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Painting --- painting [image-making] --- altarpieces --- Bellingen

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Painting --- workshops [organizations] --- painting [image-making] --- cooperation --- Rubens, Peter Paul

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Jean-Baptiste Du Bos' is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke's empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.

Philosophy --- Mental philosophy --- Humanities --- Painting --- Poetry --- French literature --- painting [image-making] --- poetry

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Painting --- painting [image-making] --- easel paintings [paintings by form] --- anno 1800-1999 --- Belgium

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Aesthetics of art --- Painting --- painting [image-making] --- communication [function] --- receptiegeschiedenis --- anno 1500-1799