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Book acquisition --- Museology --- musea

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This is the first book to consider the development of all three cultural heritage institutions – libraries, archives, and museums – and their interactions with society and culture from ancient history to the present day in Western Europe, the United Kingdom, and the United States. The text explores the social and cultural role of these institutions in the societies that created them, as well as the political, economic and social influences on their mission, philosophy, and services and how those changed throughout time. The work provides a thorough background in the topic for graduate students and professionals in the fields of library and information science, archival studies, and museum resource management, preservation, and administration. Arranged chronologically, the story begins with the temple libraries of ancient Sumer, followed the growth and development of governmental and private libraries in ancient Greece and Rome, the influence of Asia and Islam on Western library development, the role of Christianity in the preservation of ancient literature as well as the skills of reading and writing during the Middle Ages, and the coming of the Renaissance and the rise of the university library. It continues by tracing the gradual division between archives and libraries and the growth of governmental and private libraries as independent institutions during and after the Renaissance and through the Enlightenment, and the development of public and private museums from the “cabinets of curiousities” of private collectors beginning in the 17th century. Individual chapters explore the further growth and development of libraries, archives, and museums in the 19th and 20th centuries, exploring the public library and public museum movements of those centuries, as well as the rise of the governmental and institutional archive. The final chapter discusses the growing collaboration between and even convergence of these institutions in the 21st century and the impact of modern information technology, and makes predictions about the future of all three institutions.

Libraries --- Archives --- Museums --- Cultural property --- History. --- Protection. --- 025.17 --- 069 --- 02 <09> <4> --- 02 <09> <4> Bibliotheekwezen:--algemene geschiedenis--Europa --- Bibliotheekwezen:--algemene geschiedenis--Europa --- 069 Permanente tentoonstellingen. Musea --- Permanente tentoonstellingen. Musea --- 025.17 Bibliotheekbeheer: speciale collecties --- Bibliotheekbeheer: speciale collecties

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La question des restitutions concentre aujourd’hui l’attention internationale. En France, le discours de Ouagadougou du 28 novembre 2017 et la publication du rapport Sarr-Savoy sur la restitution du patrimoine africain renouvellent un débat sensible au risque d’un bouleversement des équilibres qui structurent le monde de l’art et des musées. La restitution aux pays d’origine constitue à la fois une question internationale et nationale dont la réponse a évolué dans le temps, d’autant que l’histoire des objets est souvent complexe. Au coeur de cette controverse passionnante s’affrontent en effet la vie singulière des objets et les impératifs de conservation qui gouvernent les collections et en assurent la sécurité. Si ces dernières années révèlent un mouvement favorable au retour de ces objets comme l’illustre la récente restitution au Bénin par la France du trésor de Béhanzin, elles sont également marquées par de riches débats éthiques, politiques et juridiques sur lesquels le présent ouvrage se propose de revenir. Pluraliste, il ambitionne d’embrasser la diversité des points vue avant d’explorer des voies nouvelles pour penser la place, l’accès et la circulation de ces objets.

Patrimoine culturel --- Art africain --- Restitution. --- Collections publiques. --- Afrique subsaharienne. --- 351.852 --- 7.075 --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Restitution --- Afrique subsaharienne --- Cultural property --- Repatriation

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Het begrip 'onderbroekenhumor' verwijst doorgaans niet naar kwaliteit, maar voor 'De grote onderbroekenroof'' van Kim Crabeels zouden we toch een lans willen breken. In het populaire 'Koninklijk Museum voor Onderbroeken' gaat het inbraakalarm af. De directeur schiet meteen in actie en gaat op zoek naar de plaats van het delict. Die zoektocht leidt de lezer rond in het bijzondere museum. Het contrast tussen de herkenbare elementen van een museum en het tentoongestelde is bijzonder grappig. Zo zien we ernstige bezoekers van de 'Afdeling Oerbroekjes' en krijgen we roodfluwelen, koninklijke slipjes te zien. Na een tijd blijkt het ergste: het topstuk 'Mona Lisa's slipje van kant' is gestolen. Die zaak laat niemand onbewogen, want zelfs de koningin spreekt van een nationale ramp. Het mysterie blijft voor vragen zorgen tot het einde van het verhaal waarin de dief wordt ontmaskerd. Crabeels zet de rijkdom van onze woordenschat ongebreideld in om het verhaal leven in te blazen. In uitvoerige en ritmische beschrijvingen drijft ze de spanning en de humor op, wat haar tekst heel prettig maakt om voor te lezen. Ook de taalmopjes en het spel met klanken zullen tot hilariteit leiden bij zowel voorlezer als toehoorder(s). De cartooneske stijl van Melvin is ideaal voor dit knotsgekke verhaal. Net zoals in de tekst valt er ook in de rood-blauwe illustraties heel wat te ontdekken. Dat maakt dat heb boek zich niet meteen weggeeft en over verschillende lezingen heen kan blijven boeien. We zijn ervan overtuigd dat kinderen zullen smullen van de uitvergrotingen in dit onderbroekenverhaal.bron : https://alleswatikmooikanvinden.org/prentenboeken-voor-kleuters/boekentips/nieuw-in-de-boekhandel/

Dutch literature --- Prentenboeken --- Humor --- Diefstal --- Ondergoed --- Museum --- Kleding --- Jeugdboeken 03-06 jaar --- diefstal (themawoord fictie) --- musea (themawoord fictie) --- humor (themawoord fictie) --- kleuteronderwijs driejarigen (doelgroep) --- kleuteronderwijs vierjarigen (doelgroep) --- kleuteronderwijs vijfjarigen (doelgroep) --- prentenboeken (genre) --- CRAB --- prentenboeken

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The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future. For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed. What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.

Art museums --- Art museum architecture --- Museum techniques --- History --- Social aspects --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Museology --- Museum architecture --- Galleries and museums --- Technique --- kunst --- kunst en architectuur --- kunsttheorie --- 7.078 --- 069 --- museologie --- musea --- art museums [buildings] --- Architecture --- Social aspects. --- Applied museology --- Museography --- Museum practices --- Museum studies --- museumarchitectuur