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The only Japanese director to have won the Palme d’Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan’s leading and most controversial film directors. This book is one of the first to study all of Imamura’s major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura’s career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society
Motion pictures --- Motion picture producers and directors --- History. --- Imamura, Shōhei, --- Criticism and interpretation. --- J6839 --- History --- Japan: Media arts and entertainment -- cinema --- 今村昌平,
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The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields - like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.
Philosophy, German --- Alienation (Philosophy) --- Recognition (Philosophy) --- Philosophy --- Estrangement (Philosophy) --- History --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Giorgio Guglielmo Frederico --- Hegel, Georg Wilhelm Friedrich --- Influence. --- Hegel, Georg W.F. --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش, --- History.
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"In Transcultural Migration in the Novels of Hédi Bouraoui: A New Ulysses, Elizabeth Sabiston analyses the dominant theme of transcultural migration, or immigration, in Hédi Bouraoui's fiction. His protagonists reflect his passion for endless travel, and are Ulysses-figures for the postmodern age. Their travels enable them to explore the "Otherness of the Other," to understand and "migrate" into them. Bouraoui's World Literature is rooted in the traversées of his characters across a number of clearly differentiated regions, which nonetheless share a common humanity. The ancient migrations of Ulysses, fuelled by violence and war, are paralleled to the modern displacements of entire cultures and even nations. Bouraoui's works bridge cultures past and present, but they also require the invention of language to convey a postmodern world in flux"--
Travel in literature. --- Emigration and immigration in literature. --- Bouraoui, Hédi André --- Criticism and interpretation. --- Voyages and travels in literature --- Bouraoui, Hédi --- Būrāwī, al-Hādī --- Bouraoui, H. A. --- بوراوي، الهادي --- Bouraoui, Hédi André. --- Bouraoui, HeÌdi AndreÌ.
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Explores the full extent of Hegel's interest in tragedy and comedy throughout his works and extends from more literary and dramatic issues to questions about the role these genres play in the history of society and religion.
Greek drama (Tragedy) --- Greek drama (Comedy) --- History and criticism --- Theory, etc. --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Georg Wilhelm Friedrich --- Greek drama (Tragedy) - History and criticism - Theory, etc --- Greek drama (Comedy) - History and criticism - Theory, etc --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش, --- Greek drama (Comedy)--History and criticism--Theory, etc. --- Greek drama (Tragedy)--History and criticism--Theory, etc. --- Hegel, Georg Wilhelm Friedrich, 1770-1831.
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This book is a consideration of Hegel’s view on logic and basic logical concepts such as truth, form, validity, and contradiction, and aims to assess this view’s relevance for contemporary philosophical logic. The literature on Hegel’s logic is fairly rich. The attention to contemporary philosophical logic places the present research closer to those works interested in the link between Hegel’s thought and analytical philosophy (Stekeler-Weithofer 1992 and 2019, Berto 2005, Rockmore 2005, Redding 2007, Nuzzo 2010 (ed.), Koch 2014, Brandom 2014, 1-15, Pippin 2016, Moyar 2017, Quante & Mooren 2018 among others). In this context, one particularity of this book consists in focusing on something that has been generally underrated in the literature: the idea that, for Hegel as well as for Aristotle and many other authors (including Frege), logic is the study of the forms of truth, i.e. the forms that our thought can (or ought to) assume in searching for truth. In this light, Hegel’s thinking about logic is a fundamental reference point for anyone interested in a philosophical foundation of logic.
PHILOSOPHY / History & Surveys / General. --- Logic. --- Argumentation --- Deduction (Logic) --- Deductive logic --- Dialectic (Logic) --- Logic, Deductive --- Intellect --- Philosophy --- Psychology --- Science --- Reasoning --- Thought and thinking --- Methodology --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Giorgio Guglielmo Frederico --- Hegel, Georg Wilhelm Friedrich --- Criticism and interpretation. --- Hegel, Georg Wilhelm Friedrich. --- Hegel’s dialectics. --- history of logic. --- philosophical logic. --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش,
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Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the apparent preference of Japanese audiences for stylisation over realism, a preference that originated from its theatrical tradition. However, a closer look at the history of Japanese documentary and feature film production reveals an emphasis on actuality and everyday life as a major part of Japanese film culture. That 'documentary mode' – crossing genre and medium like Peter Brooks' 'melodramatic mode' rather than limited to styles of documentary filmmaking alone – identifies rhetoric of authenticity in cinema and related media, even as that rhetoric was sometimes put in service to political and economic ends. The articles in this Special Issue, ‘Developments in the Japanese Documentary Mode’, trace important changes in documentary film schools and movements from the 1930s onwards, sometimes in relation to other media, and the efforts of some post-war filmmakers to adapt the styles and ethical commitments that underpin documentary's "impression of authenticity" to their representation of fictional worlds
ethnofiction --- Japan --- documentary --- non-fiction --- dramatization --- Minamata disease --- Tsuchimoto Noriaki --- W. Eugene Smith --- Ishimure Michiko --- ethics of representation --- The Children of Minamata are Living --- Minamata: The Victims and Their World --- authorship --- documentary film --- hibakusha --- Japanese cinema --- Mizoguchi Kenji --- semi-documentary --- Shindō Kaneto --- film theory --- documentary film theory --- postwar Japan --- post-1945 Japan --- Hani Susumu --- cinéma verité --- direct cinema --- observational documentary --- cinematography --- the culture film --- Imamura Shōhei --- History of Post-War Japan as Told by a Bar Hostess --- fiction and documentary --- history --- memory --- experience --- magic lantern --- popular history movement --- avant-garde documentary --- new Left --- Teshigahara Hiroshi --- Adachi Masao --- subjectivity --- landscapes --- folklore studies --- documentary photography --- n/a --- Shindō Kaneto --- cinéma verité --- Imamura Shōhei
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Hegel and the Challenge of Spinoza explores the powerful continuing influence of Spinoza's metaphysical thinking in late eighteenth- and early nineteenth-century German philosophy. George di Giovanni examines the ways in which Hegel's own metaphysics sought to meet the challenges posed by Spinoza's monism, not by disproving monism, but by rendering it moot. In this, di Giovanni argues, Hegel was much closer in spirit to Kant and Fichte than to Schelling. This book will be of interest to students and researchers interested in post-Kantian Idealism, Romanticism, and metaphysics.
Idealism, German --- PHILOSOPHY / History & Surveys / Modern --- History --- Hegel, Georg Wilhelm Friedrich, --- Spinoza, Benedictus de, --- Influence. --- Influence (Literary, artistic, etc.) --- Spinoza, Baruch, --- German idealism --- Ispīnūzā, --- Espinoza, Baruch d', --- Sbīnūzā, --- Espinosa, Baruch de, --- de Spinoza, Benedictus --- Shpinozah, --- Shpinozah, Barukh, --- Spinoza, Benedict de, --- Spinoza, Barukh, --- Spinoza, Baruch de, --- Spinoza, Benoît de, --- ספינאזא, ברוך דע --- ספינאזא, ברוך, --- שפימוזה, ברוך --- שפינאזא, בענעדיקט --- שפינאזא, ברוך --- שפינאזע, ברוך --- שפינוזא, בנדיקטוס --- שפינוזהת ברוך, --- שפינוזה, ברוך --- שפינוזה, ברוך די, --- שפינוזה, ברוך, --- שפינוזה, ב. --- سبينوزا، بندكتس --- Hegel, Giorgio Guglielmo Frederico --- Hegel, Georg Wilhelm Friedrich --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش, --- Spinoza, Baruch, - 1632-1677 --- Hegel, Georg Wilhelm Friedrich, - 1770-1831 --- Spinoza, Benedictus de --- Spinoza, Baruch --- Spinoza, Benedict de
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Friedrich Brunstäd, a philosopher in the Hegelian tradition, was a central figure in the Lutheran Protestantism of the early twentieth century. For the first time, this study presents his life and work in a unified context. Alongside Brunstäd’s theology and philosophy, it also examines his relationship to the Conservative Revolution as well as the contribution he made to social Christian Protestantism. Friedrich Brunstäd, von Haus aus Philosoph in der Tradition Hegels, galt lange als vergessener Theologe des 20. Jahrhunderts, obwohl er zu Lebzeiten über eine große Wirksamkeit verfügte. Die vorliegende Studie entreißt ihn dem Vergessen und verortet ihn grundlegend in der theologisch-philosophischen Landschaft seiner Zeit.Brunstäd arbeitete an einer theologischen Hegel-Rezeption, die die programmatische Weichenstellung des Hegel'schen Ansatzes, die Philosophie der Theologie überzuordnen, bewusst nicht mitvollzog. In seinen sozialethischen Grundüberzeugungen wurde er von Reinhold Seeberg geprägt, den er in der Weimarer Republik als Vordenker des christlich-sozialen Protestantismus beerbte. Brunstäd übte als Mitglied im Hauptvorstand der DNVP zeitweilig auch politisch einigen Einfluss aus. Nach 1933 galt sein Interesse der Wahrung der kirchenpolitischen und theologischen Integrität des Luthertums.Die vorliegende Studie erschließt zum einen das hohe Reflexionsniveau seiner Hegel-Rezeption, zum anderen zeigt sie anhand seiner Person zentrale Problemstellungen im politischen Weg des deutschen Protestantismus nach 1918 auf.
RELIGION / Christian Theology / Systematic. --- Conservative Revolution. --- Hegelianism. --- History of theology. --- philosophy of religion. --- Neuhegelianismus --- Religion --- Theorie --- Lutherische Theologie --- Philosophical theology --- Theology --- Idealism, German --- 230.241 "19" --- 230.241 "19" Lutheraans-evangelisch systematische theologie--20e eeuw. Periode 1900-1999 --- Lutheraans-evangelisch systematische theologie--20e eeuw. Periode 1900-1999 --- German idealism --- Christian theology --- Theology, Christian --- Christianity --- Theology, Philosophical --- Philosophy and religion --- Theology, Doctrinal --- History --- Brunstäd, Friedrich, --- Hegel, Georg Wilhelm Friedrich, --- Brunstäd, F., --- Brunstäd, Friedrich Hermann Theodor, --- Brunstäd, Fritz, --- Brunstäd, Hermann Friedrich Theodor, --- Brunstaed, Friedrich, --- Brunstedt, Friedrich, --- Hegel, Georg Wilhelm Friedrich --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش, --- Influence. --- 1900-1999 --- Germany. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe
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Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the apparent preference of Japanese audiences for stylisation over realism, a preference that originated from its theatrical tradition. However, a closer look at the history of Japanese documentary and feature film production reveals an emphasis on actuality and everyday life as a major part of Japanese film culture. That 'documentary mode' – crossing genre and medium like Peter Brooks' 'melodramatic mode' rather than limited to styles of documentary filmmaking alone – identifies rhetoric of authenticity in cinema and related media, even as that rhetoric was sometimes put in service to political and economic ends. The articles in this Special Issue, ‘Developments in the Japanese Documentary Mode’, trace important changes in documentary film schools and movements from the 1930s onwards, sometimes in relation to other media, and the efforts of some post-war filmmakers to adapt the styles and ethical commitments that underpin documentary's "impression of authenticity" to their representation of fictional worlds
Music --- ethnofiction --- Japan --- documentary --- non-fiction --- dramatization --- Minamata disease --- Tsuchimoto Noriaki --- W. Eugene Smith --- Ishimure Michiko --- ethics of representation --- The Children of Minamata are Living --- Minamata: The Victims and Their World --- authorship --- documentary film --- hibakusha --- Japanese cinema --- Mizoguchi Kenji --- semi-documentary --- Shindō Kaneto --- film theory --- documentary film theory --- postwar Japan --- post-1945 Japan --- Hani Susumu --- cinéma verité --- direct cinema --- observational documentary --- cinematography --- the culture film --- Imamura Shōhei --- History of Post-War Japan as Told by a Bar Hostess --- fiction and documentary --- history --- memory --- experience --- magic lantern --- popular history movement --- avant-garde documentary --- new Left --- Teshigahara Hiroshi --- Adachi Masao --- subjectivity --- landscapes --- folklore studies --- documentary photography --- ethnofiction --- Japan --- documentary --- non-fiction --- dramatization --- Minamata disease --- Tsuchimoto Noriaki --- W. Eugene Smith --- Ishimure Michiko --- ethics of representation --- The Children of Minamata are Living --- Minamata: The Victims and Their World --- authorship --- documentary film --- hibakusha --- Japanese cinema --- Mizoguchi Kenji --- semi-documentary --- Shindō Kaneto --- film theory --- documentary film theory --- postwar Japan --- post-1945 Japan --- Hani Susumu --- cinéma verité --- direct cinema --- observational documentary --- cinematography --- the culture film --- Imamura Shōhei --- History of Post-War Japan as Told by a Bar Hostess --- fiction and documentary --- history --- memory --- experience --- magic lantern --- popular history movement --- avant-garde documentary --- new Left --- Teshigahara Hiroshi --- Adachi Masao --- subjectivity --- landscapes --- folklore studies --- documentary photography
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"In Modern Middle-Class Housing in Tehran - Reproduction of an Archetype, Rana Habibi offers an engaging analysis of the modern urban history of Tehran during the Cold War period: 1945-1979. The book, while arguing about the institutionalism of modernity in the form of modern middle-class housing in Tehran, shows how vernacular archetypes found their way into the construction of new neighborhoods. The trajectory of ideal modernism towards popular modernism, the introduction of modern taste to traditional society through architects, while tracing the path of transnational models in local projects, are all subjects extensively expounded by Rana Habibi through engaging graphical analyses and appealing theoretical interpretations involving five modern Tehran neighborhoods"--
Housing --- Cities and towns --- Middle class --- 711.4(5-15) --- <55> --- <55> Iran --- Iran --- Affordable housing --- Homes --- Houses --- Housing needs --- Residences --- Slum clearance --- Urban housing --- City planning --- Dwellings --- Human settlements --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Social classes --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Sociology, Urban --- History --- Social aspects --- Social conditions --- Tehran (Iran) --- Teheran (Iran) --- Tihrān (Iran) --- Te-hei-lan (Iran) --- Baladīyah-i Ṭihrān (Iran) --- Shahrdārī-i Tihrān (Iran) --- Teheran --- تهران (Iran) --- Дыхьэрэн (Iran) --- Dykhʹėrėn (Iran) --- طهران (Iran) --- Горад Тэгеран (Iran) --- Horad Tėheran (Iran) --- Тэгеран (Iran) --- Техеран (Iran) --- Tekheran (Iran) --- Тегеран (Iran) --- Tegeran (Iran) --- Τεχεράνη (Iran) --- Techeranē (Iran) --- Teherano (Iran) --- 테헤란 (Iran) --- Тæхран (Iran) --- Tækhran (Iran) --- טהראן (Iran) --- Тегьран (Iran) --- Tegʹran (Iran) --- Teheranum (Iran) --- Teherāna (Iran) --- Teheranas (Iran) --- テヘラン (Iran) --- Tekhḣeran (Iran) --- Tehron (Iran) --- Teerã (Iran) --- Teerão (Iran) --- Teherani (Iran) --- Tahraan (Iran) --- Tăḣran (Iran) --- טעהראן (Iran) --- Teherans (Iran) --- 德黑兰 (Iran) --- Deheilan (Iran) --- Buildings, structures, etc.
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