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Kunst --- Zelfportretten --- België --- 2000-
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Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Self-portraits --- Women artists --- Self-perception in women --- History --- Women --- Artists, Women --- Women as artists --- Artists --- Portraits --- Psychology --- 75.041 --- Thema's in de schilderkunst ; zelfportretten van vrouwen --- Vrouwelijke kunstenaars --- Portretten; zelfportretten --- Schilderkunst ; de mens, portretten --- Sociology of the family. Sociology of sexuality --- Painting --- History of civilization --- self-portraits --- women [female humans] --- anno 1500-1799 --- anno 1800-1999 --- easel paintings [paintings by form] --- vrouwelijke kunstenaars --- geschiedenis --- zelfportretten --- naakt --- Women painters --- Feminism and the arts --- vrouwelijke kunstenaars. --- geschiedenis. --- zelfportretten. --- naakt. --- vrouwelijke kunstenaar
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En 18 chapitres, largement illustrés de photographies, l'auteure mène l'enquête pour percer le(s) secret(s) de la plus mystérieuse des femmes photographes, dont l'œuvre fut découverte par hasard lors de l'achat d'un lot de photographies anonymes au cours d'une vente aux enchères.
fotografie --- straatfotografie --- portretfotografie --- zelfportretten --- Verenigde Staten --- Maier Vivian --- twintigste eeuw --- 77.071 MAIER --- Women photographers --- Portrait photography --- Photography --- Photography, Artistic --- Social aspects --- Maier, Vivian, --- 750 --- photographie
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Women artists --- Women artists. --- History --- Exhibitions. --- 1500-1699 --- Italy. --- Painting --- History of civilization --- art history --- easel paintings [paintings by form] --- anno 1500-1599 --- anno 1600-1699 --- Italy --- vrouwelijke kunstenaars --- renaissance --- barok --- zelfportretten --- academies --- Garzoni, Giovanna --- Gentileschi, Artemisia --- Vasari, Giorgio --- 16de eeuw --- 17de eeuw --- Italië --- Turijn --- vrouwelijke kunstenaars. --- renaissance. --- zelfportretten. --- academies. --- Garzoni, Giovanna. --- Gentileschi, Artemisia. --- Vasari, Giorgio. --- 16de eeuw. --- 17de eeuw. --- Italië. --- Turijn. --- vrouwelijke kunstenaar
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"Omar Victor Diop is a self-taught artist and at forty-one he is one of the leading photographers of his generation. His work is part of the African tradition of studio photography, which includes the pictures of Seydou Keïta, Mama Casset and Malick Sidibé. At the same time, although being in full command of the technique, he has also chosen gradually to distance himself from it. This book, co-published with Galerie MAGNIN-A in Paris, for the first time brings together the photographer’s last three emblematic series: Diaspora (2014), Liberty (2017) and Allegoria (2021)"--Publisher's website.
Africans --- Photography, Artistic --- Portrait photography --- fotografie --- portretfotografie --- zelfportretten --- eenentwintigste eeuw --- Afrika --- Senegal --- Frankrijk --- Diop Omar Victor --- 77.071 DIOP --- Photography --- Portraiture --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Ethnology --- Portraits --- Aesthetics --- Diop, Omar Victor, --- commercial portraiture --- Diop, Omar Victor --- Africa
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Painting --- self-portraits --- easel paintings [paintings by form] --- vriendschap --- vrouwelijke kunstenaar --- Art: persons --- anno 1800-1899 --- Paris --- Scandinavia and Iceland --- vrouwelijke kunstenaars --- atelier --- zelfportretten --- Beck, Julia --- Bauck, Jeanna --- Thorell, Hildegard --- Wegmann, Bertha --- Soldan, Venny --- Bonnier, Eva --- 1880 - 1890 --- 19de eeuw --- Scandinavië --- Parijs
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Tot de twintigste eeuw waren het voornamelijk mannen die de kunstgeschiedenis vastlegden en mannen die in de kunstgeschiedenis werden opgenomen. De rol van vrouwen werd steevast genegeerd. Maar ondanks de vele obstakels, van wetten en religies tot de druk van familieleden en de afkeuring van het volk, hebben vrouwen altijd een belangrijke rol gespeeld in de kunst. In *Spiegel en palet* geeft Jennifer Higgie een overzicht van 500 jaar kunstgeschiedenis aan de hand van vrouwelijke zelfportretten. Een geschiedenis vol verhalen over rebellie, avontuur, revolutie, reizen en tragedie. Met in de hoofdrol de vrouwen die conventies de rug toekeerden en een leven leidden vol kracht, creativiteit en moed. Op basis van hun verhalen komt Higgie tot een belangrijke herziening van eeuwen kunstgeschiedenis.
kunst --- gender studies --- feminisme --- portretschilderkunst --- 75.041 --- zelfportret --- portret --- 75.03 --- kunstgeschiedenis --- schilderkunst --- 738.2 --- portretfotografie --- emancipatie --- vrouwen in kunst --- genderexpressie --- gender --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Painting --- self-portraits --- anno 1500-1799 --- anno 1800-1999 --- Iconography --- Art --- art history --- vrouw in de kunst --- Kunst en vrouwen --- Geschiedenis --- Vrouwen in de kunst --- Zelfportretten --- Zelfportret --- vrouwelijke kunstenaar
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At the center of the catalogue *CLOSE-UP* are nine women artists, all of whom concentrated upon portraits and self-portraits and represent outstanding, exemplary positions in the history of modernism since 1870. Here, the interest is in each artist's specific view of her surroundings, as it is expressed in portraits and self-portraits, and how this gaze has changed between 1870 and today. In essays by renowned authors, this is examined through the theme "artists and their models." In the selection of models, and in the way they are shown, the concept of the portraits as held by Morisot, Cassat, Modersohn-Becker, Lasersteing, Neel, Kahlo, Dumas, Sherman, and Peyton is expressed.
Women artists --- Women in art --- 75.041 --- Vrouwelijke kunstenaars ; portretteren vrouwen --- 7.041 --- Zelfportretten --- Beeldende kunstenaar ; beroep ; vak ; bedrijf --- Artists, Women --- Women as artists --- Artists --- Schilderkunst ; de mens, portretten --- Iconografie ; de mens, portretten --- Exhibitions --- Modersohn-Becker, Paula --- Kahlo, Frida --- Cassatt, Mary --- Dumas, Marlene --- Neel, Alice --- Morisot, Berthe Marie Pauline --- Sherman, Cindy --- Peyton, Elisabeth --- Vrouwelijke kunstenaars --- Painting, Modern --- Portrait painting --- vrouwelijke kunstenaars --- Bashkirtseff, Marie --- Morisot, Berthe --- Peyton, Elizabeth --- Laserstein, Lotte --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- vrouwelijke kunstenaar --- vrouwelijke kunstenaars. --- Bashkirtseff, Marie. --- Morisot, Berthe. --- Dumas, Marlene. --- Cassatt, Mary. --- Neel, Alice. --- Modersohn-Becker, Paula. --- Sherman, Cindy. --- Peyton, Elizabeth. --- Laserstein, Lotte. --- Kahlo, Frida. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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