiedenis van ... --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--Geschiedenis van . --- Influence --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--Geschiedenis van --- 262.13 "15/16" --- 262.13 "15/16" Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--?"15/16" --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--?"15/16"

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Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu.A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.

Art. --- Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Social aspects --- Catholic Church --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Abbasid Caliphate. --- Alonso Berruguete. --- Altarpiece. --- Angelo Nardi (painter). --- Antonio Mohedano. --- Antonio de Pereda. --- Apollo and Daphne (Bernini). --- Art history. --- Arte. --- Baroque painting. --- Bartolomé de las Casas. --- Benito Arias Montano. --- Caravaggio. --- Carthusians. --- Castile (historical region). --- Catholic Monarchs. --- Chapel of St. Jerome. --- Charles V, Holy Roman Emperor. --- Church Fathers. --- Cimabue. --- Classical mythology. --- Comedia (Spanish play). --- Council of Trent. --- Counter-Reformation. --- Court painter. --- Crown of Castile. --- Diego Velázquez. --- Discalced Carmelites. --- Don Juan Tenorio. --- El Greco. --- Erudition. --- Fernando de Herrera. --- Francisco Pacheco. --- Francisco de Borja. --- Francisco de Rioja. --- Friar. --- Garcilaso de la Vega (poet). --- Gaspar Melchor de Jovellanos. --- Genre painting. --- Georges de La Tour. --- Gian Lorenzo Bernini. --- Giovanni Baglione. --- Giovanni Battista Crescenzi. --- Gustave Courbet. --- Hieronymites. --- Iconography. --- Ignatius of Loyola. --- Illusionism (art). --- Impressionism. --- In Ictu Oculi. --- Jan van Eyck. --- Juan de Mal Lara. --- Juan de las Roelas. --- Jusepe de Ribera. --- Las Hilanderas (Velázquez). --- Las Meninas. --- Literature. --- Marsilio Ficino. --- Masaccio. --- Matthew 25. --- Military order (monastic society). --- Museo del Prado. --- Order of Santiago. --- Our Lady of Guadalupe. --- Painting. --- Parmigianino. --- Pietro da Cortona. --- Poetic diction. --- Poetry. --- Protestantism. --- Putto. --- Real Academia de Bellas Artes de San Fernando. --- Real Academia de la Historia. --- Religious art. --- Renaissance art. --- Sacristy. --- Saint Christopher. --- Santa Hermandad. --- Santa Trinita. --- Scholasticism. --- Seville Cathedral. --- Shakespeare's sonnets. --- Society of Jesus. --- Spain. --- Spanish Empire. --- Spanish Golden Age. --- Spanish art. --- Spanish nobility. --- Susanna (Book of Daniel). --- Teresa of Ávila. --- The Art of Painting. --- The Battle of Lepanto (Luna painting). --- The Dissertation. --- The Poetaster. --- The Return of the Prodigal Son (Rembrandt). --- Theory of painting. --- Tintoretto. --- Titian. --- University of Salamanca. --- Ut pictura poesis.