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Le public de la musique symphonique est-il aussi monolithique et monochrome que l'on se plaît généralement aÌ€ le dépeindre ? Rien n'est moins sûr ... C'est forts de cette interrogation que les auteurs de ce livre sont partis aÌ€ la rencontre des spectateurs des orchestres aÌ€ travers toute la France. Au fil de l'enquête et d'échanges avec des mélomanes passionnés curieux des Å“uvres les plus pointues, avec des amateurs plus distanciés amoureux des grandes Å“uvres du répertoire, ou encore des spectateurs occasionnels émerveillés de pouvoir écouter en concert une symphonie de Mozart, ils ont découvert un public pluriel et disparate. La composition de ce public évolue selon les territoires et leur contexte sociodémographique, l'histoire de chaque institution culturelle et la coloration de sa programmation ... Cette enquête déconstruit ainsi l'image traditionnelle des spectateurs d'orchestres pour donner aÌ€ voir le public mosaïque qui fréquente aujourd'hui les grandes salles de concert.

Symphony orchestras. --- Music audiences.

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Changing News Use pulls from empirical research to introduce and describehow changing news user patterns and journalism practices have beenmutually disruptive, exploring what journalists and the news media canlearn from these changes. Based on 15 years of audience research, the authors provide an in-depthdescription of what people do with news and how this has diversifiedover time, from reading, watching, and listening to a broader spectrumof user practices including checking, scrolling, tagging, and avoiding.By emphasizing people's own experience of journalism, this book alsoinvestigates what two prominent audience measurements - clicking andspending time - mean from a user perspective. The book outlines ways toovercome the dilemma of providing what people apparently want (attentiongrabbingnews features) and delivering what people apparently need (whatjournalists see as important information), suggesting alternative ways toinvestigate and become sensitive to the practices, preferences, and pleasuresof audiences and discussing what these research findings might mean foreveryday journalism practice. The book is a valuable and timely resource for academics and researchersinterested in the fields of journalism studies, sociology, digital media, andcommunication.

Journalism --- Online journalism. --- News audiences. --- Technological innovations.

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Le discours venu du théâtre s'attache souvent à vanter la vertu d'un art qui s'excepterait de l'industrie de masse pour offrir un authentique rapport à ce que la culture compte de plus savant. Par ailleurs, ce même discours s'est beaucoup attardé ces dernières décennies à établir les palmarès du théâtre politique, puisqu'il semblait entendu que la politique elle-même avait atteint un point historique terminal.A la différence de ces deux grandes veines morales, S'adresser à tous entend penser le théâtre comme lieu d'une parole privilégiée et mettre au jour la profonde diversité des investissements historiques qui s'y sont succédé depuis la Révolution. Il analyse l'évolution des catégories qui l'ont déterminé, en lien constant avec les évolutions globales de l'industrie culturelle : comment la manière dont le théâtre organise son rapport aux notions de "politique" , de "peuple" , de "populaire" , de "public" définit sa réalité propre tout en enregistrant ce qui se joue dans le champ culturel en son ensemble.Car, si le théâtre après la Révolution française entretient une relation complexe à la notion d'art, il n'existe que directement branché sur le concept de culture qui lui confère sa respiration moderne. S'adresser à tous historicise les attentes qui le structurent, dégage les caractéristiques de sa séquence contemporaine et renouvelle de manière matérialiste l'approche théorique de cet art. Dans cet essai à l'écriture ramassée, dense, rythmée, Diane Scott reprend le flambeau de la Théorie critique en matière de culture.

Theater audiences. --- Performing arts --- Cultural industries --- Audiences --- Theater. --- Performing arts. --- Cultural industries. --- Theater

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Explains why audiences dislike certain media and what happens when they doThe study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation?Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters.As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

Aesthetics. --- Likes and dislikes. --- Social media. --- Mass media --- Audiences. --- Pierre Bourdieu. --- audiences. --- failure. --- fans. --- taste. --- television.

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"The study and discussion of media is replete with talk of fans, loves, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over 200 interviews to probe what the media's failures and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship"-- The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters.As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

Mass media --- Social media. --- Likes and dislikes. --- Aesthetics. --- Audiences.