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Drawing on a wide range of fictional texts from Shakespeare and Austen to Game of Thrones and the lyrics of 'We Shall Overcome', this textbook shows how pragmatic analyses can uncover the performative elements that create and shape characters for an audience.

English fiction. --- Pragmatics. --- English fiction --- History and criticism.

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"With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others"--

English fiction --- History and criticism --- England --- Civilization

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From climate catastrophe to pandemics and economic crises, the problems facing humanity can feel impossible to solve. Critical Modesty in Contemporary Fiction argues that contemporary fiction helps those who may feel despair at the enormity of such problems -- not, as usually assumed, through the ambitious search for grand solutions but rather by cultivating a temperament of modesty. This new temperament of critical modesty locates the fight for freedomand human dignity within the limited and compromised conditions in which we find ourselves.Through readings of Ian McEwan, Zadie Smith, J. M. Coetzee, and David Mitchell, Critical Modesty in Contemporary Fiction advances a claim for the value of temperament in general as a crucial analytic for understanding contemporary experience as well as for a particular temperament of critical modesty as crucial in negotiating the limits of critical and human agency that constitute our daily lives.Exploring modest forms of entangled human agency that represent an alternative to the novel of the large scale that have been most closely associated with the Anthropocene, this volume makes the surprising case that by adopting a modest stance, the novel has the potential to play a more important socio-cultural role than it has done. In doing so, it offers an engaging response to the debate over critical and surface readings, bringing novels themselves into the conversation and arguing for afictional mode that is both critical and modest, reminding us how much we are already engaged with the world, implicated and compromised, before we start developing theories, writing stories, or acting within it.

English fiction --- History and criticism. --- 1900-2099 --- History and criticism

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"Mind over Matter offers a new history of the early, eighteenth-century, novel in relation to empiricism's central claim about memory. Eron considers how memory's creative force empowers both characters and readers-how that force alters, reconstitutes, and even overcomes the conditions of our physical environment. Works discussed include those by Daniel Defoe, Frances Burney, Laurence Sterne, and Jane Austen"--

English fiction --- Memory in literature. --- History and criticism. --- Memory as a theme in literature

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Examines how literature mediated a convergence of militarism and medicine in Victorian culture that continues into the present via a widespread martial metaphor. Medicine is most often understood through the metaphor of war. We encounter phrases such as "the war against the coronavirus," "the front lines of the Ebola crisis," "a new weapon against antibiotic resistance," or "the immune system fights cancer" without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War shows how this "martial metaphor" was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many. While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor's roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature's pivotal role in shaping what war has made thinkable and actionable under medicine's increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Lorenzo Servitje is Assistant Professor of Literature and Medicine at Lehigh University. He has published several books, including Syphilis and Subjectivity: From the Victorians to the Present (coedited with Kari Nixon); Endemic: Essays in Contagion Theory (coedited with Kari Nixon); and The Walking Med: Zombies and the Medical Image (coedited with Sherryl Vint).

English fiction --- Medicine in literature. --- Diseases in literature. --- History and criticism