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oil sketches --- Dyck, van, Anthony --- Jerome
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Die analysierten Ijob-Passagen decken unvermutete Überlieferungsprobleme in Hieronymus' Versio prior und Augustins Adnotationes in Iob auf. Zugleich bieten sie neue Einblicke in die Vorgehensweisen beider Autoren: Hieronymus left seinen vier Ijob-Versionen vielfältige Kombinationen zwischen hebräischen, aramäischen, griechischen und altlateinischen Vorlagen zugrunde. Er versucht sich an hebräischen Konjekturen und reichert Texte durch mehrdeutige Ausdrücke sowie Anspielungen auf christliche und pagane Autoren an. Sein Bestreben, dem gehobenen Stil der ursprachlichen Ijob-Versionen zu entsprechen, führt in der Vulgata bis zu akzentuierenden Hexametern und Trimetern. Inhaltliche Schwerpunkte von Augustins Auslegung sind richtiges Trösten, die Entwicklung von Weltmenschen zu Christen und antike Verhüttungstechnik. Ein Beispiel für Augustins geistige Entwicklung in der Auseinandersetzung mit dem Ijob-Text ist seine schrittweise Klärung des Verhältnisses zwischen prudentia und sapientia. Stilistisch fallen das Nebeneinander von ungeschickt extemporierten und sorgfältig durchkomponierten Passagen sowie Formen einer schrittweise präzisierenden Gedankenführung auf. Hieronymus' mehrdeutige Formulierungen regten Auggustinus zu produktiven Missverständnissen und eigenen, womöglich noch vieldeutigeren Wendungen an.
Augustine, --- Jerome, --- Bible. --- Criticism, interpretation, etc. --- Versions
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Difference (Psychology) --- Educational psychology. --- Bruner, Jerome S.
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"Jerome of Stridon promoted a new model of Christian nobility that safeguards traditional Roman values and the exclusivity of the illustres. In this study, Jessica van 't Westeinde demonstrates how the difference between the true nobility and the nouveau riche becomes visible in Jerome's corresondence with these elites." --
Asceticism --- Nobilitas (The Latin word) --- Christianity --- History --- Jerome, --- Rome (Italy) --- Social life and customs. --- Religious life and customs. --- Aristocracy (Social class) --- 276 =75 HIERONYMUS --- 276 =75 HIERONYMUS Griekse patrologie--HIERONYMUS --- 276 =75 HIERONYMUS Patrologie grecque--HIERONYMUS --- Griekse patrologie--HIERONYMUS --- Patrologie grecque--HIERONYMUS --- Ascetical theology --- Contempt of the world --- Theology, Ascetical --- Christian life --- Ethics --- Latin language --- Aristocracy --- Aristocrats --- Upper class --- Nobility --- Etymology --- Hieronymus, --- Correspondence --- Rome (Italy : Commune) --- Rome (Italy : Governatorato) --- Rūmah (Italy) --- Roma (Italy) --- Rom (Italy) --- Rím (Italy) --- Rzym (Italy) --- Comune di Roma (Italy) --- Rome --- Social life and customs --- Religious life and customs --- Rome (Italy : Comune) --- Asceticism - Christianity - History - To 1500 --- Aristocracy (Social class) - Rome --- Jerome, - Saint, - -419 or 420 - Correspondence --- Rome (Italy) - Social life and customs --- Rome (Italy) - Religious life and customs --- Jerome, - Saint, - -419 or 420.
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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith - all only twenty-five years old - captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Ballets. --- Ballet music --- Dance music --- Dramatic music --- Bernstein, Leonard, --- Robbins, Jerome --- Criticism and interpretation. --- Rabinowitz, Jerome Wilson --- Robbins, Jerry, --- Amber, Lenny, --- Bānsutain, Renādo, --- Bernshṭain, Leʼonard, --- Bernshtėĭn, Leanard, --- Bernstaĭn, Leonard, --- Bernstain, Leonarnt, --- Bernstayn, Leonard, --- Bernstein, L. --- Bernstein, Lenny, --- Bernstein, Leonardus, --- Bernstein, Louis, --- Bernsteins, Leonards, --- Boensitan, Lunnade, --- Bŭrnsteĭn, Lenard, --- Striboneen, Randel, --- Μπερνστάιν, Λέοναρντ, --- Бърнстейн, Ленард, --- Бернстайн, Леонард, --- Бернштэйн, Леанард, --- ברנשטיין, ליאונרד, --- バーンスタイン, レナード, --- レナード・バーンスタイン, --- 伦纳德·伯恩斯坦, --- 伯恩斯坦, 伦纳德, --- Ballets --- Ballet. --- History and criticism. --- Fancy free (Choreographic work : Robbins) --- Facsimile (Choreographic work : Robbins) --- Dance --- Pantomime
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"Jerome of Stridon has gone down in the history of Christianity as a fierce defender of what he considered to be orthodox teaching, and, in particular, as a convinced opponent of Origenism. However, this champion of orthodoxy often found himself suspected of relying on heretical writers, and a main purpose of his heresiological efforts was to defend himself against such accusations. The present study argues that this was the case with his production of anti-Origenist polemics in the context of the Origenist controversy. It aims at contributing to a nuanced description of Jerome’s way of relating to Origen’s thought, which implied acceptance as well as resistance. It is suggested that as a result of Jerome’s anti-Origenist rhetoric, important aspects of his reception of the Alexandrian writer have been overlooked by modern scholarship. Taking account of the rhetorical strategies that Jerome used both in his presentation of Origen and in his orthodox self-presentation, the great complexity of his reception of Origen is revealed."--
Eschatology --- History of doctrines --- Origenes --- Jerome, --- Gerolamo, --- Gérome, --- Gerónimo, --- Girolamo, --- Heronimos, --- Hieronim, --- Hieronymus, Eusebius, --- Hieronymus, --- Hieronymus, Sophronius Eusebius, --- Hieronymus, Stridonensis, --- Ieronim, Stridonskiĭ, --- Iheronimus, --- Jeronimi, --- Jerónimo, --- Jerōnimos, --- Origène --- 276 =75 HIERONYMUS --- 276 =75 ORIGENES --- 276 =75 ORIGENES Griekse patrologie--ORIGENES --- 276 =75 ORIGENES Patrologie grecque--ORIGENES --- Griekse patrologie--ORIGENES --- Patrologie grecque--ORIGENES --- 276 =75 HIERONYMUS Griekse patrologie--HIERONYMUS --- 276 =75 HIERONYMUS Patrologie grecque--HIERONYMUS --- Griekse patrologie--HIERONYMUS --- Patrologie grecque--HIERONYMUS --- Hieronymus, Eusebius Sophronius --- Hieronymus --- Hieronymus, Sophronius Eusebius --- Eusebius Hieronymus Sophronius --- Hieronymus Stridonius --- Hieronymus van Stridon --- Jérôme,
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In the late fourth and early fifth centuries, during a fifty-year stretch sometimes dubbed a Pauline "renaissance" of the western chuch, six different authors produced over four dozen commentaries in Latin on Paul's epistles. Among them was Jerome, who commented on four epistles (Galatians, Ephesians, Titus, Philemon) in 386 after recently having relocated to Bethlehem from Rome. His commentaries occupy a time-honored place in the centuries-long tradition of Latin-language commenting on Paul's writings. They also constitute his first foray into the systematic exposition of whole biblical books (and his only experiment with Pauline interpretation on this scale), and so they provide precious insight into his intellectual development at a critical stage of his early career before he would go on to become the most prolific biblical scholar of Late Antiquity. This monograph provides the first book-length treatment of Jerome's opus Paulinum in any language. Adopting a cross-disciplinary approach, Cain comprehensively analyzes the commentaries' most salient aspects - from the inner workings of Jerome's philological method and engagement with his Greek exegetical sources, to his recruitment of Paul as an anachronistic surrogate for his own theological and ascetic special interests. One of the overarching concerns of this book is to explore and to answer, from multiple vantage points, a question that was absolutely fundamental to Jerome in his fourth-century context: what are the sophisticated mechanisms by which he legitimized himself as a Pauline commentator, not only on his own terms but also vis-à- vis contemporary western commentators?
Jerome, --- 227.1 --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS --- 227.1 Brieven van Paulus--(algemeen) --- Brieven van Paulus--(algemeen) --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS Patrologie latine--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Patrologie latine--HIERONYMUS, SOPHRONIUS EUSEBIUS
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Rome, be it as a concrete space or as a concept and idea, occupies an outstanding place in the thoughts and actions of Jerome of Stridon (c. 347–419). Glowing propagandist of the ideal of asceticism in the Latin sphere and highly influential scholar of the Bible, he received his philological education here as well as his baptism. Beyond this background of study and adherence to the church of Rome, the Vrbs continued to hold a key position for him, who under the pontificate of Damasus established himself as a mediator between East and West and translator of Scripture. A sharp-tongued and increasingly controversial figure at the same time, Jerome subsequently turned into the target of antiascetic criticism and, once bereft of papal protection, had to leave Rome for good. However, even in distant Palestine, the city on the Tiber and its memories remained present in the writings of Jerome, who did not stop using a Roman network in order to have his works circulate within the Vrbs and eventually lamented its fall as that of “the entire world in a city”.From multifaceted perspectives – historical, philological, theological, exegetical and archaeological – the papers collected in this volume explore Rome’s unique and exemplary meaning for Jerome’s life and works. In the juxtaposition of both lieux de mémoire, the father of the Church and the Vrbs, this reciprocal thematic cut illuminates additional aspects of a Roma Christiana as imagined by Jerome, and of the Stridonian himself as both key figurations of Late Antiquity.
Church history --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- 276 =71 HIERONYMUS, SOPHRONIUS EUSEBIUS Patrologie latine--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Latijnse patrologie--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Patrologie latine--HIERONYMUS, SOPHRONIUS EUSEBIUS --- Apostolic Church --- Christianity --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Fathers of the church --- Great Apostasy (Mormon doctrine) --- Hieronymus --- Hieronymus, Sophronius Eusebius --- Eusebius Hieronymus Sophronius --- Hieronymus Stridonius --- Hieronymus van Stridon --- Girolamo, --- Jérôme, --- Hieronymus presb. --- Roma
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Jheronimus Bosch was ook in zijn eigen tijd een gevierd schilder. De opdrachtgevers en eigenaren van zijn schilderijen maakten deel uit van de sociale en culturele elite van de laat-vijftiende- en zestiende-eeuwse maatschappij. Sommigen van hen lieten zich door Bosch portretteren op de werken die zij bij hem bestelden; van anderen weten we alleen dat zij geïnteresseerd waren in zijn kunst. Het is opvallend dat veel van de liefhebbers van Bosch' kunstwerken op de een of andere wijze met elkaar in contact stonden. Wie waren deze personen en hoe verhielden zij zich tot elkaar? En hoe kwamen zij in contact met de schilder Bosch en zijn werk? Dit onderzoek presenteert een overzicht van dit invloedrijke gezelschap van burgers, clerici en edelen, dat een aanzienlijke bijdrage leverde aan de verspreiding van de faam van Jheronimus Bosch en zijn werk in Europa.
Painting --- History of civilization --- patronage --- patrons [philanthropists] --- owners --- portraits --- Bosch, Jeroen --- Art patronage --- Painting, Dutch --- History --- Collectors and collecting --- Bosch, Hieronymus, --- Bosch, Hieronymus --- van Aken, Jheronimus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Hieronymus van Aken, --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco --- Dutch painting --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- easel paintings [paintings by form]
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"Grapples with the legacy of Jerome Wakefield, one of the most influential critics of modern psychiatry and the use of the DSM for psychiatric diagnosis"--
Psychiatry --- Mental ilness --- Mental illness --- Philosophy. --- Diagnosis. --- Wakefield, Jerome C. --- Psychology, Pathological --- Nosology --- Psychiatric diagnosis --- Psychodiagnostics --- disorder --- dysfunction --- harm --- Wakefield --- Diagnostic and Statistical Manual DSM --- function --- Harmful Dysfunction Analysis --- Mental disorder --- Evolution --- DSM --- Critics --- Spitzer --- distress --- disability --- harmful consequence --- dysfunction requirement --- Experimental philosophy --- proper function --- Theories of mental disorder --- theory-neutral --- conceptual analysis --- armchair --- Pluralism --- intuitions --- Clinical practice --- concept of disorder --- Haslam --- constructs --- Attention-Deficit Hyperactivity Disorder --- definition --- psychiatric classification --- Quine --- biological design --- naturally selected disorder --- environment mismatch --- Essentialism --- open concept --- construct validation --- latent variables --- imperfect community --- neo-empiricism --- decline in functioning --- Szasz --- network theory --- Stipulation --- meaning analysis --- abnormality --- Selected-effect --- causal-role --- Boorse --- descriptive --- natural kinds --- Cummins --- intuition --- Mechanistic explanation --- perspectival --- coherence --- Developmental mechanism --- developmental mismatch --- adaptation --- Evolutionary mismatch --- modal mismatch --- depression --- fever --- lactose intolerance --- Neander --- proximal-function --- distal function --- conduct disorder --- developmental disruption --- Low-level mechanisms --- salience system --- dopamine regulation --- aberrant valuation --- delusions --- adaptationism --- cognitive neuroscience --- mechanical-causal analysis --- belief fixation --- syndrome --- Autism --- modules --- ontogeny --- neurodiversity --- Reductionism --- naturalism --- Wittgenstein-Kripke paradox --- normative --- failure --- indeterminacy --- variation --- detrimental consequences --- individual values --- directindirect harm --- clinical significance criter --- Classification.
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