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"This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. It explores the relationships between the imagination, the body, and concrete forms of visual representations: Ranging from the Renaissance paradigm of anatomy, to Foucault's "birth of the clinic" and the institutionalised construction of a "medical gaze"; from "visual" archives of madness, psychiatric art collections, the politicisation and economisation of the body, to the post-human in mass media representations. Contributions to this volume investigate medical bodies as historical, technological, and political constructs, constituted where knowledge formation and visual cultures intersect. Contributors are: Axel Fliethmann, Michael Hau, Birgit Lang, Carolyn Lau, Heikki Lempa, Stefanie Lenk, Joanna Madloch, Barry Murnane, Jill Redner, Claudia Stein, Elizabeth Stephens, Corinna Wagner, and Christiane Weller"--
Human body (Philosophy) --- Medicine --- History --- Philosophy --- Health Workforce --- Body, Human (Philosophy) --- Philosophy. --- History.
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"The Anatomy Quizbook Volume 2 contains questions and answers pertinent to the head and neck, vertebral column, and upper and lower limbs.Built on a series of carefully selected questions, AQV2 addresses core learning in clinically relevant anatomy, and provides the opportunity for both pre-med and medical students to improve their knowledge of anatomy, as well as their performance in tests and examinations.This form of self-testing has many benefits: it is proven to aid retention, it is a useful method to apply at regular intervals to ensure robust knowledge, and it is extremely useful to determine what is known before rather than after a test or exam.The previous volume (Anatomy Quizbook Volume 1) contains questions and answers applicable to anatomical terms and the thorax, abdomen and pelvis."--Publishers website.
Human anatomy --- Body, Human --- Questions and answers. --- Medicine --- Study and teaching. --- Australian
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Since the appearance of her early-career bestseller Gender Trouble in 1990, American philosopher Judith Butler is one of the most influential (and at times controversial) thinkers in academia. Her work addresses numerous socially pertinent topics such as gender normativity, political speech, media representations of war, and the democratic power of assembling bodies. The volume Bodies That Still Matter: Resonances of the Work of Judith Butler brings together essays from scholars across academic disciplines who apply, reflect on, and further Butler's ideas to their own research. It includes a new essay by Butler herself, from which it takes its title. Organized around four key themes in Butler's scholarship - performativity, speech, precarity, and assembly - the volume offers an excellent introduction to the contemporary relevance of Butler's thinking, a multi-perspectival approach to key topics of contemporary critical theory, and a testimony to the vibrant interdisciplinary discourses characterizing much of today's humanities' research.
Feminist theory. --- Human body (Philosophy) --- Butler, Judith, --- Body, Human (Philosophy) --- Philosophy --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Performativity, precarity, speech, bodies, psychic life. --- Butler, Judith
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En 1924, dans ses fameux Rois thaumaturges, Marc Bloch, entre autres choses, lança un difficile défi aux historiens que ces derniers peinent aujourd’hui encore à relever. Car si, comme le remarqua bien plus tard Jacques Le Goff, ce grand livre contient aussi « l’ébauche d’une histoire du corps », il faut prendre soin de souligner que Bloch, fidèle à sa vision du métier, concevait le corps en un sens bien particulier : non comme un objet d’histoire en soi, mais bien plutôt comme le lieu d’organisation des formes organiques, sociales et symboliques qu’il prenait pour objet de son histoire (le toucher des écrouelles), et dont le sens menaçait de demeurer incompréhensible hors d’une saisie exacte et circonstanciée des formalités historiques de la mise en jeu des corps. Le tableau de Bernard Van Orley (Un roi de France communie, 1515-1520), qui ouvrait l’ouvrage, prévenait à sa façon le lecteur : ce qui importe, à ce seul sujet, ce n’est pas le corps ; mais le corps en tant qu’il est rendu opératoire dans la scène qu’il contribue à faire exister. La distinction n’avait rien d’une broutille.
Human body --- Human body in popular culture --- Body image --- Social aspects --- History --- Body, Human --- Human beings --- Human anatomy --- Human physiology --- Mind and body --- Image, Body --- Imagery (Psychology) --- Person schemas --- Personality --- Self-perception --- Body, Human, in popular culture --- Popular culture --- école --- histoire
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'Phantom limb pain' designates the sensations which seem to emanate from limbs that in reality are missing. The phrase was coined by the American Civil War surgeon, Weir Mitchell, in reference to his fictional amputee, George Dedlow. Contemporary neuroscience holds that the brain encloses a schema which covers the whole body, and asserts its unity even if certain parts are missing. Reading backwards from Dedlow's sufferings, Alastair Minnis traces the medieval precedents and parallels, focusing on Augustine and Dante, who subscribed to the notion of a 'body in the soul'. Dante's souls in purgatory self-prosthesize with aerial phantoms as they long for the full embodiment which only the resurrection can bring. Is a complete body necessary for personhood? And how can the gamut of human feelings be run if parts or the entirety of one's body does not exist? Combining medieval studies and contemporary neuroscience, this absorbing study explores the fascinating and surprising history of phantom pain.
Human body in literature. --- Phantom limb --- Limb, Phantom --- Limbs, Phantom --- Phantom limb pain --- Phantom limbs --- Phantom pain --- Amputees --- Body schema --- Pain --- Perceptual disorders --- Body, Human, in literature --- Human figure in literature --- History. --- Psychology
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Le sang fascine. Encore aujourd’hui, il renferme une charge d’émotion et de mystère, qui trouve ses racines dans les anciens systèmes de représentation, de la fin du Moyen Age au XVIIIe siècle. L’ancienne médecine inscrit le sang dans le système des quatre humeurs et en fait un véritable «trésor de vie». Elle l’associe aux «esprits» -qui constituent l’interface entre l’âme et le corps-, au cœur, aux émotions. Le sang est également relié aux questions de genre et d’identité sexuelle. Le sang féminin ne vaut pas le sang masculin. Le sang menstruel, objet d’une véritable mythologie, est associé la souillure, au déchet et au poison. Mais le sang est aussi à la base d’un aliment aussi essentiel que symbolique, le lait, évoqué dans les discours dédiés à l’allaitement et au choix des nourrices. Le sang ne relève pas uniquement du domaine sanitaire : sa représentation convoque des notions-clés comme l’articulation entre le corps et l’âme, la définition et la transmission de l’identité. Il intervient dans la construction d’un véritable « déterminisme hématologique » -dans lequel les caractéristiques physiques et morales se transmettent par le sang-, dans des pratiques d’exclusion, mais aussi dans des discours de tolérance et de la solidarité. Cette rapide évocation des perceptions et des enjeux du sang révèle la densité et la complexité des représentations qui y sont associées. C’est cet héritage ancien, mais jamais oublié, que cet ouvrage se propose d’explorer.
Blood --- Blood in literature. --- Blood in art. --- Human body --- Symbolic aspects --- History. --- Social aspects --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Body fluids --- Fear of blood --- médecine --- représentation --- sang
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How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Focusing on the historical period of modernity, Performance and Modernity: Enacting Change on the Globalizing Stage demonstrates how the unforeseen impact of economic, industrial, political, social, and psychological change was registered in bodily metaphors that took shape on stage. In new styles of performance-acting, dance, music, pageantry, avant-garde provocations, film, video and networked media-this book finds fresh evidence for how modernity has been understood and lived, both by stage actors, who, in modelling new habits, gave emerging experiences an epistemological shape, and by their audiences, who, in borrowing the strategies performers enacted, learned to adapt to a modernizing world.
Acting --- Human body (Philosophy) --- Performing arts --- Aesthetics. --- Performance art --- Philosophy. --- Arts, Modern --- Happenings (Art) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Body, Human (Philosophy) --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics
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This book looks at the changing continuum that links individuals, communities and society. An outline of Aspirational Algorithms (AA) and Valuable Wearables is presented as tools to shift from an AI culture to the cultivation of Augmented Humanity (AH). The human mindset that is behind the design and use of technology determines the outcomes of technology. If the intended outcome is the common good, then the preceding human aspiration must be geared toward that goal. Only technology that is conceived with the aspiration of a society that lifts individuals to fulfill their potential can be a game-changer for good. Seeing the constant interplay between the four levels of human existence soul, heart, mind, body, expressed as aspirations, emotions, thoughts and sensations, how technology may serve to systematically sway individuals from inspiration to desire, from informing to the ignition of tangible transformation. This transition is explained in the book along the scale of influence. Two convergent and mutually influencing dynamics are analyzed: first, the influence of values and aspirations on the impact of technology, and second, the influence of technology on the attitude and action of users. Both assess how hardware and software can serve a maximum of people to live a meaningful happy life. Cornelia C. Walthers experience combines practice and research. As a humanitarian practitioner she worked for UNICEF and the World Food Program (WFP) for almost 20 years, operating as the head of communication in large-scale emergencies in Africa, Asia and the Caribbean. She collaborates as a coach and a researcher with the Center for Humanitarian Leadership, Deakin University, Australia, and as a lecturer with both the Fachhochschule Muenster, Germany, and the University of Law, Aix-Marseille, France. She is part of the network of humanitarian assistance, and holds a Ph.D. in Law. Books published in 2020 include Development, Humanitarian Action and Social Welfare; Humanitarian Work, Social Change and Human Behavior; and Development and Connection in Times of Covid.
Technology --- Social change --- Human-computer interaction. --- Human body --- Social aspects. --- Technological innovations. --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Computer-human interaction --- Human factors in computing systems --- Interaction, Human-computer --- Human engineering --- User-centered system design --- User interfaces (Computer systems) --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution
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Laing vertelt ons, via figuren als Nina Simone, Sigmund Freud, Susan Sontag en Malcolm X, dat het menselijk lichaam een bron van kracht is en dat je kan vechten tegen onderdrukking en de wereld in een nieuwe richting kan duwen.
Civilization, Modern --- Liberty --- Human body --- lichamelijkheid --- seksualiteit --- psychoanalyse --- feminisme --- gender studies --- politiek --- sociologie --- eenentwintigste eeuw --- Reich Wilhelm --- 130.2 --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Twentieth century --- History --- Social aspects --- Reich, Wilhelm, --- Parell, Ernst
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