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A book that proposes a typology of nonverbal elements - or transitional spaces between image and scripture in novels, short stories, and essays. On The Self-Reflexive Page II is part artist’s book and part essay, part literary excavation and part typographical miscellany. For this new edition, that follows the 2010 version, Lüthi has significantly expanded and revised the original material. [publisher's note]
Art --- typography --- Lüthi, Louis
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Mathematical optimization. --- Graphic design (Typography) --- Data processing.
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graphic design --- typography --- artistieke fotografie --- Fella, Edward
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An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed today. The Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look, one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. --Letterform Archive
Graphic arts --- Graphic design (Typography) --- Advertising layout and typography --- Art schools --- History --- Bauhaus
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"Combining typefaces is one of the great challenges and, at the same time, a continuing allure for typographers and designers: is it meant to be extravagant or should it only be carried out to a limited degree or, ideally, not at all? Which fonts harmonize with each other, and which don't? Which ones complement each other or even enhance each other? There are few answers to be found in the professional literature. This handbook demonstrates that it is possible to determine criteria for the combining of typefaces. By looking at the shape of typefaces in detail and creating a revised classification of fonts, it conveys a deeper understanding of the diversity of typefaces and, based on a systematic analysis of analogy and contrast, it establishes the urgently necessary findings required for combining typefaces. An indispensable standard work for typographers and graphic designers"--
Graphics industry --- typography --- digital design --- typografie --- lettertype --- drukkunst
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Book history --- Graphic arts --- graphic design --- typefaces [type forms] --- typography
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Caught by the corner of the eye off to the side when looking straight ahead ; a text not read but glimpsed at.
Graphic arts --- typography --- alphabets [symbols] --- type design --- Fekete, Kristina
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**Lucien1958**: a typeface based on the typographic- and posterwork of Lucien Deroeck on the occasion of the 1958 world exhibition in Brussels. Redesigned and expanded with additional glyphs, only uppercase, numbers, punctuations and special glyphs.
Graphic signs --- Graphic arts --- typefaces [type forms] --- typography --- Deroeck, Lucien
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"Visualizing with Text uncovers the rich palette of text elements usable in visualizations from simple labels through to documents. Using a multidisciplinary research effort spanning across fields including visualization, typography, and cartography, it builds a solid foundation for the design space of text in visualization. The book illustrates many new kinds of visualizations, including microtext lines, skim formatting, and typographic sets that solve some of the shortcomings of well-known visualization techniques"--
Information visualization. --- Graphic design (Typography) --- Charts, diagrams, etc.
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