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Painting --- Europa [Mythological character] --- Titian --- Isabella Stewart Gardner Museum [Boston, Mass.]
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Medicine --- Environmental archaeology. --- Parasitology. --- History --- Boston (Mass.) --- Social life and customs
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"The Boston Harbor Islands have been called Boston's "hidden shores." While some are ragged rocks teeming with coastal wildlife, such as oystercatchers and harbor seals, others resemble manicured parks or have the appearance of wooded hills rising gently out of the water. Largely ignored by historians and previously home to prisons, asylums, and sewage treatment plants, this surprisingly diverse ensemble of islands has existed quietly on the urban fringe over the last four centuries. Even their latest incarnation as a national park and recreational hub has emphasized their separation from, rather than their connection to, the city. In this book, Pavla Šimková reinterprets the Boston Harbor Islands as an urban archipelago, arguing that they have been an integral part of Boston since colonial days, transformed by the city's changing values and catering to its current needs. Drawing on archival sources, historic maps and photographs, and diaries from island residents, this absorbing study attests that the harbor islands' story is central to understanding the ways in which Boston has both shaped and been shaped by its environment over time"--
Urban ecology (Sociology) --- Human ecology --- Archipelagoes --- History. --- Massachusetts --- Massachusetts. --- Boston (Mass.) --- Boston Harbor Islands (Mass.) --- Environmental conditions.
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"Take Back What the Devil Stole examines the lived religion of an extraordinary African American woman (Ms. Donna Haskins) as she struggles to survive the streets of inner-city Boston through the use of astral flight, telepathy, speaking in tongues, fasting, and spirit possession. Drawing from a mixture of Christian and Afro-Caribbean indigenous sources, Donna transforms her one-bedroom apartment and Boston's violent street corners into portals to other dimensions of reality, which she believes exist outside the bounds of wealthy white male power structures and established religious institutions. While historians of religion have often dismissed such paranormal phenomena as astral flying and telepathy as insignificant for the study of religion, Woodbine argues that these phenomena are essential to understanding religion, especially as it is lived among marginalized communities of African descent. In particular, practitioners of African and Afro-Caribbean indigenous traditions often find no contradiction between their Christian beliefs and the manipulation of energy and spirits that often exists in African-based spiritual practices. In order to fully understand Donna's lived religion and the spiritual lives of many black women in the United States, exploring these overlooked paranormal phenomena is both essential and a novel contribution to religious studies. To that end, the book combines ethnography, social science, theology, and personal narrative in order to capture the "felt sense" of Donna's lived religion in a compelling way that will enable readers to understand how women, particularly black women, live their faith in ways that upend the racist and sexist narratives and institutions of the dominant culture"--
African American women --- Christianity and other religions --- Religious biography --- Religion. --- African. --- Haskins, Donna. --- Afro-Caribbean cults. --- Boston (Mass.) --- Religious life and customs.
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Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the "spirit realm." In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city.Take Back What the Devil Stole centers Donna's encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine's portrait of her spiritual life sheds new light on the complexities of Black women's religious participation and the lived religion of the dispossessed. Woodbine explores Donna's religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.
Christianity and other religions --- Afro-Caribbean cults. --- African. --- Haskins, Donna. --- Boston (Mass.) --- Religious life and customs. --- African American religion. --- Boston. --- black women. --- ethnography of religion. --- lived religion. --- spirituality.
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Presents information on the American Revolution and the revolutionary change that took place from December 1773 to mid-April 1775, including the Boston Tea Party and the first Continental Congress to the Battle of Lexington and Concord.
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Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the "spirit realm." In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city.Take Back What the Devil Stole centers Donna's encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine's portrait of her spiritual life sheds new light on the complexities of Black women's religious participation and the lived religion of the dispossessed. Woodbine explores Donna's religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.
Christianity and other religions --- Afro-Caribbean cults. --- African. --- Haskins, Donna. --- Boston (Mass.) --- Religious life and customs. --- African American religion. --- Boston. --- black women. --- ethnography of religion. --- lived religion. --- spirituality. --- Afro-Caribbean religions. --- African American women --- Religious biography --- Religion.
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Public radio --- History. --- National Public Radio (U.S.) --- Non-commercial radio --- Noncommercial radio --- Public broadcasting --- Radio broadcasting --- Public service radio programs --- NPR --- Association of Public Radio Stations (U.S.) --- WBEZ (Radio station : Chicago, Ill.) --- National Story Project (U.S.) --- KCRW (Radio station : Santa Monica, Calif.) --- WGBH (Radio station : Boston, Mass.)
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In Eden on the Charles: The Making of Boston, Michael Rawson examines how the city's relationship with its natural surroundings informed its early growth and development. His compelling, well-researched narrative touches on several milestones on Boston's road to modernity, including the Common's conversion from a place of labor to a place of leisure, the emergence of pastoral suburbs as a respite from an increasingly urbanized landscape, and the long fight over a proposed municipal water system to bring fresh water to those who needed it most.Perhaps the book's most important lesson comes from a frustrated mariner who, upset over the maltreatment of the harbor, laments that "the past seems to be forgotten, the present only is regarded as of importance, and a veil is drawn over the future." Eden on the Charles is a valiant effort to combat such shortsightedness, reminding us that the key to building a successful community lies in respecting the natural resources that provide for it and in understanding our responsibility to our fellow citizens.
City planning --- Human ecology --- Ecology --- Environment, Human --- Human beings --- Human environment --- Ecological engineering --- Human geography --- Nature --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- History --- Social aspects --- Effect of environment on --- Effect of human beings on --- Government policy --- Management --- Boston (Mass.) --- City of Boston (Mass.) --- Beantown (Mass.) --- بوسطن (Mass.) --- Būsṭun (Mass.) --- Бостон (Mass.) --- Горад Бостан (Mass.) --- Horad Bostan (Mass.) --- Бостан (Mass.) --- Bostan (Mass.) --- Бостън (Mass.) --- Bostŭn (Mass.) --- Βοστώνη (Mass.) --- Vostōnē (Mass.) --- Bostono (Mass.) --- بوستون (Mass.) --- Pô-sṳ-tun (Mass.) --- 보스턴 (Mass.) --- Bosŭt'ŏn (Mass.) --- Posŭt'ŏn (Mass.) --- Pokekona (Mass.) --- בוסטון (Mass.) --- Bostonia (Mass.) --- Bostona (Mass.) --- Bostonas (Mass.) --- ボストン (Mass.) --- באסטאן (Mass.) --- Bostons (Mass.) --- 波士顿 (Mass.) --- Boshidun (Mass.) --- Social conditions --- Environmental conditions.
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This absorbing book explores the crown jewel of the Isabella Stewart Gardner Museum’s collection of rare books and manuscripts: Jean Bourdichon’s Boston Hours. As court artist to King François I of France, Bourdichon produced paintings, books and even parade floats for the sovereign and his entourage. This publication accompanies the museum’s first ever exhibition dedicated to this spectacular illuminated manuscript. Painter to two kings, Jean Bourdichon remains today one of the most celebrated artists of the French Renaissance. By age twenty-four, he was already serving as “peintre du roy,” a title which Bourdichon held for the rest of his life. His illustrious career at the French royal court led to a wide range of commissions—from portraits to wall maps to stained glass—but he is remembered principally for astonishing illuminated manuscripts. The peerless Grandes Heures for Queen Anne of Brittany remains the touchstone of this group which includes some of the most lavishly painted books of hours ever produced. One of these masterpieces—Bourdichon’s Boston Hours—in the collection of the Isabella Stewart Gardner Museum is the subject of this book. Bourdichon’s only intact book of hours in the United States was acquired by Isabella Stewart Gardner in 1890 and became the crown jewel of her collection of rare books and manuscripts. Leading scholars Nicholas Herman and Anne-Marie Eze explore its history in depth, shedding new light on the book’s patronage and provenance—from the shelves of a wealthy Catholic landowner in Lincolnshire to the shop of a Venetian art and antiques dealer. This book is the latest in the Gardner’s Close Up series, each installment focusing on an individual, outstanding work of art in the collection. This publication is the first dedicated to this rare treasure, and precedes an exhibition opening in summer 2022.
Bourdichon, Jean --- Books of hours --- Isabella Stewart Gardner Museum --- Horae (Books of hours) --- Hours, Books of --- Illustrated books --- Boston. Isabella Stewart Gardner Museum --- Gardner (Isabella Stewart) Museum --- Gardner Museum --- Isabella Stewart Gardner Museum, Boston. --- Book history --- Painting --- Manuscripts. Epigraphy. Paleography --- books of hours --- illuminated manuscripts --- Isabella Stewart Gardner Museum [Boston, Mass.] --- 091.31 <73> --- 091:264-13*2 --- 091 <064> --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091.31 <73> Verluchte handschriften--Verenigde Staten van Amerika --- Verluchte handschriften--Verenigde Staten van Amerika --- Handschriftenkunde. Handschriftencatalogi-:-Getijdenboeken
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