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Cette Introduction à la métapsychologie de Christopher Bollas explore la contribution extrêmement conséquente de Christopher Bollas à la psychanalyse contemporaine. L'objectif de l'ouvrage est d'introduire et d'expliquer les concepts fondamentaux de sa théorie relative à la psyché. Sarah Nettleton le fait en répondant, de manière à la fois naturelle et logique, aux questions qui surgissent lorsque l'on aborde son travail. Elle organise les éléments fondamentaux de la théorie de Bollas en chapitres, ce qui permet au lecteur de saisir progressivement la structure générale de sa pensée. Le lecteur apprendra aisément à se familiariser avec des concepts tels que le connu non pensé , l'inconscient récepteur, l'idiome, la pulsion de la destinée, les genera psychiques, les objets évocateurs, la complexité inconsciente ou son approche de l'association libre à travers la notion de couple freudien. L'écriture claire et didactique de l'auteure permet de faire le lien entre ces différents concepts et de comprendre pourquoi l'on peut employer dans le cas présent le terme de métapsychologie pour les travaux de Christopher Bollas. Beaucoup de psychanalystes contemporains ont développé, de manière parfois très productive, les idées des grandes figures psychanalytiques de la dernière moitié du siècle dernier. La créativité de Chistopher Bollas est cependant d'un ordre différent. Bien qu'il ait repris des idées d'autres (Freud, Winnicott, Bion) le cœur de son travail est indiscutablement le résultat de sa propre pensée clinique et théorique. L'Introduction à la métapsychologie de Christopher Bollas sera utile aux psychanalystes, aux psychothérapeutes, aux psychologues, aux psychiatres, aux conseillers et aux travailleurs sociaux qui souhaitent explorer une nouvelle approche de la pensée psychanalytiques dans leur pratique. L'ouvrage ne manquera pas de séduire également les étudiants et les formateurs intéressés par la psychanalyse contemporaine. Avant-propos Préface Remerciements Abréviations Introduction Dualités psychiques Inconscient récepteur et genera psychiques Idiome Le connu non pensé Relations du self Caractère et interrelation Les objets évocateurs La complexité inconsciente L'Association libre Le Couple Freudien Mondes séparés Une théorieintégréeAppendice Index.

Bollas, Christopher.

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"Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it"

Philosophy in motion pictures. --- Postmodernism. --- Motion picture producers and directors --- Nolan, Christopher, --- Criticism and interpretation. --- Nolan, Christopher --- Philosophie et cinéma. --- Postmodernisme. --- Réalisateurs de cinéma --- Critique et interprétation.

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This book provides a full account of the life and career of the Elizabethan politician and courtier Sir Christopher Hatton. A loyal favourite and minister of a Protestant queen, he was also a patron and protector of Catholics. This account of Hatton opens a new window into the complex religious politics of Elizabeth's reign.

Politicians --- Statesmen --- Courts and courtiers --- Religion and politics --- History --- Hatton, Christopher --- Elizabeth --- Great Britain --- Politics and government

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"The English historian Christopher Dawson (1889-1970) was the first Catholic Studies professor at Harvard University and has been described as one of the foremost Catholic thinkers of modern times. Joseph T. Stuart argues that through Dawson's study of world cultures, he acquired a "cultural mind" by which he attempted to integrate knowledge according to four implicit rules: intellectual architecture, boundary thinking, intellectual asceticism, and intellectual bridges. Dawson responded to the cultural fragmentation after the Great War (1914-1918) through this multilayered approach to culture, which was an instantiation of John Henry Newman's philosophical habit of mind. Stuart demonstrates how Dawson formed his cultural mind practicing an interdisciplinary science of culture involving anthropology, sociology, history, and comparative religion, and applied his cultural thinking to problems in politics and education"--

Historiens catholiques --- Guerre mondiale, 1914-1918 --- Civilisation occidentale. --- Civilisation chretienne. --- Catholic historians --- World War, 1914-1918 --- Civilization, Western. --- Christianity and culture. --- Christian civilization. --- Historians --- Influence. --- Dawson, Christopher, --- Criticism and interpretation. --- Catholic Church. --- Civilization, Western --- Christian civilization --- Christianity and culture --- Catholic intellectuals --- History --- Influence --- Dawson, Christopher

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The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.

War films. --- Semiotics. --- War --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Motion pictures --- Anti-war films --- History. --- Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti