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This book advances a much-needed and transformational agenda for making architecture today through a close reading of cross-laminated timber (CLT) and its material unit, the CLT blank. Both matter-of-fact and multivalent, economical and excessive, the blank has untapped potential for experimentation, innovation, and research in architecture at various scales. Blank brings together texts and work from a wide range of theorists and practitioners who make CLT central to their inquiry and, in turn, suggest design approaches that broaden the material's cultural, spatial, and technological significance for architecture, education, engineering, and industry. The book claims new conceptual territory for a material with extensive appeal whose theorization has been stuck in narratives of its sustainability. Slippages between art, architecture, and science help position Blank as an antidote to current conversations about CLT, which are fixated on its mass production and carbon footprint, portraying it as a bland product rather than an enabler of design. The book argues for the material's aesthetic and spatial potential, conjuring the kind of world that CLT can create. Striking visuals contribute to repositioning CLT architecture though new forms of representation and design responses that continue to stay in touch with pragmatics.

Bois lamellé collé. --- Constructions en bois. --- Laminated wood construction --- Architecture, Modern --- 691.11 --- 694 --- Houtconstructies ; houtarchitectuur ; details --- Cross-laminated timber ; kruislaaghout --- Architecture --- Construction, Laminated wood --- Laminated timber construction --- Wood laminate construction --- Engineered wood construction --- Bouwmaterialen ; hout --- Houtbouw. Schrijnwerk --- History --- 691.1 --- 691.11 Wood. Timber. Wood products --- Wood. Timber. Wood products --- 691.1 Materials of organic origin --- Materials of organic origin --- Laminated wood construction. --- Laminated wood. --- 691 --- CLT --- Kruislaaghout --- Bouwmaterialen (architectuur) --- Hout --- Bouwmaterialen van organische oorsprong

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This book explores experimental approaches to the design and construction of wooden structures in architecture, while presenting the results of an artistic research project. Through the use of digital tools, the anatomy of wood becomes a design-determining principle for spatial structures. The architects and artists also explore the potential of traditional craftsmanship and derive from this a material-oriented practice. Structures are not designed here for a specific use, but rather open up various usage possibilities due to their unique spatial and geometric properties. The documentation provides insight into an open-ended research process. Guest contributions reflect on the underlying concepts and thus the future relevance of wood as a building material.

Structure en bois --- Design --- Recherche en construction --- Joint --- 693.2 --- 694.1 --- houtbewerking --- houtverbindingen --- houtconstructies --- conceptueel design --- houtsoorten --- 710.9 --- onderzoek in de kunsten --- ontwerpmethodiek --- hout en houtproducten --- Houtconstructies, timmeren, meubelmaken --- architectuur, overige bijzondere onderwerpen --- 694 --- 691.11 --- Houtconstructies ; houtarchitectuur ; houtverbindingen --- Conceptuele architectuur --- Digitale productietechnieken --- Houtbouw. Schrijnwerk --- Bouwmaterialen ; hout --- 3-D technology. --- artistic research. --- supporting framework structure. --- timber structure. --- wood construction.