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Art --- Arte povera. --- Penone, Giuseppe --- Citation.
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Art --- sculpture [visual works] --- installations [visual works] --- Penone, Giuseppe
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Arte povera. --- Nature (esthétique) --- Penone, Giuseppe --- Oeuvres --- Écrits. --- Penone, Giuseppe. --- Arte povera --- Nature (Aesthetics) --- Artists' writings --- Art pauvre --- Nature (Esthétique) --- Écrits d'artiste
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Ce catalogue d'exposition propose une immersion dans l'univers de Giuseppe Penone. Son oeuvre phare, Sève et pensée, est présentée pour la première fois : une installation monumentale réalisée à partir d'un tronc d'acacia de trente mètres de long, fruit de 50 ans de réflexions et de création autour de sujets chers à l'artiste : la nature, la mémoire et le livre. Né en 1947 à Garessio en Italie, Penone est associé au mouvement de l'arte povera. Son oeuvre développe depuis ses débuts une réflexion sur la relation entre nature et culture. L'exposition conçue par la BnF et le catalogue qui l'accompagne restituent la richesse de ses explorations conceptuelles - notamment autour de la mémoire, l'empreinte et le livre - comme la diversité des techniques utilisées : sculpture, installations, peinture, poésie... Sève et pensée Ouvre inédite et magistrale, Sève et pensée est une spectaculaire installation formée des deux segments du frottage, sur fine toile de lin, du tronc d'un acacia de trente mètres de long. Inscrit de part et d'autre du frottage se déploie un texte poétique, véritable " flux de conscience " de l'artiste, réflexions sur l'art, la nature, le temps, la mémoire, le cycle de la vie et de la mort. A partir de Sève et pensée se dévoile un réseau de filiations avec des oeuvres chronologiquement éloignées de Giuseppe Penone, des Alberi libro (Arbres-livre), poutres écorcées et creusées jusqu'à la révélation de l'arbre originel, à la série inédite Leaves of grass, grandes peintures qui seraient comme la " fossilisation " des premières empreintes laissées sur la couverture du livre par l'auteur et les lecteurs successifs.
Art --- drawings [visual works] --- Arte Povera --- installations [visual works] --- easel paintings [paintings by form] --- Nature --- Penone, Giuseppe --- flora [plants] --- Catalogues d'exposition --- paintings [visual works]
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"Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career--from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today--Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism."--
Penone, Giuseppe. --- Penone, Giuseppe --- Criticism and interpretation. --- Art and Phenomenology. --- Art and Philosophy. --- Art in Turin/Arte di Torino. --- Arte Povera. --- Contemporary Italian Art. --- Environmental Art. --- Giuseppe Penone. --- Land Art. --- Modern art. --- Postwar European Art. --- Sculpture. --- Phenomenology and art. --- Art and philosophy.
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Art --- growth --- public art --- woods [plant communities] --- Nature --- alienation --- Scherer, Hermann --- Spoerri, Daniel --- Arp, Hans --- Tinguely, Jean --- LeWitt, Sol --- Cragg, Tony --- Emmenegger, Hans --- Gitlin, Michael --- Hüppi, Alfonso --- Parreno, Philippe --- Burkhardt, Franz --- Feldmeier, Sonja --- Hasenböhler, Niklaus --- Honetschläger, Edgar --- Christo --- Jeanne-Claude --- Kintera, Krištof --- Kawamata, Tadashi --- Beuys, Joseph --- Sailstorfer, Michael --- Schlesinger, Ariel --- Nash, David --- Stoecklin, Niklaus --- Toya, Shigeo --- Tse, Su-Mei --- Roth, Daniel --- Penone, Giuseppe --- Littmann, Klaus --- Kim Jungman --- Uecker, Günther --- Beeck, Op de, Hans --- Kirkeby, Per --- Raetz, Markus --- Acconci, Vito --- Kentridge, William --- Tobey, Mark --- Balkenhol, Stephan --- Kounellis, Jannis --- Oppenheim, Meret --- Signer, Roman --- Nevelson, Louise --- Rollins, Tim --- Cahn, Miriam --- Calame, Alexandre --- Gallen-Kallela, Akseli Valdemar --- Gille, Christian Friedrich --- Rohden, von, Johann Martin --- Staeck, Klaus --- Vogt, Christian --- K.O.S.
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