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“This book makes a significant contribution to the latest understanding of the cultural and historical dialogues between Asia and Latin America. It brilliantly incorporates essays that highlight a current cultural history manifested through global Asian immigration to Latin America; the reception and translation of Latin American narratives in China, India, and Korea; as well as Nikkei identities and travel writing. Written by a group of international and intergenerational scholars, this volume provides original interpretations and revisions of the intersections between East and West.” - Araceli Tinajero, The Graduate Center/The City College of New York, USA This book brings together a group of leading and emerging scholars on the history of cultural and literary interactions between Asia and Latin America. Through a number of interlinked case studies, contributors examine how different forms of Asia-Latin America dialogues are embedded in various national and local contexts. The volume is divided in four parts: 1) Asian hybrid identities and Latin American transnational narratives; 2) translations and reception of Latin American narratives in Asia; 3) diffracted worlds of Nikkei identities; and 4) interweaving of Asian and Latin American narratives and travel chronicles. Through the lens of modern globality and Transpacific Studies, the contributions inaugurate a perspective that has, until recently, been neglected by Asian and Latin American cultural studies, while offering an incisive theoretical discussion and detailed textual analysis. Axel Gasquet is Professor of Latin American literature and culture at University Clermont Auvergne, France, and principal researcher at IHRIM of French National Council for Scientific Research (CNRS). Gorica Majstorovic is Professor of Spanish and Latin American & Caribbean Studies Coordinator at Stockton University, USA.
Latin American literature --- History and criticism. --- Ethnology --- Culture. --- Latin American Culture. --- Asian Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Latin America. --- Asia. --- Social aspects
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Attempting to connect the academic discussion around the anthropology and philosophy of the emotions to real-life, everyday experiences, this collection brings together concrete cases and situations arising from specific social and political contexts throughout the Americas. In particular, the authors explore how emotions are generated, constructed, discovered, manipulated, and experienced throughout the Americas by exploring undertheorized topics ranging from investigating the emotional lives of prisoners in Colombia and Brazil who have committed “crimes of passion,” to Colombian soldiers’ experiences of core “emotional events,” to the role of emotions in immigration policy in the United States, to how emotions affect educators’ abilities to teach certain material. Taken as a whole, this innovative, interdisciplinary, collection of original essays is not merely comparative, but rather seeks to bring voices and methodologies from North and South America into conversation to generate innovative analyses and ways to reflect about emotions in response to violence, state policies, and educational systems.
Ethnology. --- Emotions. --- Ethnology—Latin America. --- Social sciences—Philosophy. --- Social Anthropology. --- Emotion. --- Latin American Culture. --- Social Philosophy. --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Emotions
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The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- American Culture. --- American Literature. --- Literary Theory. --- Romanticism. --- American literature --- Romanticism --- History and criticism. --- History --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- 1800-1999 --- United States.
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This book interrogates the nature and state of African American citizenship through the prism of Social Contract Theory. Challenging the United States’ commitment to African American citizenship, this book explores the idea of Social Nullification, the decision to reject, revoke and re-define the social contract with a state and society. Charles F. Peterson surveys the history of Social Contract Theory, examines Nullification as political and legal theory, argues public policy as a measure of the state’s commitment to the contractarian relationship and frames the writings and activism of Martin R. Delany, Ida B. Wells-Barnett and the African American Reparations Movement as examples of Social Nullification and challenges to the terms of Black life in America. Charles F. Peterson is an Associate Professor of Africana Studies at Oberlin College, USA. Dr. Peterson writes on Africana political theory and aesthetics, and is a co-editor of Sons of Lovers: An Anthology of Poetry by Black Men (2000) and De-Colonizing the Academy (2003), and author of DuBois, Fanon and Cabral: The Margins of Anti-Colonial Leadership (2007). He lives in Oberlin, OH where he has served as a five-term City Councilperson.
Political science --- African Americans. --- Culture. --- Political science. --- Political Philosophy. --- African American Culture. --- Political Science. --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- African Americans --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Political philosophy --- Philosophy. --- Social aspects --- United States --- History
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This book examines Donald M. Allen’s crucially influential poetry anthology The New American Poetry, 1945–1960, from the perspectives of American Cold War nationalism and literary transnationalism, considering how the anthology expresses and challenges Cold War norms, claiming post-war Anglophone poetic innovation for the United States and reflecting the conservative American society of the 1950s. Examining the crossroads of politics, social life, and literature during the Cold War, this book puts Allen’s anthology into its proper context and reveals how the editor was influenced by the volatile climate of nationalism and politics that pervaded every aspect of American life during the Cold War. Reconsidering the dramatic influence that Allen’s anthology has had on the way we think about American poetry and the way we anthologize it, and recontextualizing The New American Poetry as a document of the Cold War, this study not only helps us come to a more accurate understanding of how the anthology came into being, but also encourages new ways of thinking about Anglophone poetry as a whole, in the twentieth century and today. Stephan Delbos is a Senior Lecturer in the Department of Anglophone Literatures and Cultures at Charles University, Prague. He has published several volumes of poetry and translation. In 2020 he was named the first Poet Laureate of Plymouth, Massachusetts. His most recent book is Small Talk (2021).
New American poetry, 1945-1960. --- American poetry --- Nationalism in literature. --- History and criticism. --- Poetry. --- America --- Literature --- United States --- Ethnology --- Culture. --- Literature, Modern --- Poetry and Poetics. --- North American Literature. --- Literary Aesthetics. --- US History. --- American Culture. --- Twentieth-Century Literature. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Aesthetics --- Poems --- Poetry --- Verses (Poetry) --- Literatures. --- Aesthetics. --- History. --- America. --- 20th century. --- Social aspects --- Philosophy
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Connecting multiple academic areas, this book addresses three aspects of the poetry of José Watanabe: 1) the construction of "Japaneseness" in the poetic works and public figure of the poet, 2) the skillful manipulation of literary devices characteristic of his poetry, 3) the unique sensibilities and moods of ephemerality and ineffableness prevalent in his poetic works. The trans/interdisciplinary nature of the book intends to promote a dialogue and exchange of ideas across academic fields neglected in most studies on the Peruvian poet. Written by researchers based in Japan, it offers a unique perspective of Japanese cultural phenomenon unavailable in previous studies. The goal of the book is to shed light on how Japan continues to be seen by the West through essentialist notions and stereotypical representations, as well as to highlight the fact that the literary quality of Watanabe's poetic artistry does not reside in it being "Japanese" and can be appreciated without resorting to essentialist categorizations based on positive Japanese stereotypes.
Philosophy and psychology of culture --- Sociology of culture --- Migration. Refugees --- Ethnology. Cultural anthropology --- Linguistics --- Poetry --- History of civilization --- niet-westerse cultuur --- etnologie --- cultuur --- linguïstiek --- poëzie --- migratie (mensen) --- Asia --- Latin America --- Latin American Culture --- Asian Culture --- Diaspora --- Poetry and Poetics --- Literature, general --- Ethnology --- Emigration and immigration --- Watanabe, José --- Watanabe, José
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This book offers an in-depth analysis of Janelle Monáe’s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018. In the previous decade, Janelle Monáe has developed into a global media personality who effortlessly unites speculative world-building with social and political activism. Across the intersecting album and film that together make up Dirty Computer, Monáe brings together the science-fictional themes that informed her previous work, resulting in a powerfully focused artistic and political statement. While the music on the album can be enjoyed as an accessible collection of pop tracks, the accompanying film, music videos, and media paratexts add layers of meaning that combine speculative world-building with anti-racist activism. This unique convergence of energies, ideas, and media platforms has made Dirty Computer a new classic of Afrofuturist science fiction.
Philosophy and psychology of culture --- Sociology of culture --- International relations. Foreign policy --- populaire cultuur --- cultuur --- Amerikaanse cultuur --- United States of America --- America --- Popular music. --- African Americans. --- Culture. --- Music --- Popular Culture. --- Popular Music. --- African American Culture. --- Contemporary Music. --- History and criticism. --- Popular culture.
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Following the 1960s, the decade's focus on consciousness-raising transformed into an array of intellectual projects far afield of movement politics. The mind's powers came to preoccupy a range of thinkers and writers: ethicists pursuing contractual theories of justice, radical ecologists interested in the paleolithic brain, cultists, and the devout of both evangelical and New Age persuasions. This book presents a boldly revisionist argument about the revival of subjectivity in postmodern American culture, connecting familiar figures within the intellectual landscape of the 1970s who share a commitment to what the book calls 'neo-idealism' as a weapon in the struggle against discredited materialist and behaviorist worldviews.
Literature --- Neoliberalism in popular culture. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature and philosophy --- Philosophy and literature --- Popular culture --- Philosophy. --- Philosophy --- Theory --- Nineteen seventies --- Libertarianism in literature. --- Social values. --- Self-consciousness (Awareness) --- Autonomy (Philosophy) --- History. --- Self-awareness --- Self-consciousness --- Consciousness --- Values --- 1970s --- 70s (Twentieth century decade) --- Seventies (Twentieth century decade) --- Twentieth century --- cults in the seventies, libertarianism after the sixties, idealism in modern society, subjectivity in postmodern american culture.
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The Inside Songs of Amiri Baraka examines the full length of Baraka’s discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014. This recorded history traces his evolution from the era of Beat poetry and “projective verse,” through the period of the Black Arts Movement and cultural nationalism, and on to his commitments to “third world Marxism,” which characterized the last decades of his life. The music enfolding Baraka’s recitations ranges from traditional African drumming, to doo wop, rhythm and blues, soul and the avant garde jazz that was his great love and the subject of so much of his writing, and includes both in-studio sessions and live concert performances. This body of work offers a rare opportunity to think about not only jazz/poetry, but the poet in the recording studio and the relations of text to score.
Music and literature. --- Literature and music --- Literature --- Poetry. --- Literature, Modern --- America --- Music. --- African Americans. --- Culture. --- Poetry and Poetics. --- Contemporary Literature. --- North American Literature. --- African American Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- African Americans --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Poems --- Poetry --- Verses (Poetry) --- 20th century. --- 21st century. --- Literatures. --- Social aspects --- Philosophy
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Truth to Post-Truth in American Detective Fiction examines questions of truth and relativism, turning to detectives, both real and imagined, from Poe’s C. Auguste Dupin to Robert Mueller, to establish an oblique history of the path from a world where not believing in truth was unthinkable to the present, where it is common to believe that objective truth is a remnant of a simpler, more naïve time. Examining detective stories both literary and popular including hard-boiled, postmodern, and twenty-first century novels, the book establishes that examining detective fiction allows for a unique view of this progression to post-truth since the detective’s ultimate job is to take the reader from doubt to belief. David Riddle Watson shows that objectivity is intersubjectivity, arguing that the belief in multiple worlds is ultimately what sustains the illusion of relativism.
Detective and mystery stories, American --- Truth in literature. --- History and criticism. --- Literature, Modern --- America --- Language and languages --- Rhetoric. --- Metaphysics. --- Mass media and crime. --- Ethnology --- Culture. --- Contemporary Literature. --- North American Literature. --- Rhetorics. --- Crime and the Media. --- American Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Crime and mass media --- Crime --- Philosophy --- God --- Ontology --- Philosophy of mind --- Speaking --- Authorship --- Expression --- Literary style --- Linguostylistics --- Stylistics --- Literature --- 20th century. --- 21st century. --- Literatures. --- Style. --- America. --- Social aspects --- Rhetoric
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