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retables [altar appendage] --- houtsnijwerk --- Herentals, Sint-Waldetrudiskerk --- Borman, Pasquier
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retables [altar appendage] --- Flemish [culture or style] --- houtsnijwerk --- anno 1400-1499 --- anno 1500-1599
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The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time - whether painter or sculptor, major or minor - who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. 'The Italian Renaissance altarpiece' is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece - 'immagini' (icons), 'historie' (narratives), and 'misteri' (mysteries) - and is illustrated with 250 beautiful reproductions of the artworks
Iconography --- altarpieces --- religious art --- Italian Renaissance-Baroque styles --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Altarpieces, Renaissance --- Retables de la Renaissance
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Christian special devotions --- Conservation. Restoration --- Iconography --- Painting --- restoration [process] --- iconography --- retables [altar appendage] --- saints --- easel paintings [paintings by form] --- Orley, Everaert van --- Sint-Jacobskerk [Antwerpen] --- anno 1500-1599
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Conservation. Restoration --- Art --- altarpieces --- retables [altar appendage] --- technical art history --- anno 1400-1499 --- Lüneburg --- kunstgeschiedenis --- wetenschappelijk onderzoek --- retabels --- St.- Michaelis-klooster (Lüneburg) --- Meester Bertram --- 14de eeuw --- 15de eeuw --- Duitsland --- Vlaanderen --- kunstgeschiedenis. --- wetenschappelijk onderzoek. --- retabels. --- St- Michaelis-klooster (Lüneburg). --- Meester Bertram. --- 14de eeuw. --- 15de eeuw. --- Lüneburg. --- Duitsland. --- Vlaanderen. --- Christelijke kunst
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In der fürstlichen Sammeltätigkeit der Frühen Neuzeit lässt sich eine bisher kaum erforschte Form des Umgangs mit sakralen Bildern beobachten: der Ersatz von Altarbildern durch Kopien, die im Kirchenraum verblieben, während die Originale in höfischen Besitz übergingen. Wie kam es zu dieser Aneignung der Bilder? Änderte sich ihre Funktion mit dem Standortwechsel? Welche Rolle fiel der Kopie zu? Antonia Putzger geht diesen Fragen anhand von Altarbildern Rogier van der Weydens, Jan van Eycks und Albrecht Dürers nach. Sie untersucht, ob der veränderte Präsentationszusammenhang auch einen Wandel in der religiösen und ästhetischen Rezeption jener Werke bedeutete. Der vermeintliche Gegensatz von Kult und Kunst am Übergang vom Spätmittelalter zur Frühen Neuzeit wird so produktiv hinterfragt.
Painting --- altarpieces --- replicas --- originals [objects] --- Pasture, de le, Roger --- Dürer, Albrecht --- Eyck, van, Jan --- anno 1500-1799 --- anno 1400-1499 --- Coxie, Michiel [Elder] --- Art --- Altarpieces --- Christian art and symbolism --- Reproduction of works of art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Reproduction --- Weyden, Rogier van der, --- Eyck, Jan van, --- Dürer, Albrecht, --- Durer, Albert --- Van Eyck, Jan --- van Eyck, Jan --- Ėĭk, I︠A︡n van, --- Eyck, Jean van, --- Van der Weyden, Rogier --- de le Pasture, Roger --- Criticism and interpretation. --- van der Weyden, Rogier --- Weyden, Rogier van der --- altaarstukken --- kunst (+ kopie, kopiëren) --- Eyck, Jan van --- Coxcie, Michiel --- altaarstukken. --- kunst (+ kopie, kopiëren). --- van der Weyden, Rogier. --- van Eyck, Jan. --- Dürer, Albrecht. --- Coxcie, Michiel.
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