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Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton's work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton's works. Critical and artistic appraisals of Milton's works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton's participation in the Civil War earned him the title of a 'revolutionary hero,' on the other hand, religious aspects of his works were often disregarded and sometimes proactively suppressed. Ranging through all the genres of Milton's oeuvre as well as the critical tradition, the book highlights these diverging responses and places them in the wider context of socialist cultural policy. In addition, the author presents the full Hungarian script of the 1970 theatrical performance of Milton's Paradise Lost, the first of its kind since the work's publication, including a parallel English translation, which enables a deeper reflection on Milton's original theodicy and its possible interpretations in communist Hungary.
Communism and literature. --- Criticism. --- Art appreciation. --- Milton, John, --- Hungary.
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Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton's work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton's works. Critical and artistic appraisals of Milton's works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton's participation in the Civil War earned him the title of a 'revolutionary hero,' on the other hand, religious aspects of his works were often disregarded and sometimes proactively suppressed. Ranging through all the genres of Milton's oeuvre as well as the critical tradition, the book highlights these diverging responses and places them in the wider context of socialist cultural policy. In addition, the author presents the full Hungarian script of the 1970 theatrical performance of Milton's Paradise Lost, the first of its kind since the work's publication, including a parallel English translation, which enables a deeper reflection on Milton's original theodicy and its possible interpretations in communist Hungary.
Communism and literature. --- Criticism. --- Art appreciation. --- Milton, John, --- Hungary.
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Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton's work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton's works. Critical and artistic appraisals of Milton's works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton's participation in the Civil War earned him the title of a 'revolutionary hero,' on the other hand, religious aspects of his works were often disregarded and sometimes proactively suppressed. Ranging through all the genres of Milton's oeuvre as well as the critical tradition, the book highlights these diverging responses and places them in the wider context of socialist cultural policy. In addition, the author presents the full Hungarian script of the 1970 theatrical performance of Milton's Paradise Lost, the first of its kind since the work's publication, including a parallel English translation, which enables a deeper reflection on Milton's original theodicy and its possible interpretations in communist Hungary.
Communism and literature. --- Criticism. --- Art appreciation. --- Milton, John, --- Hungary.
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After Marx:Literature, Theory and Value demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.
Marxist criticism. --- Communism and literature. --- Literature --- Literature and communism --- Communism and literature --- Communist aesthetics --- Criticism --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism
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Communism and religion. --- Marxist criticism. --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- Religion and communism --- Religion --- Political philosophy. Social philosophy
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"This study investigates the negotiation of Jewish-German-Communist identity in post-Holocaust Germany, specifically East Germany. After an introduction to the political-historical context, it highlights the conflicted writings of six East German Jewish writers: Anna Seghers (1900-1983), Stefan Heym (1913-2001), Stephan Hermlin (1915-1997), Jurek Becker (1937-1997), Peter Edel (1921-1983), and Fred Wander (1917-2006). All were Holocaust survivors. All lost family members in the Holocaust. All were important writers who played a leading role in East German cultural life, and all were loyal citizens and committed socialists, although their definitions and maneuvers regarding Party loyalty differed greatly. Good soldiers, they viewed their writing as contributing to the social-political revolution taking place in East Germany. Informed by Holocaust and trauma studies, as well as psychology and deconstruction, this study looks for moments when Party discipline falters and other, repressed, thoughts and emotions surface, decentering the works. Some recurring questions addressed include: What is the image of Germans? Do the works evidence revenge fantasies? How does the negotiation of ostensibly mutually exclusive identities play out? Is there acknowledgement of the insufficiency of Communist theory to explain anti-Semitism, as well as recognition of Stalinist or other forms of Communist anti-Semitism? Although these writers ultimately established themselves in East Germany, attaining positions of privilege and even power, their best works nonetheless evince an acute sense of endangerment and vulnerability; they are documents both created and marked by trauma"--
German literature --- Communism and literature --- Holocaust survivors' writings --- Holocaust, Jewish (1939-1945), in literature. --- Identity (Philosophical concept) in literature. --- History and criticism. --- Jewish authors --- Identity in literature --- Literature --- Writings of Holocaust survivors --- Literature and communism --- History and criticism --- Communist Writers. --- East Germany. --- Holocaust Survivors. --- Identity Negotiation. --- Jewish-German Identity. --- Literature. --- Post-Holocaust. --- Trauma Studies.
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This edited collection evaluates the relationship between Marxism and religion in two ways: Marxism’s treatment of religion and the religious aspects of Marxism. Its aim is to complicate the superficial understanding of Marxism as a simple rejection of religion both in theory and practice. Divided into two parts (Theory and Praxis), this book brings together the three different themes of Marxism, religion, and emancipation for the first time. The first part explores the more theoretical discussions regarding the relationship between Marxism and various themes (or currents) within religious thought, to highlight points of compatibility as well as incompatibilities/conflicts. The studies in the second part of the collection refer to how Marxist ideas are received in different parts of the world. They show that as soon as Marxism arrives in a new place, the theory interacts and bonds with a pre-existing stock of ideas, each changing the other reciprocally. Graeme Kirkpatrick is Professor of Social and Cultural Theory at the University of Manchester, UK. Peter McMylor is Senior Lecturer in Sociology at the University of Manchester, UK. Simin Fadaee is Senior Lecturer in Sociology at the University of Manchester, UK.
Communism and religion. --- Marxist criticism. --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- Religion and communism --- Religion --- Political science. --- Political sociology. --- Religion and sociology. --- Religion and politics. --- Political science --- Political Theory. --- Political Sociology. --- Sociology of Religion. --- Politics and Religion. --- Political Philosophy. --- Philosophy. --- Political philosophy --- Politics, Practical --- Politics and religion --- Religions --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Mass political behavior --- Political behavior --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Religious aspects --- Political aspects --- Sociological aspects
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