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Accompanying a major large-scale thematic exhibition at Whitechapel Gallery, this extensive catalogue charts the artists' studio through the last century: as a laboratory or stage set; as place of refuge, or a public space; as a site of resistance or an arena for communal activity. Featuring over 80 artists and collectives from around the world, the catalogue will focus in two sections on 'the public studio' and 'the private studio', accompanied by six thematic essays and full colour plate sections of works by Brancusi, Fischli & Weiss, Roni Horn, Bruce Nauman, Cindy Sherman, Andy Warhol, Nikhil Chopra, Gutai Group, Inji Efflatoun, Francesca Woodman, Ai Weiwei, Marisa Merz and Francis Bacon, amongst many others

kunst --- installaties --- film --- fotografie --- beeldhouwkunst --- schilderkunst --- 7.036/039 --- twintigste eeuw --- ateliers --- kunstenaarsateliers --- eenentwintigste eeuw --- Art --- studios [work spaces] --- artists [visual artists] --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- art [fine art] --- art [discipline]

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Celebrated Dada artist Hannah Höch (1889-1978) used collage as her artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, she was a pioneer in many aspects, both artistic and cultural, and a pivotal force in the development of collage. A determined believer in artistic freedom, Höch questioned conventional concepts of partnerships, beauty and the making of art, her work often presenting acute critiques of racial and social stereotypes, particularly those of her native Germany at a time of tremendous social change.

collages [visual works] --- Dada --- Höch, Hannah