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The study of emotions has emerged in the last two decades as a major research subject in ancient studies. One of the primary aims of the study of emotions in the context of Greek and Roman Antiquity is to explore the means through which emotions are displayed and aroused, the contexts in which these media were applied, and the aims that they served. These are the themes addressed by the studies assembled in this volume, based on research conducted in association with a research project in Oxford. The subjects discussed by the authors include the use of disgust for the stigmatization and marginalization of individuals and groups; the use of emotions such as anger, pity, hope, fear, and affection for the construction of social hierarchies and political fictions; the various means used for the arousal of emotions in drama, historiography, oratory, and art; emotional aspects in the work of Isocrates, Polybios, and Philostratos; the role of emotions in rhetorical training, court dramas, petitions, and magic; and the display and arousal of emotions in ancient pantomime.
Émotions --- Vie intellectuelle --- Grèce --- E-books --- (Produktform)Electronic book text --- Ancient Greek history --- Ancient Greek literature --- Ancient Oratory --- Ancient Pantomime --- Emotions --- Euripides --- Greek Epigraphy --- History of Emotions --- Isocrates --- Polybios --- (VLB-WN)9553
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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith - all only twenty-five years old - captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Ballets. --- Ballet music --- Dance music --- Dramatic music --- Bernstein, Leonard, --- Robbins, Jerome --- Criticism and interpretation. --- Rabinowitz, Jerome Wilson --- Robbins, Jerry, --- Amber, Lenny, --- Bānsutain, Renādo, --- Bernshṭain, Leʼonard, --- Bernshtėĭn, Leanard, --- Bernstaĭn, Leonard, --- Bernstain, Leonarnt, --- Bernstayn, Leonard, --- Bernstein, L. --- Bernstein, Lenny, --- Bernstein, Leonardus, --- Bernstein, Louis, --- Bernsteins, Leonards, --- Boensitan, Lunnade, --- Bŭrnsteĭn, Lenard, --- Striboneen, Randel, --- Μπερνστάιν, Λέοναρντ, --- Бърнстейн, Ленард, --- Бернстайн, Леонард, --- Бернштэйн, Леанард, --- ברנשטיין, ליאונרד, --- バーンスタイン, レナード, --- レナード・バーンスタイン, --- 伦纳德·伯恩斯坦, --- 伯恩斯坦, 伦纳德, --- Ballets --- Ballet. --- History and criticism. --- Fancy free (Choreographic work : Robbins) --- Facsimile (Choreographic work : Robbins) --- Dance --- Pantomime
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