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Artists --- Creation (Literary, artistic, etc.) --- Group work in art --- Art, Modern --- Conceptual art --- Minimal art --- Armleder, John --- LeWitt, Sol,
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A pioneer of minimalism and conceptual art, Sol LeWitt (1928-2007) is best known for his monumental wall drawings. LeWitt's broad artistic practice, however, also included photography, artist's books, sculpture, and printmaking. From the familiar to the underappreciated aspects of the artist's oeuvre, this book examines the ways that LeWitt's work was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist's work across media and address topics such as LeWitt's formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan's Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist's practice, along with contingency in relation to site, space, and movement. Together, these studies shed light on the full scope of LeWitt's creativity and offer a multifaceted reassessment of this singular and influential artist.
Art --- prints [visual works] --- sculpture [visual works] --- drawing [image-making] --- painting [image-making] --- photography [process] --- artists' books [books] --- LeWitt, Sol --- Beeldende kunst ; installaties ; in-situ ; 20ste eeuw --- Minimal Art ; Sol LeWitt --- Beeldende kunst ; 2de helft 20ste eeuw --- Lewitt, Sol 1928-2007 (°Hartford, Connecticut, Verenigde Staten) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z
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Art --- growth --- public art --- woods [plant communities] --- Nature --- alienation --- Scherer, Hermann --- Spoerri, Daniel --- Arp, Hans --- Tinguely, Jean --- LeWitt, Sol --- Cragg, Tony --- Emmenegger, Hans --- Gitlin, Michael --- Hüppi, Alfonso --- Parreno, Philippe --- Burkhardt, Franz --- Feldmeier, Sonja --- Hasenböhler, Niklaus --- Honetschläger, Edgar --- Christo --- Jeanne-Claude --- Kintera, Krištof --- Kawamata, Tadashi --- Beuys, Joseph --- Sailstorfer, Michael --- Schlesinger, Ariel --- Nash, David --- Stoecklin, Niklaus --- Toya, Shigeo --- Tse, Su-Mei --- Roth, Daniel --- Penone, Giuseppe --- Littmann, Klaus --- Kim Jungman --- Uecker, Günther --- Beeck, Op de, Hans --- Kirkeby, Per --- Raetz, Markus --- Acconci, Vito --- Kentridge, William --- Tobey, Mark --- Balkenhol, Stephan --- Kounellis, Jannis --- Oppenheim, Meret --- Signer, Roman --- Nevelson, Louise --- Rollins, Tim --- Cahn, Miriam --- Calame, Alexandre --- Gallen-Kallela, Akseli Valdemar --- Gille, Christian Friedrich --- Rohden, von, Johann Martin --- Staeck, Klaus --- Vogt, Christian --- K.O.S.
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When Andy Grundberg landed in New York in the early 1970s as a writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the center of artistic debate. Grundberg writes about photography's "boom years," chronicling the medium's increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography's embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the exhibitions that defined the moment and his encounters with the work of photographers--many of whom he knew personally--including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates themes such as photography's relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective ultimately tells a larger story about the decades of the 70s and 80s through the medium of photography.
Photography, Artistic --- Art, Modern --- kunst --- kunstgeschiedenis --- fotografie --- fotografiegeschiedenis --- twintigste eeuw --- Acconci Vito --- Adams Robert --- Ant Farm --- Avedon Richard --- Baldessari John --- Baltz Lewis --- Barney Tina --- Barrow Thomas --- Becher Bernd --- Becher Hilla --- Birnbaum Dara --- Brauntuch Troy --- Brooks Ellen --- Burden Chris --- Burson Nancy --- Campus Peter --- Carey Ellen --- Casebere James --- Charlesworth Sarah --- Christenberry William --- Cohen Mark --- Cowin Eileen --- Cumming Robert --- Dibbets Jan --- Divola John --- Eggleston William --- Friedlander Lee --- Fuss Adam --- Gibson Ralph --- Goldin Nan --- Graham Dan --- Groover Jan --- Gursky Andreas --- Haacke Hans --- Haxton David --- Heinecken Robert --- Heizer Michael --- Huebler Douglas --- Hujar Peter --- Jonas Joan --- Josephson Kenneth --- Kippenberger Martin --- Kruger Barbara --- Larson William --- Lawler Louise --- Levine Sherrie --- Levinthal David --- LeWitt Sol --- Lucier Mary --- Majore Frank --- Mandel Mike --- Mapplethorpe Robert --- Mark Mary Ellen --- Matta-Clark Gordon --- Meiselas Susan --- Mendieta Ana --- Metzker Ray --- Meyerowitz Joel --- Michals Duane --- Morell Abelardo --- Muniz Vik --- Nauman Bruce --- Oppenheim Dennis --- Paik Nam June --- Penn Irving --- Pfahl John --- Piper Adrian --- Prince Richard --- Rauschenberg Robert --- Richter Gerhard --- Robbins David --- Ruff Thomas --- Ruscha Edward --- Samaras Lucas --- Schneemann Carolee --- Serrano Andres --- Sheridan Sonia Landy --- Sherman Cindy --- Shore Stephen --- Simmons Laurie --- Simpson Lorna --- Skoglund Sandy --- Smithson Robert --- Starn Doug --- Starn Mike --- Sternfeld Joel --- Strth Thomas --- Sultan Larry --- Tseng Kwong Chi --- Uelsmann Jerry --- Viola Bil --- Wall Jeff --- Warhol Andy --- Weems Carrie Mae --- Wegman William --- Weil Susan --- Wilke Hannah --- Winokur Neil --- Wojnarowicz David --- Woodman Francesca --- 77.038 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- History --- Aesthetics --- 7.01 --- 77.01 --- Kunst ; theorie, filosofie, esthetica --- Fotografie ; 1950 - 2000 --- Fotografie ; theorie, filosofie, esthetica --- Art and photography --- Conceptual art --- Earthworks (Art) --- Post modernism --- Postmodernism --- photography [process] --- art history --- anno 1900-1999
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