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Understanding Alice Walker serves both as an introduction to the Pulitzer Prize and National Book Award winner's large body of work and as a critical analysis of her multifaceted canon. Thadious M. Davis begins with Walker's biography and her formative experiences in the South and then presents ways of accessing and reading Walker's complex, interconnected, and sociopolitically invested career in writing fiction, poetry, critical essays, and meditations. Although best known for her novel The Color Purple and her landmark essays In Search of Our Mothers' Gardens: Womanist Prose, Walker began her career with Once: Poems, The Third Life of Grange Copeland, and In Love and Trouble: Stories of Black Women. She has remained committed not merely to writing in multiple genres but also to conveying narratives of the hope and transformation possible within the human condition and as visualized through the lens of race and gender. Davis traces Walker's literary voice as it emerges from the civil rights and feminist movements to encourage an individual and collective search for justice and joy and then evolves into forceful advocacy for world peace, spiritual liberation, and environmental conservancy. Her writing, a rich amalgamation of the cutting-edge and popular, the new-age and difficult, continues to be paradigm shifting and among the most important produced in the last half of the twentieth century and among the most consistently prophetic in the first part of the twenty-first century.
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The authors tell the story of the steamship Robert J. Walker, an early coastal survey ship for the agency that would later become the National Oceanic and Atmospheric Administration (NOAA), that sank with loss of 21 crew off the coast of New Jersey in 1860.
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Women --- Women intellectuals. --- Intellectuals --- Stockard, Sallie Walker.
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Madam C. J. Walker-reputed to be America's first self-made woman millionaire-has long been celebrated for her rags-to-riches story. Born to former slaves in the Louisiana Delta in the aftermath of the Civil War, married at fourteen, and widowed at twenty, Walker spent the first decades of her life as a laundress, laboring in conditions that paralleled the lives of countless poor and working-class African American women. By the time of her death in 1919, however, Walker had refashioned herself into one of the most famous African American figures in the nation: the owner and president of a hair-care empire and a philanthropist wealthy enough to own a country estate near the Rockefellers in the prestigious New York town of Irvington-on-Hudson. In this biography, Erica Ball places this remarkable and largely forgotten life story in the context of Walker's times. Ball analyzes Walker's remarkable acts of self-fashioning, and explores the ways that Walker (and the Walker brand) enabled a new generation of African Americans to bridge the gap between a nineteenth-century agrarian past and a twentieth-century future as urban-dwelling consumers.
Businesswomen --- Women philanthropists --- Women millionaires --- Walker, C. J., --- United States.
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Mount Olivet Baptist Church (New York --- N.Y.) --- Walker --- Charles T. (Charles Thomas) --- 1858-1921
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Mount Olivet Baptist Church (New York --- N.Y.) --- Walker --- Charles T. (Charles Thomas) --- 1858-1921
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Founder of a beauty empire, Madam C.J. Walker was celebrated as America's first self-made female millionaire in the early 1900s. Known as a leading African American entrepreneur, Walker was also devoted to an activist philanthropy aimed at empowering African Americans and challenging the injustices inflicted by Jim Crow. Tyrone McKinley Freeman's biography highlights how giving shaped Walker's life before and after she became wealthy. Poor and widowed when she arrived in St. Louis in her twenties, Walker found mentorship among black churchgoers and working black women. Her adoption of faith, racial uplift, education, and self-help soon informed her dedication to assisting black women's entrepreneurship, financial independence, and activism.
African American women executives --- Women philanthropists --- Philanthropists --- Women benefactors --- Afro-American women executives --- Women executives, African American --- Women executives --- Walker, C. J., --- Breedlove, Sarah, --- Walker, --- Walker, Sarah Breedlove, --- African American executives --- African American philanthropists --- Cosmetics industry --- History. --- Aesthetics industry --- Beauty services industry --- Toilet preparations industry --- Philanthropists, African American --- Afro-American executives --- Executives, African American --- Negro executives --- Executives
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This volume provides an exciting opportunity to delve into the creative process of Kara Walker, one of the most celebrated artists working in the United States today. Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother.More than 700 works on paper created between 1992 and 2020?which are reproduced in print for the first time from the artist?s own strictly guarded private archive?are collected in this volume, thus capturing Walker?s career with an unprecedented level of intimacy. Since the early 1990s, the foundation of her artistic production has been drawing and working on paper in various ways.Walker?s completed large-format pieces are presented among typewritten notes on index cards and dream journal entries; sketches and studies for pieces appear alongside collages. The result is a volume that allows readers to become eyewitnesses to the genesis of Walker?s art and the transformative power of the figures and narratives she has created over the course of her career.https://www.copyrightbookshop.be/shop/kara-walker-a-black-hole-is-everything-a-star-longs-to-be/
Art --- collages [visual works] --- drawings [visual works] --- prints [visual works] --- sexuality --- colonization --- violence --- texts [documents] --- human figures [visual works] --- gender [sociological concept] --- Walker, Kara --- African American --- #breakthecanon --- African Americans in art --- Blacks in art --- Slavery in art --- Race in art --- Silhouettes --- Racisme --- Dessin --- History --- Walker, Kara Elizabeth --- Beeldhouwkunst --- Silhouet --- Schilderkunst --- Black people in art --- kunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Afro-Amerikaanse kunst --- afro-amerikanen --- slavernij --- Walker Kara --- gender studies --- kunst en politiek --- tekenkunst --- racisme --- 741.071 WALKER --- Cut-out craft --- Portraits --- African Americans in art - Exhibitions --- Blacks in art - Exhibitions --- Slavery in art - Exhibitions --- Race in art - Exhibitions --- Silhouettes - United States - History - 21st century - Exhibitions --- Walker, Kara Elizabeth - Exhibitions --- dekolonisatie
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