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"What happens when the defining moment of your life might be a figment of your imagination? How do you understand — and live with — definitive feelings of having been abused when the origin of those feelings won’t adhere to a singular event but are rather diffused across years of experience?In Bullied: The Story of an Abuse, Jonathan Alexander meditates on how, as a young man, he struggled with the realization that the story he’d been telling himself about being abused by a favorite uncle as a child might actually just have been a “story” — a story he told himself and others to justify both his lifelong struggle with anxiety and to explain his attraction to other men. Story though it was, Alexander maintains that some form of abuse did occur.In writing that is at turns reflective, analytic, and hallucinatory, Alexander traces what it means to suffer homophobic abuse when such is diffused across multiple actors and locales, implicating a family, a school, a culture, and a politics — as opposed to a singular individual who just happened to be the only openly gay man in young Alexander’s life.Along the way, Alexander reflects on Jussie Smollett, drug abuse, MAGA-capped boys, sadomasochism, Catholic priests, cruising, teaching young adult fiction about rape, and a host of other oddly but intimately related topics."

BDSM;bullying;coming out;LGBT;memoir;sexual abuse;trauma

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"What happens when the defining moment of your life might be a figment of your imagination? How do you understand — and live with — definitive feelings of having been abused when the origin of those feelings won’t adhere to a singular event but are rather diffused across years of experience?In Bullied: The Story of an Abuse, Jonathan Alexander meditates on how, as a young man, he struggled with the realization that the story he’d been telling himself about being abused by a favorite uncle as a child might actually just have been a “story” — a story he told himself and others to justify both his lifelong struggle with anxiety and to explain his attraction to other men. Story though it was, Alexander maintains that some form of abuse did occur.In writing that is at turns reflective, analytic, and hallucinatory, Alexander traces what it means to suffer homophobic abuse when such is diffused across multiple actors and locales, implicating a family, a school, a culture, and a politics — as opposed to a singular individual who just happened to be the only openly gay man in young Alexander’s life.Along the way, Alexander reflects on Jussie Smollett, drug abuse, MAGA-capped boys, sadomasochism, Catholic priests, cruising, teaching young adult fiction about rape, and a host of other oddly but intimately related topics."

Of specific Gay interest --- Memoirs --- BDSM;bullying;coming out;LGBT;memoir;sexual abuse;trauma

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Winner of the prestigious Casa de las Américas Prize, this work spins a heartfelt story of an improbable relationship between an anthropologist and her charismatic Indigenous father. When Aparecida Vilaça first traveled down the remote Negro River in Amazonia, she expected to come back with notebooks and tapes full of observations about the Indigenous Wari' people—but not with a new father. In Paletó and Me, Vilaça shares her life with her adoptive Wari' family, and the profound personal transformations involved in becoming kin. Paletó—unfailingly charming, always prepared with a joke—shines with life in Vilaça's account of their unusual father-daughter relationship. Paletó was many things: he was a survivor, who lived through the arrival of violent invaders and diseases. He was a leader, who taught through laughter and care, spoke softly, yet was always ready to jump into the unknown. He could shift seamlessly between the roles of the observer and the observed, and in his visits to Rio de Janeiro, deconstructs urban social conventions with ease and wit. Begun the day after Paletó's death at the age of 85, Paletó and Me is a celebration of life, weaving together the author's own memories of learning the lifeways of Indigenous Amazonia with her father's testimony to Wari' persistence in the face of colonization. Speaking from the heart as both anthropologist and daughter, Vilaça offers an intimate look at Indigenous lives in Brazil over nearly a century.

Women ethnologists --- Pakaasnovos Indians --- Vilaça, Aparecida, --- Amazonia. --- Brazil. --- anthropology. --- epidemics. --- fieldwork. --- first contact. --- indigenous biography. --- life stories. --- memoir. --- personal account.

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The correspondence of Hannah Whitman Heyde (1823-1908), younger sister of poet Walt Whitman, provides a rare glimpse into the life of a nineteenth-century woman. Married to well-known Vermont landscape artist Charles Louis Heyde (1820-1892), Hannah documented in letters to her mother, Louisa Van Velsor Whitman (1795-1873), and other family members, her lived experience of ongoing physical and emotional abuse at the hands of her husband. Hannah has long been characterized in biographical and scholarly studies of Whitman’s family as a neurotic and a hypochondriac—a narrative promulgated by Heyde himself—but Walt Whitman carefully preserved his sister’s letters, telling his literary biographer that his intention was to document her plight. Hannah’s complete letters, gathered here for the first time and painstakingly edited and annotated by Maire Mullins, provide an important counternarrative, allowing readers insight into the life of a real nineteenth-century woman, sister, and wife to famous men, who endured and eventually survived domestic violence.

Abused wives --- Heyde, Hannah Louisa Whitman, --- Heyde, Charles Louis, --- Whitman, Walt, --- Family. --- women writers, domestic violence, correspondence, letters, Hannah Whitman Heyde, Walt Whitman's sister, Walt Whitman, biography, memoir, nineteenth-century women, Charles Louis Heyde, emotional abuse, physical abuse.

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Millions of people are displaced each year by war, persecution, and famine and the global refugee population continues to grow. Canada has often been regarded as a benevolent country, welcoming refugees from around the globe. However, refugees have encountered varying kinds of reception in Canada. Finding Refuge in Canada: Narratives of Dislocation is a collection of personal narratives about the refugee experience in Canada. It includes critical perspectives from authors from diverse backgrounds, including refugees, advocates, front-line workers, private sponsors, and civil servants. The narratives collected here confront dominant public discourse about refugee identities and histories and provide deep insight into the social, political, and cultural challenges and opportunities that refugees experience in Canada. Contributors consider Canada’s response to various groups of refugees and how Canadian perspectives on war, conflict, and peace are constructed through the refugee support experience. These individual stories humanize the global refugee crisis and challenge readers to reflect on the transformative potential of more equitable policies and processes. Contributions by Howard Adelman, Irene Boisier Policzer, Shelley Campagnola, Matida Daffeh, Eusebio Garcia, Julia Holland, Bill Janzen, Katharine Lake Berz, Michael Molloy, Adam Policzer, Pablo Policzer, Victor Porter, Boban Stojanović, Cyrus Sundar Singh, and Flora Terah.

Refugees --- BIPOC stories. --- allyship. --- asylum seeker. --- asylum. --- autobiography. --- detention center. --- emergency aid. --- family history. --- first generation. --- human rights watch. --- human rights. --- identity. --- memoir. --- migrant crisis. --- migrant. --- migration. --- overcrowding. --- red cross. --- refugee camp. --- rescue. --- white allies. --- witness.