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"The task of the corpus “Fontes epigraphici religionum Celticarum antiquarum” is to edit those religious inscriptions from the Roman provinces which may have a Celtic-language origin. As part of this, the votive formulae with the pertinent gods’ names that fall into that category are examined from the linguistic, epigraphic, historic and iconographic perspectives and classified. This volume deals with the religious testimonials from the province of Germania inferior. In this first fascicle, all of the theonymic formulae from Lower Germania (35 for individual gods and two for paired deities, as well as 61 invoking groups of female deities, the so-called “matres” or “matronae” – the mothers) are analysed individually in relation to the history of language, paying particular attention to any phenomena indicating contact, either between these inscriptions or with other areas occupied by the Keltike or the panthea of classical Antiquity. This is followed by a language history, semantic and syncretic summary of the names of the deities investigated, together with a typology of the votive formulae from Germania inferior and a language history analysis of the names of people with a Celtic background mentioned in the relevant inscriptions, regardless of their particular role. The work is completed by a methodological introduction to the study of the (phases of) the Celtic religions and the classification of the names of deities based on a range of parameters, as well as an appendix on the development of Celtic language variants and their gradual disappearance from the core Indo-Germanic language."--
Inscriptions celtiques --- Inscriptions latines --- Épigraphie --- Inscriptions, Celtic --- Inscriptions, Latin --- Celts --- Religion celtique. --- Religion --- Sources. --- Germany --- Antiquities. --- Inscriptions religieuses --- Dieux --- Onomastique --- Langues celtiques
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L'art laténien du nord-ouest de la France, généralement conservé sur des supports céramiques, est très riche. L'estampage au poinçon est la technique la plus employée entre le Ve et le IIe siècle avant notre ère, et le nombre de décors connus dépasse le millier. Elle caractérise un style régional qui s'insère néanmoins dans les grands courants de l'art laténien à l'échelle de l'Europe. Cet ouvrage constitue un nouveau bilan sur le corpus, sa chronologie, ses caractéristiques stylistiques et son contexte social. L'analyse et la typologie des éléments décoratifs, étudiés à l'échelle du motif, du thème et du vase, sont croisées avec les dernières avancées sur la chronologie des formes et remises en contexte grâce aux données dont on dispose sur les principaux habitats du second âge du Fer. Considérant l'art et les pratiques esthétiques comme une composante imbriquée dans les sociétés qui les produisent, l'ouvrage permet d'apporter un éclairage nouveau sur les évolutions perceptibles dans le domaine de l'habitat, du funéraire et des productions artisanales au second âge du Fer de l'Europe occidentale.
Keramik. --- Kunsthandwerk. --- Kelten. --- Eisenzeit. --- Céramique celtique --- Vaisselle en céramique --- Fouilles archéologiques --- Antiquités --- Bretagne. --- Pottery, Ancient --- La Tène period --- Arts, Celtic --- Excavations (Archaeology) --- Brittany (France) --- Bretagne (France) --- Bretaň (France) --- Breizh (France) --- Brittanny (France) --- Région Bretagne (France) --- Antiquities, Celtic. --- Age du fer --- Arts décoratifs celtiques --- Céramique celtique --- Fouilles archéologiques --- Antiquités --- Âge du fer --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology --- Celtic arts --- Iron age --- Ancient pottery --- Pottery
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Sublime calligraphy, marvellous art, and amazing initials, have charmed and captivated the audience of the Book of Kells for over twelve hundred years. This remarkable illuminated Gospel book attracts the attention of scholars as well as those more generally interested in the fabulous artefacts of the past. Everybody knows it was made by an extensive team of scribes and artists. Donncha MacGabhann knew that too. However, he was certain that a thorough examination could clearly identify the various contributions of its creators. His life and work as an artist and teacher inspired the belief that a close visual study could solve some of its enduring puzzles. The deeper he delved, the more he was convinced that Kells is entirely the work of two individuals. This evolved into a novel paradigm through which he came to know and understand the manuscript. Following years of meticulous research, this book tells the story of Kells' two Masters and their collaboration to create a Gospel book of unprecedented magnificence. Most poignantly, it reveals the struggle of the lone survivor of the two-man team to attempt the completion of their magnum opus. The most important outcomes of this book go far beyond the simple attribution of work to different hands. Much more significantly, it affords insights into the imagination which inspired its creators, especially the unique vision of Kells' great Scribe-Artist. Collectively, these new perspectives reveal a previously unknown 'Book of Kells,' one which, as it were, has remained hidden in plain sight. Challenging long-held theories is no small matter, and in doing so this radical study attempts to be comprehensive. The abundance of evidence may at times seem extravagant in its detail, for both specialists and non-specialists. The reader is therefore encouraged to find their own path in exploring The Book of Kells - A Masterwork Revealed: Creators, Collaboration, and Campaigns.
Illumination of books and manuscripts, Celtic --- Illumination of books and manuscripts, Medieval --- Enluminure celtique --- Enluminure médiévale --- Illumination of books and manuscripts, Celtic. --- Illumination of books and manuscripts, Medieval. --- Trinity college --- Manuscrit. 58. --- Book of Kells. --- Ireland. --- Illumination of books and manuscripts, Celtic--Ireland. --- Enluminure médiévale --- Book of Kells
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