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Dans le débat public, les références incessantes et convenues faites aux "philosophes des Lumières" ont fini par occulter l'effervescence intellectuelle du XVIIIe siècle qui ne se réduit pas aux grandes figures (Montesquieu, Voltaire, Diderot, Rousseau) hérauts d'une Modernité triomphaliste - anti-religieuse, matérialiste, rationaliste, scientiste, républicaine, etc. A contre-courant des débats contemporains, Yves Citton s'emploie à exhumer une pléiade d'auteurs longtemps tenus pour mineurs ou illisibles parce qu'ils n'entraient pas dans les dichotomies installées entre modernes et antimodernes. Sous sa plume on verra comment les plus radicaux des matérialistes ont pu faire l'éloge de l'Islam et de son Prophète, comment la rationalité financière est une affaire de magie, l'économie réelle une question d'amabilités en même temps qu'un commerce de merde. On y verra aussi comment des romancières ont inventé l'éthique du care, et encore comment une bande de Roms a utilisé la société du spectacle pour instaurer la première Zad dans la Sierra Morena, ...Ces auteurs-là dessinent ainsi des "altermodernités" qui nous invitent à une remise en cause bien plus profonde et bien plus inquiétante que celle de nos classiques dans nos rapports à l'environnement, aux institutions, à nos différences ou nos croyances.
Mouvement des Lumières --- Civilization, Modern - 18th century --- Literature, Modern - 18th century - History and criticism --- Enlightenment --- Littérature --- Philosophie --- Civilization, Modern --- Literature, Modern --- Enlightenment. --- History and criticism. --- History and criticism --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism
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"Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future researchers"--.
Music / Brazil, Southeast / 18th century / History and criticism --- Music / Brazil / Portuguese influences --- Mary / Blessed Virgin, Saint / Feasts --- Mary / Blessed Virgin, Saint --- Feasts for the Blessed Virgin Mary --- Music --- Music / Portuguese influences --- Brazil --- Southeast Brazil --- 1700-1799 --- Criticism, interpretation, etc
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