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Storytelling --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance

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Branding (Marketing) --- Brand name products. --- Storytelling. --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Brand names --- Branded merchandise --- Merchandise, Branded --- Name brand products --- Business names --- Commercial products --- Trademarks --- Brand name products --- Marketing --- Advertising --- Performance

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"Analyzes six narratives that illustrate the breadth of the (relatively isolated) Mayan Chuj storytelling tradition, from ancient mythology to current events and from intimate tales of local affairs to borrowedstories"--

Tales. --- Storytelling. --- Maya mythology. --- SOCIAL SCIENCE / General. --- Tales --- Storytelling --- Mythologie maya. --- Chuj language --- Chuj Indians --- Texts. --- Folklore. --- Guatemala --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Mythology, Maya --- Chuh Indians --- Chuhe Indians --- Chuje Indians --- Chujean Indians --- San Mateo Ixtatan Chuj Indians --- Indians of Central America --- Mayas --- Folk tales --- Folktales --- Folk literature --- Chuh language --- Chujean language --- Mayan languages --- Performance --- Gvatemala --- Goatemala --- Republic of Guatemala --- República de Guatemala --- Central America (Federal Republic) --- Society and culture: general

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Shakespeare’s Storytelling: An Introduction to Genre, Character, and Technique is a textbook focused on specific storytelling techniques and genres that Shakespeare invented or refined. Drawing on examples from popular novels, plays, and films (such as IT, Beloved, Sex and the City, The Godfather, and Fences) the book provides an overview of how Shakespearean storytelling techniques such as character flaws, conflicts, symbols, and more have been adapted by later writers and used in the modern canon. Rather than taking a historicist or theoretical approach, Nate Eastman uses recognizable references and engaging language to teach the concepts and techniques most applicable to the future study of Creative Writing, English, Theater, and Film and Media. Students will be prepared to interpret Shakespeare’s plays and understand Shakespeare as the beginning of a literary tradition. A readable and short introduction to Shakespeare and his significance, this book is suitable for undergraduates.

Literature, Modern. --- Creative writing. --- Drama. --- Performing arts. --- Motion pictures. --- Popular Culture. --- Early Modern/Renaissance Literature. --- Creative Writing. --- Performing Arts. --- Film Theory. --- Popular Culture . --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Show business --- Arts --- Performance art --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Modern literature --- Arts, Modern --- History and criticism --- Philosophy --- Storytelling. --- Shakespeare, William, --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- European literature --- Theater. --- Early Modern and Renaissance Literature. --- Theatre and Performance Arts. --- Dramatics --- Histrionics --- Professional theater --- Theatre --- Acting --- Actors --- Literature, Renaissance --- Renaissance literature --- Literature, Modern --- Renaissance, 1450-1600.