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‘Waar je niet bij bent gebeurt niet’, was een van de vele levensmotto’s van Jules Deelder, dichter, performer, drummer, nachtburgemeester en icoon. Virtuoos en onvoorwaardelijk leefde hij in het middelpunt van het heelal. Met dezelfde kracht als haar vader heeft Ari Deelder zich opgeworpen als biograaf. Langzaam maar zeker vindt ze haar weg in de tot de nok toe gevulde magazijnen met uitpuilende archieflades, stapels dozen en overvolle kasten. Het is een archief vol rariteiten, memorabilia, foto’s, platen, brillen, horloges, kostuumpakken, aanstekers en andereverzamelingen. Jules’ lades liggen vol beschreven papiertjes, onbetaalde rekeningen, niet-ontwikkelde foto’s, herinneringen, dreigbrieven, schetsen, eerste en laatste pagina’s van verschillende verhalen, sinterklaasgedichten, tapes en vreemde collecties.Het ABCDeelder is een greep uit het nog lang niet volledig uitgezochte archief, waarbij de items zijn geordend volgens de letters van het alfabet. Het geeft een prachtig inkijkje in het universum van J.A. Deelder.Ari doet de naam Deelder eer aan, de begeleidende teksten die zij bij de objecten schreef zijn scherp, gevat en ontroerend en soms even zwart als het zwartste zwart van haar vader.r B.V.

collectibles --- private collections --- Deelder, Jules A. --- private collections [object groupings]

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The cards in It'll All Be Over By Christmas help to paint a picture of war as experienced by those at home, in training, at the front, in hospital and in convalescent camps. There are cards from fathers who wrote to wives and children, and sons who wrote to family, friends and loved ones. Men at the front who received parcels from home and from well-wishers. All this is revealed by the writings on cards sent during the war years.

World War, 1914-1918 --- Postcards --- Social aspects --- History --- Collectibles

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Art, Roman --- Roman art --- Classical antiquities --- Art --- Collectibles --- Objets de collection --- History of Germany and Austria --- collecting --- cabinets of curiosities [rooms] --- art collections --- collecting curiosities --- kunstkamer --- anno 1500-1799 --- Europe

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In this book, Maggie Popkin offers an in-depth investigation of souvenirs, a type of ancient Roman object that has been understudied and that is unfamiliar to many people. Souvenirs commemorated places, people, and spectacles in the Roman Empire. Straddling the spheres of religion, spectacle, leisure, and politics, they serve as a unique resource for exploring the experiences, interests, imaginations, and aspirations of a broad range of people - beyond elite, metropolitan men - who lived in the Roman world. Popkin shows how souvenirs generated and shaped memory and knowledge, as well as constructed imagined cultural affinities across the empire's heterogeneous population. At the same time, souvenirs strengthened local identities, but excluded certain groups from the social participation that souvenirs made available to so many others. Featuring a full illustration program of 137 color and black and white images, Popkin's book demonstrates the critical role that souvenirs played in shaping how Romans perceived and conceptualized their world, and their relationships to the empire that shaped it.

Souvenirs (Keepsakes) --- Rome --- Social life and customs. --- Civilization. --- Collectibles --- Keepsakes (Souvenirs) --- Mementos --- Memorabilia --- Manners and customs. --- Ceremonies --- Customs, Social --- Folkways --- Social customs --- Social life and customs --- Traditions --- Usages --- Civilization --- Ethnology --- Etiquette --- Rites and ceremonies --- Manners and customs --- Art, Roman --- Themes, motives --- History --- Themes, motives.

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Alors que l'on sort a peine de la querelle des Anciens et des Modernes en Europe, la curiosité antiquaire se mondialise. De Paris à Pékin, de Delhi à Mexico en passant par Copenhague ou Philadelphie, cet engouement pour les discussions et les pratiques antiquaires s'affirme au dix-huitième siècle et déconstruit les contours rassurants du modèle gréco-latin. Ce livre essaie de rendre compte de ce changement d'échelle en suivant une perspective originale et nouvelle en faveur d'une histoire connectée de la connaissance antiquaire au dix-huitième siècle. Loin des traditions nationales ou seulement comparatistes qui avaient mis en évidence les relations que les différentes sociétés humaines avaient entretenues, au cours de l'histoire, avec les vestiges du passé, ce livre envisage les cultures et les savoirs antiquaires dans leur matérialité non seulement dans les métropoles européennes, mais aussi dans les capitales américaines et asiatiques. A distance d'une Antiquité figée, ce livre entend montrer comment la mobilité des savants et des artistes a commencé a pluraliser l'Antiquité dès le dix-huitième siècle, à la dépayser dans un contexte global et impérial.

Antiquarians --- Historiography --- Archaeology --- Enlightenment --- Spécialistes d'histoire ancienne --- Archéologie --- Siècle des Lumières --- Antiquarians. --- Archaeology. --- Enlightenment. --- Historiography. --- History --- Histoire --- 1700-1799 --- Europe --- Europe. --- Intellectual life --- Vie intellectuelle --- Archéologie et histoire --- Mouvement des Lumières --- Archaeology and history --- Historiographie --- History as a science --- anno 1700-1799 --- Material culture --- Antiquities --- Art --- Collectors and collecting --- Antiques business --- Cultural property --- Antiques --- Art and globalization --- Globalization and art --- Globalization --- Antique collecting --- Collectibles --- Decoration and ornament --- Decorative arts --- Art objects --- Antiquaries --- Historians --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Antique business --- Business --- Antique dealers --- Collecting --- Collection and preservation --- Hobbyists --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Culture --- Folklore --- Technology --- Spécialistes d'histoire ancienne --- Archéologie et histoire --- Mouvement des Lumières