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"The History of Jazz, 3rd edition, is a comprehensive survey of jazz music from its origins until the current day. The book is designed for general readers and students, as well as those with more specialized interest in jazz and music history. It provides detailed biographical information and an overview of the musical contributions of the key innovators in development of jazz, including Louis Armstrong, Duke Ellington, Billie Holiday, Coleman Hawkins, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Ella Fitzgerald, Miles Davis, John Coltrane, Ornette Coleman and others. The book also traces the evolution of jazz styles and includes in-depth accounts of ragtime, blues, New Orleans jazz, Chicago jazz, swing and big band music, bebop, hard bop, cool jazz, avant-garde, jazz-rock fusion and other subgenres and developments. The History of Jazz also provides a cultural and socioeconomic contextualization of the music, dealing with the broader political and social environment that gave birth to the music and shaped its development-both in the United States and a global setting"
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"Le dernier roman d'Aragon, dans lequel les commentateurs ont parfois cru discerner un affaiblissement de la veine litteraire, prefigure le nouveau millenaire en cours, marque par les effondrements multiples et la revision des cadres de pensee qui avaient paru s'imposer jusqu'alors. Theatre/Roman traite du theatre au propre et au figure, dans un jeu de miroir entre les protagonistes de la representation acteur, metteur en scene et le theatre interieur de l'ecriture romanesque. La voix tragique de l'ecrivain et de ses doubles, confrontes a la faillite d'un ideal revolutionnaire neanmoins reaffirme, trouve des echos dans d'autres uvres du passe et d'autres epoques qui l'universalisent. Le face-a-face vertigineux entre roman et theatre, par l'orchestration poetique de la composition d'ensemble, ouvre pour le lecteur un espace inedit d'exploration, nomme ici, avec l'assentiment tacite d'Aragon, arriere-texte. Un passage de relais est suggere : Dans ce que je vois, il y a toujours ce que je ne vois pas ."-- Page 4 de lacouverture.
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This book is the first published analysis and interpretation of the collection of literary collages Und. Überhaupt. Stop. Collagen. 1996-2000. by Austrian writer Marlene Streeruwitz. It presents the author and body of her narrative work, analyses her programmatic poetics and investigates the collage as a technique, aesthetic principle and mode of thought, before moving on to the examination of the primary text. It thus addresses a noticeable gap in the reception of Streeruwitz' work (as this collection has been virtually ignored, also internationally) and provides methodological and aesthetic insights relevant to the analysis of other literary collages, while also providing a comprehensive resource for the study of Streeruwitz and her oeuvre.
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Franca Bellarsi Olga Beloborodova Lidia Morales Benito Jean Bessière Eury Colin Chang Véronique Corinus Santanu Das Subhraleena Deka Elke D'hoker Brahim El Guabli Marlene Hansen Esplin Massimo Fusillo Claudio Gigante Gerald Gillespie Stefan Helgesson Yvon Houssais Višnja Krstić Marie Laureillard Marc MaufortYana Meerzon Kai Mikkonen Florian Mussgnug Anzazi Joan Mwangovya Birgit Neumann Wen-chin Ouyang Daniel-Henri Pageaux Yolaine Parisot Danielle Perrot-Corpet Yannick Preumont E.V.Ramakrishnan Hubert Roland Karen-Margrethe Simonsen Vijaya Singh Daria Tunca Dirk Van Hulle Roberto Vecchi Cyril Vettorato Luke Walker Jenny Webb Robert J.C. Young.
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The volume presents a selection of poems originally composed in German by Austrian-Italian author Benno Geiger and translated into Italian for the first time. This publication aims to make Geiger's poetical work available to a broader audience and place it aside his better known writing on Art History. Geiger's specific role as a mediator and bridge between two cultures makes his poetical work extremely significant, as well as considering his prolific activity as a literary translator to which he devoted himself throughout his life. The current edition provides bilingual parallel text, preceded by an introductory essay and a biographical profile of the author. The critical apparatus highlights both the intertextual references and the writer's complex links with the Italian and German poetical traditions.
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The volume presents a selection of poems originally composed in German by Austrian-Italian author Benno Geiger and translated into Italian for the first time. This publication aims to make Geiger's poetical work available to a broader audience and place it aside his better known writing on Art History. Geiger's specific role as a mediator and bridge between two cultures makes his poetical work extremely significant, as well as considering his prolific activity as a literary translator to which he devoted himself throughout his life. The current edition provides bilingual parallel text, preceded by an introductory essay and a biographical profile of the author. The critical apparatus highlights both the intertextual references and the writer's complex links with the Italian and German poetical traditions.
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Franca Bellarsi Olga Beloborodova Lidia Morales Benito Jean Bessière Eury Colin Chang Véronique Corinus Santanu Das Subhraleena Deka Elke D'hoker Brahim El Guabli Marlene Hansen Esplin Massimo Fusillo Claudio Gigante Gerald Gillespie Stefan Helgesson Yvon Houssais Višnja Krstić Marie Laureillard Marc MaufortYana Meerzon Kai Mikkonen Florian Mussgnug Anzazi Joan Mwangovya Birgit Neumann Wen-chin Ouyang Daniel-Henri Pageaux Yolaine Parisot Danielle Perrot-Corpet Yannick Preumont E.V.Ramakrishnan Hubert Roland Karen-Margrethe Simonsen Vijaya Singh Daria Tunca Dirk Van Hulle Roberto Vecchi Cyril Vettorato Luke Walker Jenny Webb Robert J.C. Young.
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This book is the first published analysis and interpretation of the collection of literary collages Und. Überhaupt. Stop. Collagen. 1996-2000. by Austrian writer Marlene Streeruwitz. It presents the author and body of her narrative work, analyses her programmatic poetics and investigates the collage as a technique, aesthetic principle and mode of thought, before moving on to the examination of the primary text. It thus addresses a noticeable gap in the reception of Streeruwitz' work (as this collection has been virtually ignored, also internationally) and provides methodological and aesthetic insights relevant to the analysis of other literary collages, while also providing a comprehensive resource for the study of Streeruwitz and her oeuvre.
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Listing 1 - 10 of 1906 | << page >> |
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