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Manuscripts, Arabic --- Egypt --- Translation into English. --- History --- Najjārī, Muṣṭafá Salāmah, --- Cairo (Egypt)
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"A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world's greatest twentieth-century cosmopolitan cities, Cairo was a magnet for the ambitious and talented. During the 1920s and 30s, a vibrant music, theater, film, and cabaret scene flourished there, defining what it meant to be a "modern" Egyptian. Women came to dominate that scene-as stars but also as impresarias, entrepreneurs, owners, and promoters of the entertainment industry. Raphael Cormack unveils the rich histories of independent women like vaudeville star Rose al-Youssef (who launched one of Cairo's most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company); her great rival, Umm Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, "religious" and "secular" values, patriarchy and feminism, this new generation of celebrity opened new horizons of possibility for women in Egypt and throughout the Middle East"--
Women entertainers --- Women --- Nightlife --- Social life and customs --- History --- Cairo (Egypt) --- Egypt --- Civilization
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"The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for the Egyptian film industry since the inception of the art form at the end of the nineteenth century. The "reel" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the "real" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South."--
Motion pictures --- Urbanization --- History. --- Cairo (Egypt) --- Civilization. --- In motion pictures. --- Social conditions.
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*You Can Crush the Flowers* is a memoir of the first decade of the Egyptian Revolution, from the fall of Mubarak in the spring of 2011 to today. But it is a memoir of a very particular sort, in which artist and designer Bahia Shehab looks back upon the tumultuous and tragic events of these years through her internationally renowned street art. When the Egyptian Revolution began, Bahia Shehab was a highly respected academic and the activist-creator behind the groundbreaking 'A Thousand Times No' exhibition at the Haus der Kunst in Munich in 2010. By the end of 2011 she had taken her unique understanding of the history of the designed word in Arabic calligraphy onto the streets of Cairo, using hand-cut stencils and spray paint to create such icons of popular resistance as the Blue Bra, the Children of Asyut, and most recently the proudly defiant Rebel Cat. Street art is disruptive, irreverent, visceral and immediate, a multi-layered testament to human resilience and determination. In Cairo during the Revolution it grew into a silent but technicolour spectacle of call-and-response, spreading itself across walls, underpasses, the tarmac of the roads, even the concrete barriers put up by the security forces. Appearing overnight, it might be whitewashed away by morning, preserved only in digital images snatched in passing-or, now, in this moving and dignified account of Bahia Shehab's own artistic evolution, and the passage of her images from the streets of Cairo to those of cities around the world.
Social change --- Internal politics --- International movements --- street art --- political art --- #breakthecanon --- Shehab, Bahia --- Rashed, Hany --- Behbehani, Farah K. --- Cairo
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This book presents an edition and English translation of a medieval commentary on the book of Hosea that was written by an anonymous Karaite author in the Middle Ages. The text has been established by joining together hundreds of small fragments that have been preserved in the Cairo Genizah collections. The edited work is written in Judaeo-Arabic (Arabic in Hebrew letters). The publication includes copious notes, which clarify the meaning and background of the text. This book brings into the light of scholarship an important but hitherto lost text in the intellectual history of the Karaites.
Cairo Genizah --- Karaites --- Bible. --- Baʻale Miḳra --- Baʻalei Mikra --- Bene Miḳra --- Benei Mikra --- Karaʾim (Jewish sect) --- Karaism --- Karaitism --- Jewish sects --- Genizah --- Manuscripts, Hebrew
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Illustre historien de l’Islam médiéval, Gaston Wiet (1887-1971) fut également une figure éminente de la présence scientifique française en Égypte. Parfait arabisant, il s’intéressa à de nombreux aspects de l’histoire et de la culture égyptiennes. Son action à la tête du Musée arabe du Caire (aujourd’hui musée d’Art islamique) entre 1926 et 1951 fut décisive pour l’enrichissement, la publication et la diffusion de ses collections, et l’amena à devenir l’un des meilleurs connaisseurs de l’art islamique de la première moitié du xxe siècle. Par ailleurs, sa qualité de membre du Comité de conservation des monuments de l’art arabe renforça encore son intérêt pour l’architecture d’époque islamique. Cet ouvrage, coédité avec le musée du Louvre, avec le soutien du musée d'Art islamique du Caire, se concentre sur l’apport décisif de Gaston Wiet à l’étude des arts de l’Islam en abordant, outre son parcours et sa personnalité, son action auprès du Musée arabe et du Comité, ainsi que l’étendue de sa curiosité, depuis l’art persan et les textiles jusqu’aux productions de l’Égypte moderne, tout en soulignant sa passion particulière pour l’épigraphie. Ce volume, qui rassemble les contributions de spécialistes français et égyptiens, entend ainsi rappeler, à l’occasion du cinquantenaire de sa disparition, la contribution essentielle de cet éminent savant et ami de l’Égypte. ﻛﺎن ﺟﺎﺳﺘﻮن ﻓﻴﻴﺖ (١٩٧١-١٨٨٧) ﻣﺆرﺧًﺎ ﻣﻤﻴﺰًا ﻟﻺﺳﻼم ﻓﻲ اﻟﻌﺼﻮر اﻟﻮﺳﻄﻰ، وﺷﺨﺼﻴﺔ ﺑﺎرزة ﻓﻲ اﻟﻤﺠﺘﻤﻊ اﻟﻌﻠﻤﻲ اﻟﻔﺮﻧﺴﻲ ﻓﻲ ﻣﺼﺮ. ﻣﺴﺘﻌﺮﺑًﺎ ﻣﺎﻫﺮًا، ﻛﺎن ﻣﻬﺘﻤًﺎ ﺑﺎﻟﻌﺪﻳﺪ ﻣﻦ ﺟﻮاﻧﺐ اﻟﺘﺎرﻳﺦ واﻟﺜﻘﺎﻓﺔ اﻟﻤﺼﺮﻳﺔ. ﻛﺎن ﻋﻤﻠﻪ ﻛﻤﺪﻳﺮ ﻟﺪار اﻵﺛﺎر اﻟﻌﺮﺑﻴﺔ ﺑﺎﻟﻘﺎﻫﺮة )اﻵن ﻣﺘﺤﻒ اﻟﻔﻦ اﻹﺳﻼﻣﻲ( ﺑﻴﻦ ﻋﺎﻣﻲ ١٩٢٦ و١٩٥١ ﺣﺎﺳﻤًﺎ ﻹﺛﺮاء ﻣﺠﻤﻮﻋﺎﺗﻪ وﻧﺸﺮﻫﺎ، ﻣﻤﺎ ﺟﻌﻠﻪ ﻣﻦ أﻓﻀﻞ ﺧﺒﺮاء اﻟﻔﻦ اﻹﺳﻼﻣﻲ ﻓﻲ اﻟﻨﺼﻒ اﻷول ﻣﻦ اﻟﻘﺮن اﻟﻌﺸﺮﻳﻦ. ﻋﻼوة ﻋﻠﻰ ذﻟﻚ، ﻓﺈن ﻋﻀﻮﻳﺘﻪ ﻓﻲ ﻟﺠﻨﺔ ﺣﻔﻆ اﻵﺛﺎر ﻋﺰزت اﻫﺘﻤﺎﻣﻪ ﺑﺎﻟﻬﻨﺪﺳﺔ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﺨﺎﺻﺔ ﺑﺎﻟﻔﺘﺮة اﻹﺳﻼﻣﻴﺔ. وهذا الكتاب هو ثمرة عمل مشترك بين المعهد العلمي الفرنسي للآثار الشرقية ومتحف اللوڤر، بدعم من متحف الفن الإسلامي بالقاهرة. وهو ﻳﺮﻛﺰ ﻋﻠﻰ ﻣﺴﺎﻫﻤﺔ ﺟﺎﺳﺘﻮن ﻓﻴﻴﺖ اﻟﺮﺋﻴﺴﻴﺔ ﻓﻲ دراﺳﺔ اﻟﻔﻨﻮن اﻹﺳﻼﻣﻴﺔ، ﺑﺎﻹﺿﺎﻓﺔ إﻟﻰ ﻣﺴﻴﺮﺗﻪ وﺷﺨﺼﻴﺘﻪ، وﻋﻤﻠﻪ ﺑﺪار اﻵﺛﺎر اﻟﻌﺮﺑﻴﺔ وﻟﺠﻨﺔ ﺣﻔﻆ اﻵﺛﺎر، وﻛﺬﻟﻚ ﻣﺪى وﻟﻌﻪ ﺑﺎﻟﻔﻦ اﻟﻔﺎرﺳﻲ واﻟﻤﻨﺴﻮﺟﺎت وﺻﻮ ًﻻ إﻟﻰ ﻣﻨﺘﺠﺎت ﻣﺼﺮ اﻟﺤﺪﻳﺜﺔ، ﻣﻊ اﻟﺘﺄﻛﻴﺪ ﻋﻠﻰ ﺷﻐﻔﻪ اﻟﺨﺎص ﺑﺎﻟﻨﻘﻮش واﻟﻜﺘﺎﺑﺎت. وﻳﻬﺪف ﻫﺬا اﻟﻜﺘﺎب اﻟﺬي ﻳﺠﻤﻊ ﻣﺴﺎﻫﻤﺎت اﻟﻤﺘﺨﺼﺼﻴﻦ اﻟﻔﺮﻧﺴﻴﻴﻦ واﻟﻤﺼﺮﻳﻴﻦ إﻟﻰ اﻟﺘﺬﻛﻴﺮ ﺑﺎﻟﻤﺴﺎﻫﻤﺔ اﻷﺳﺎﺳﻴﺔ ﻟﻬﺬا اﻟﺒﺎﺣﺚ اﻟﻼﻣﻊ واﻟﺼﺪﻳﻖ ﻟﻤﺼﺮ وذﻟﻚ ﺑﻤﻨﺎﺳﺒﺔ اﻟﺬﻛﺮى اﻟﺨﻤﺴﻴﻦ ﻟﻮﻓﺎﺗﻪ.
Art museums --- Islamic art. --- Art islamique. --- Wiet, Gaston, --- Matḥaf al-Fann al-Islāmī (Cairo, Egypt) --- Musée de l'art islamique (Le Caire).
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"Mamluk Palaces and Houses in Cairo studies the types of extant residential buildings in Cairo from the Mamluk era (1250-1517 C.E.) and the factors affecting their design, architectural and decorative elements, and building materials. It provides an archaeological, architectural, historical, and documentary study of all the surviving palaces and houses, focussing on the structural and architectural status of its various parts. The author also discusses its present-day restoration and rehabilitation projects. In this book, Ghazwan Yaghi presents a variety of empirical material that sheds more light on the social and economic history of the Mamluk era, as well as a glossary of archaeological and documentary terminology that could serve as a tool for further research in Islamic architecture"--
Archaeology --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Architecture domestique. --- Architecture mamelouke. --- Architecture islamique. --- Habitations --- Palais --- Architecture, Mameluke. --- Islamic architecture --- Palaces --- Architecture, Domestic. --- Dwellings --- History. --- Égypte --- Le Caire (Égypte) --- Cairo (Egypt) --- Égypte --- Le Caire (Égypte)
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Jews lived in Egypt over many centuries, from biblical times until the middle of the previous century. Nevertheless, Jewish life in medieval Islamic Egypt was for many years an obscure and understudied theme. The present book offers the reader a wide-ranging picture of Jewish life in medieval Egypt as depicted by most recent scholarship. Starting from the last phases of the Byzantine era and ending with the Mamluk period, the book presents a scholarly yet vivid description of Jewish communal organization, judiciary, economic frameworks, family life, and lingual practices, as well as religious and literary activities of the medieval Jews of Egypt.
Jews --- History --- Egypt --- Civilization --- Jewish influences. --- Ayyubids. --- Cairo Geniza. --- Dhimma. --- Egypt. --- Fatimids. --- Hebrew poetry. --- Islam. --- Jewish-Muslim relations. --- Judaism. --- Judeo-Arabic literature. --- Mamluks. --- Medieval. --- Middle Ages. --- Moses Maimonides. --- ancient. --- antiquity. --- antisemitism. --- culture. --- customs. --- economy. --- family life. --- geography. --- history. --- language. --- law. --- marriage. --- minorities. --- mishnah. --- politics. --- religious practice. --- self-government.
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بعد انقضاء سبعةَ عقودٍ وَنيّف على تجربة سوريا مع الإنتداب الفرنسي، تتعرض سوريا مجدداً إلى تدخلات أجنبية تكاد تتشابه في كثير من جوانبها مع تجربتها الأولى : هناك شبح التقسيم على أسسٍ مناطقية، بل وحتى طائفية. وهناك تجارب « إقتصاد الحرب »، وغيرها، وما نتج عنها من آثار. كل ذلك، سبق وخَبِرته سوريا. يقولون إنّ التاريخ لا يُعيد نفسه. إلا أنّ هناك « شِبه ثوابت » جغراسية في تاريخ سوريا العريق، ما فتئت تتكرر. سيتعرف قارئ هذا الكتاب على بعضٍ منها، أو يعود لاكتشافها من خلال إستعراض الإدارة الإقتصادية لسوريا زمن الإنتداب الفرنسي
Economics --- History --- “droit évident” de la France au Levant --- association ou assimilation --- la Société mandataire --- Intérêts Communs --- État-providence colonial --- Économie de guerre --- Centre d’Approvisionnement du Moyen-Orient au Caire --- Office des Céréales Panifiables en Syrie --- Étatisme --- “Obvious right” of France in the Levant --- Association or Assimilation --- Mandatory Society --- Common Interests --- Welfare State --- War Economy --- Middle East Supply Center in Cairo --- Wheat and Cereals Office in Syria --- Statism --- حق فرنسا الصريح في المشرق --- شراكة أو احتواء --- المجتمع الانتدابي --- المصالح المشتركة --- دولة الرفاه الاجتماعي الكولونيالية --- اقتصاد الحرب --- مكتب تموين الشرق الأوسط في القاهرة --- مكتب الحبوب الصالحة للخبز في سوريا --- الدولتة
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