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The individuality of the human person is central to any anthropology. For Edith Stein, the individuality or uniqueness of the person lies not only in the person’s unrepeatable history, but refers also to a “personal note”, which is the prerequisite for all human unfolding and which manifests itself in authentic life. From a theological perspective, all human beings “bear in their souls the special and indelible seal of God”. This statement in Finite and Eternal Being leads Edith Stein to reflections related to the doctrine of imago Dei, to the theology of the Body of Christ and to Christian mysticism. In the present work, the author explores personal individuality from both a philosophical and a theological standpoint, at its point of inception in Stein’s thought, and exposes the genesis of her understanding of the essential individuality of each person. This second, revised edition includes an updated status quaestionis and bibliography referencing the relevant secondary literature recently published. Die Frage nach der Individualität der menschlichen Person gehört zu den Schlüsselfragen jeder Anthropologie. Edith Stein versteht unter der Individualität oder Einzigartigkeit der Person nicht nur die Einmaligkeit ihrer Geschichte, sondern eine „persönliche Note“, die für jegliche Entfaltung Voraussetzung ist und sich in einem authentischen Leben bekundet. In theologischer Perspektive darf jeder Mensch sich rühmen, „unmittelbar ein Gotteskind zu sein und ein eigenes unwiederholbares Gottessiegel in seiner Seele zu tragen“. Diese Aussage in ihrem Hauptwerk Endliches und ewiges Sein führt Edith Stein zu Überlegungen im Bereich der imago Dei-Lehre, der Leib-Christi-Theologie und der christlichen Mystik. Der Autor verfolgt die Frage in philosophischer und theologischer Perspektive erstmals im ganzen Werk Edith Steins und zeigt dabei die Entwicklung ihres Verständnisses der wesentlichen Individualität jeder Person auf. Die zweite, ergänzte Auflage arbeitet die Sekundärliteratur zu dieser Thematik bis 2019 ein.
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A Hermeneutics of Contemplative Silence: Paul Ricoeur, Edith Stein, and the Heart of Meaning brings together the work of Paul Ricoeur and Edith Stein and locates the role of silence in the creation of meaning. Michele Kueter Petersen argues that human being is language and silence. Contemplative silence manifests a mode of capable human being whereby a shared world of meaning is constituted and created. The analysis culminates with the claim that a hermeneutics of contemplative silence manifests a deeper level of awareness as a poetics of presencing a shared humanity. The term “awareness” refers to five crucial levels of meaning-creating consciousness that are ingredients in the practice of contemplative silence. Contemplative awareness includes self-critique as integral to the experience and the understanding of the virtuous ordering of relational realities. The practice of contemplative silence is a spiritual and ethical activity that aims at transforming reflexive consciousness. Inasmuch as it leads to openness to new motivation and intention for acting in relation to others, contemplative awareness elicits movement through the ongoing exercise of rethinking those relational realities in and for the world. The texts of Ricoeur and Stein reveal a contemplative discourse of praise and beauty for capable human beings whose actions and suffering respond to word and silence.
Silence --- Contemplation --- Hermeneutics - Religious aspects - Christianity --- Meditation --- Theory of knowledge --- Ricœur, Paul --- Stein, Edith
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The individuality of the human person is central to any anthropology. For Edith Stein, the individuality or uniqueness of the person lies not only in the person’s unrepeatable history, but refers also to a “personal note”, which is the prerequisite for all human unfolding and which manifests itself in authentic life. From a theological perspective, all human beings “bear in their souls the special and indelible seal of God”. This statement in Finite and Eternal Being leads Edith Stein to reflections related to the doctrine of imago Dei, to the theology of the Body of Christ and to Christian mysticism. In the present work, the author explores personal individuality from both a philosophical and a theological standpoint, at its point of inception in Stein’s thought, and exposes the genesis of her understanding of the essential individuality of each person. This second, revised edition includes an updated status quaestionis and bibliography referencing the relevant secondary literature recently published. Die Frage nach der Individualität der menschlichen Person gehört zu den Schlüsselfragen jeder Anthropologie. Edith Stein versteht unter der Individualität oder Einzigartigkeit der Person nicht nur die Einmaligkeit ihrer Geschichte, sondern eine „persönliche Note“, die für jegliche Entfaltung Voraussetzung ist und sich in einem authentischen Leben bekundet. In theologischer Perspektive darf jeder Mensch sich rühmen, „unmittelbar ein Gotteskind zu sein und ein eigenes unwiederholbares Gottessiegel in seiner Seele zu tragen“. Diese Aussage in ihrem Hauptwerk Endliches und ewiges Sein führt Edith Stein zu Überlegungen im Bereich der imago Dei-Lehre, der Leib-Christi-Theologie und der christlichen Mystik. Der Autor verfolgt die Frage in philosophischer und theologischer Perspektive erstmals im ganzen Werk Edith Steins und zeigt dabei die Entwicklung ihres Verständnisses der wesentlichen Individualität jeder Person auf. Die zweite, ergänzte Auflage arbeitet die Sekundärliteratur zu dieser Thematik bis 2019 ein.
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The individuality of the human person is central to any anthropology. For Edith Stein, the individuality or uniqueness of the person lies not only in the person’s unrepeatable history, but refers also to a “personal note”, which is the prerequisite for all human unfolding and which manifests itself in authentic life. From a theological perspective, all human beings “bear in their souls the special and indelible seal of God”. This statement in Finite and Eternal Being leads Edith Stein to reflections related to the doctrine of imago Dei, to the theology of the Body of Christ and to Christian mysticism. In the present work, the author explores personal individuality from both a philosophical and a theological standpoint, at its point of inception in Stein’s thought, and exposes the genesis of her understanding of the essential individuality of each person. This second, revised edition includes an updated status quaestionis and bibliography referencing the relevant secondary literature recently published. Die Frage nach der Individualität der menschlichen Person gehört zu den Schlüsselfragen jeder Anthropologie. Edith Stein versteht unter der Individualität oder Einzigartigkeit der Person nicht nur die Einmaligkeit ihrer Geschichte, sondern eine „persönliche Note“, die für jegliche Entfaltung Voraussetzung ist und sich in einem authentischen Leben bekundet. In theologischer Perspektive darf jeder Mensch sich rühmen, „unmittelbar ein Gotteskind zu sein und ein eigenes unwiederholbares Gottessiegel in seiner Seele zu tragen“. Diese Aussage in ihrem Hauptwerk Endliches und ewiges Sein führt Edith Stein zu Überlegungen im Bereich der imago Dei-Lehre, der Leib-Christi-Theologie und der christlichen Mystik. Der Autor verfolgt die Frage in philosophischer und theologischer Perspektive erstmals im ganzen Werk Edith Steins und zeigt dabei die Entwicklung ihres Verständnisses der wesentlichen Individualität jeder Person auf. Die zweite, ergänzte Auflage arbeitet die Sekundärliteratur zu dieser Thematik bis 2019 ein.
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Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid, prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race, and ethnicity as cultural content in and through poetic and non/narrative forms. The texts reflected on here explore literal and figurative landscapes, linguistic and cultural geographies, sexual borders, and spatial topographies. Ultimately, they offer non-prescriptive models that go beyond expectations for narrative forms, and create textual webs that reflect the diverse realities of multi-ethnic, multi-oriented, multi-linguistic cultural experiences.Readings of Gertrude Stein’s A Geographical History of America, Renee Gladman’s Juice, Pamela Lu’s Pamela: A Novel, Claudia Rankine’s Don’t Let Me Be Lonely, Juliana Spahr’s The Transformation, Theresa Hak Kyung Cha’s Dictée, Gloria Anzaldúa’s Borderlands/La Frontera, and Layli Long Soldier’s WHEREAS show how alternatively narrative modes of writing can expand access to representation, means of identification, and subjective agency, and point to horizons of possibility for new futures. These texts critique essentializing practices in which subjects are defined by specific identity categories, and offer complicated, contextualized, and historical understandings of identity formation through the textual weaving of form and content.
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Both Newman and Stein present a mature response to the challenges of their eras. In like manner they reflect splendid examples of genuine persons in the grip of disrupting cultural trends. They show the primacy of individual conscience and the importance of individual integrity even at the expense of social ostracism and extermination. Newman and Stein are outstanding witnesses of individual freedom vis-à-vis social and political systems. This book uniquely combines the biographies of these two figures in order to show that no matter what kind of circumstances we may live in, loyalty to one's own self is the most significant part of life. "In a penetrating account of Newman and Edith Stein, Jan Kłos explores the spirituality of two saints, each of them 'speaking to our time'. By explorations of their life and work, the author provides a wealth of insights for the twenty-first century. At once sensitive and learned, Jan Kłos's Heart Speaks unto Heart is a volume to be treasured and read again." - Prof. Andrew Breeze, Universidad de Navarra, Spain "In this profound and stimulating study, Kłos invites the reader to think, not so much about Newman and Stein as with them, and thus join them in their unique but mutually illuminating efforts to make sense of their faith, their times (still very much our times), themselves, and, ultimately, the mystery of the truth in whose grasp they both lived and died. In translating Newman's work, Stein discovered herself in communion with him. Heart Speaks unto Heart beautifully explores this communion, and in doing so shows us why it matters." - Prof. Paul Wojda, University of St. Thomas, U.S.A.
Newman, John Henry, --- Stein, Edith, --- Teresia Benedicta a Cruce, --- Benedicta of the Cross, --- Teresa Benedicta of the Cross, --- Teresia Benedicta vom Kreuz, --- Benedicta vom Kreuz, --- Benedicta, --- Stein, Edyta, --- Teresa Benedykta od Krzyża, --- Teresa Benedetta della Croce, --- Newman, John Henry --- Catholicus, --- Newman, --- Author of Loss and gain, --- Newman, J. H. (John Henry), --- Ethics & moral philosophy --- Philosophy --- 19th & 20th Century Philosophy --- Ethics & Moral Philosophy --- Social & Political Philosophy --- Philosophy.
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"Ce livre est le premier d'importance consacré à ce groupe de jeunes artistes du Paris des années 1920, qui ont été les seuls, à l'époque, à essayer de dépasser ce qui s'était figé dans l'art abstrait en poursuivant une nouvelle forme de peinture figurative. Les oeuvres de Christian Bérard, Pavel Tchelitchew, Eugène et Léonide Berman - qui comprenaient également des dessins de théâtre, d'opéra et de ballet - ont suscité l'admiration de Gertrude Stein, George Balanchine, Edith Sitwell et Christian Dior, entre autres. L'oeuvre aux accents souvent nostalgique du groupe, présenté par Patrick Mauriès dans ce livre richement illustré, est une véritable découverte pour le public d'aujourd'hui."--Page 4 of cover.
Art --- Peinture moderne --- Peinture figurative --- Romantisme (art) --- Années 1920. --- Neoromanticism (Art movement) --- Painting, European --- Painting, American --- Painting, American. --- Painting, European. --- 1900-1999 --- Europe. --- United States. --- neoromantiek. --- moderne kunst. --- Stein, Gertrude. --- Bérard, Christian. --- Tchelitchev, Pavel. --- Berman, Eugène. --- Wood, Christopher. --- Waldemar-George. --- 1926 - 1972. --- 20ste eeuw. --- neoromantiek --- moderne kunst --- Stein, Gertrude --- Bérard, Christian --- Tchelitchev, Pavel --- Berman, Eugène --- Wood, Christopher --- Waldemar-George --- 1926 - 1972 --- 20ste eeuw --- Portrait painting
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Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid, prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race, and ethnicity as cultural content in and through poetic and non/narrative forms. The texts reflected on here explore literal and figurative landscapes, linguistic and cultural geographies, sexual borders, and spatial topographies. Ultimately, they offer non-prescriptive models that go beyond expectations for narrative forms, and create textual webs that reflect the diverse realities of multi-ethnic, multi-oriented, multi-linguistic cultural experiences.Readings of Gertrude Stein’s A Geographical History of America, Renee Gladman’s Juice, Pamela Lu’s Pamela: A Novel, Claudia Rankine’s Don’t Let Me Be Lonely, Juliana Spahr’s The Transformation, Theresa Hak Kyung Cha’s Dictée, Gloria Anzaldúa’s Borderlands/La Frontera, and Layli Long Soldier’s WHEREAS show how alternatively narrative modes of writing can expand access to representation, means of identification, and subjective agency, and point to horizons of possibility for new futures. These texts critique essentializing practices in which subjects are defined by specific identity categories, and offer complicated, contextualized, and historical understandings of identity formation through the textual weaving of form and content.
USA --- Literary studies: from c 1900 --- -Social impact of disasters --- Gay & Lesbian studies --- Claudia Rankine;feminism;Gertrude Stein;Gloria Anzaldúa;Juliana Spahr;Layli Long Soldier;literary studies;Pamela Lu;queer theory;Renee Gladman;Theresa Hak Kyung Cha;United States of America --- Claudia Rankine;feminism;Gertrude Stein;Gloria Anzaldúa;Juliana Spahr;Layli Long Soldier;literary studies;Pamela Lu;queer theory;Renee Gladman;Theresa Hak Kyung Cha;United States of America
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In dit boek illustreert Fatinha Ramos een magische roadtrip die kunstenares Sonia Delaunay maakt samen met haar zesjarige zoontje Charles. Samen glijden ze door een landschap dat bestaat uit kleuren en vormen die zijn ontleend aan Sonia's vroege abstracte composities. Onderweg maken ze pitstops op locaties die enkele van Sonia's belangrijkste schilderijen uit deze periode inspireerden. Met levendige reproducties van Sonia Delaunays kleurrijke kunstwerken uit de collecties van The Museum of Modern Art in New York en het Centre Pompidou in Parijs, brengt dit boek haar meest fundamentele ideeën over kunst en het leven onder de aandacht van jonge lezers. (flaptekst)
Delaunay, Sonia --- Kleuren --- Kunstenaars --- English literature --- Kleur (kleur) --- Kunstenaar --- Schilderkunst --- Prentenboeken --- Jeugdboeken 03-06 jaar --- Muzische opvoeding --- Jeugdboeken --- Delaunay-Terk, Sonia --- Terk, Sonia Delaunay --- -Delaunay-Ferk, Sonia --- Ferk, Sonia Delaunay --- -Stern, Sonia --- Delone, Sonia --- Stein, Sarah --- Kunst bekijken --- Kunstzinnige vorming --- Reizen --- Zintuig --- Jeugdboeken 07-09 jaar --- Jeugdboeken 10-12 jaar --- Reizen (werkwoord)
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Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid, prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race, and ethnicity as cultural content in and through poetic and non/narrative forms. The texts reflected on here explore literal and figurative landscapes, linguistic and cultural geographies, sexual borders, and spatial topographies. Ultimately, they offer non-prescriptive models that go beyond expectations for narrative forms, and create textual webs that reflect the diverse realities of multi-ethnic, multi-oriented, multi-linguistic cultural experiences.Readings of Gertrude Stein’s A Geographical History of America, Renee Gladman’s Juice, Pamela Lu’s Pamela: A Novel, Claudia Rankine’s Don’t Let Me Be Lonely, Juliana Spahr’s The Transformation, Theresa Hak Kyung Cha’s Dictée, Gloria Anzaldúa’s Borderlands/La Frontera, and Layli Long Soldier’s WHEREAS show how alternatively narrative modes of writing can expand access to representation, means of identification, and subjective agency, and point to horizons of possibility for new futures. These texts critique essentializing practices in which subjects are defined by specific identity categories, and offer complicated, contextualized, and historical understandings of identity formation through the textual weaving of form and content.
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