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This book proposes to investigate the arts from the inside, namely to consider, first and foremost, what artists do to create their works in order to proceed fruitfully in the direction of their evaluation and explanation. To this end, it develops a philosophical inquiry that examines the ground zero of the arts, their common foundations, namely the rules for artistic creation, the processes that involve artists in their activities, the forms that they can or cannot achieve. This proposal and its outline for a rule-based ontology of the arts addresses four themes: the relationship between human nature and artistic practices, the features of art-making, the conception of artworks as structures, and the social nature of the arts.
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Comment s'élabore le processus créateur ? Pour le regardeur, si l'oeuvre visuelle conserve son potentiel énigmatique, il en va de même pour les modalités de sa création. Quel parcours, quelles étapes ont conduit l'artiste jusqu'à l'oeuvre qu'il considère comme achevée et qu'il offre alors au regard du public ? Ce que l'on sait au travers de témoignages et de réflexions à ce sujet de la part d'auteurs et d'artistes, c'est qu'entre l'intention du créateur et le résultat obtenu, un cheminement complexe a été suivi. L'oeuvre réalisée, dans une certaine mesure, est autre que l'intention qui l'a engendrée. Que s'est-il passé dans cet entre-deux ? Créer c'est prendre en compte l'apparition, en cours de réalisation, de l'imprévu, de l'accident, du contingent, du hasard. Comment ce surgissement de l'incontrôlé influe-t-il sur l'élaboration de l'oeuvre ? Comment l'artiste réagit-il ? Qu'en fait-il ? Ces quelques textes sur le hasard apportent des éléments de réponse à ces questions, montrant toute la complexité du travail conduisant à l'oeuvre aboutie.
Aesthetics --- Creation (Literary, artistic, etc.) --- Création artistique
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Creation (Literary, artistic, etc.) --- Authorship --- Arts --- History
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During the reign of Louis XIV, the figurative arts serve the royal propaganda and glorification of the sovereign. The essay Des Principes de l'Architecture, de la Sculpture et de la Peinture (1676) was written by the historian André Félibien with the aim of describing arts during the Grand Siècle. This essay contains one of the first specialised dictionaries on artistic lexicon. In this article, we aim to analyse the structure and contents of the dictionary (nomenclature, syntactic and semantic categories, definitions, specialised marks). Moreover, we will focus on the preface of the essay, in which the author describes the difficulties encountered in the terminological description of the artistic domain.
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During the reign of Louis XIV, the figurative arts serve the royal propaganda and glorification of the sovereign. The essay Des Principes de l'Architecture, de la Sculpture et de la Peinture (1676) was written by the historian André Félibien with the aim of describing arts during the Grand Siècle. This essay contains one of the first specialised dictionaries on artistic lexicon. In this article, we aim to analyse the structure and contents of the dictionary (nomenclature, syntactic and semantic categories, definitions, specialised marks). Moreover, we will focus on the preface of the essay, in which the author describes the difficulties encountered in the terminological description of the artistic domain.
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During the reign of Louis XIV, the figurative arts serve the royal propaganda and glorification of the sovereign. The essay Des Principes de l'Architecture, de la Sculpture et de la Peinture (1676) was written by the historian André Félibien with the aim of describing arts during the Grand Siècle. This essay contains one of the first specialised dictionaries on artistic lexicon. In this article, we aim to analyse the structure and contents of the dictionary (nomenclature, syntactic and semantic categories, definitions, specialised marks). Moreover, we will focus on the preface of the essay, in which the author describes the difficulties encountered in the terminological description of the artistic domain.
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During the reign of Louis XIV, the figurative arts serve the royal propaganda and glorification of the sovereign. The essay Des Principes de l'Architecture, de la Sculpture et de la Peinture (1676) was written by the historian André Félibien with the aim of describing arts during the Grand Siècle. This essay contains one of the first specialised dictionaries on artistic lexicon. In this article, we aim to analyse the structure and contents of the dictionary (nomenclature, syntactic and semantic categories, definitions, specialised marks). Moreover, we will focus on the preface of the essay, in which the author describes the difficulties encountered in the terminological description of the artistic domain.
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Lightweight materials --- Composite materials --- Design --- Creation (Literary, artistic, etc.) --- Materials
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Design For Tomorrow showcases cutting-edge research papers from the 8th International Conference on Research into Design (ICoRD 2021) written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world.
Design --- Creation (Literary, artistic, etc.) --- Decoration And Ornament
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