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"From the late fifteenth century to the present day, the New World has been plundered and pilfered for its many 'treasures' and 'wonders' and as a consequence, many of its natural and cultural productions have been scattered around the world, often hidden in libraries, museums and private collections. New World Objects of Knowledge: A Cabinet of Curiosities gathers a fascinating sampling of these scattered objects in forty richly illustrated essays written by world-leading scholars in the field. We discover the secret, often global, itineraries of such things as Aztec codices and Inca mummies, colonial paintings and indigenous maps, giant tortoises and precious hummingbirds" -- Back cover.

Art, Latin American. --- Art, American. --- Art, Colonial. --- Art thefts. --- Cabinets of curiosities. --- Latin America --- Civilization.

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"From the late fifteenth century to the present day, the New World has been plundered and pilfered for its many 'treasures' and 'wonders' and as a consequence, many of its natural and cultural productions have been scattered around the world, often hidden in libraries, museums and private collections. New World Objects of Knowledge: A Cabinet of Curiosities gathers a fascinating sampling of these scattered objects in forty richly illustrated essays written by world-leading scholars in the field. We discover the secret, often global, itineraries of such things as Aztec codices and Inca mummies, colonial paintings and indigenous maps, giant tortoises and precious hummingbirds" -- Back cover.

Art, Latin American. --- Art, American. --- Art, Colonial. --- Art thefts. --- Cabinets of curiosities. --- Latin America --- Civilization.

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Les liens entre art contemporain, histoire coloniale, postcolonialisme et mouvements décoloniaux sont anciens et multiples. Des artistes, en Occident et ailleurs, depuis plusieurs décennies déjà, revisitent opportunément des concepts que les études postcoloniales ont approfondis ou inventés – agency (agentivité), mimicry (mimétisme/simulacre) ou essentialisme stratégique –, en autant d’outils utiles à démêler la complexité des relations coloniales et, au-delà, de toutes les relations de domination. Des auteurs, relevant de ces champs d’études conservant aujourd’hui toute leur actualité politique, théorique et polémique, disent en retour tout l’intérêt qu’ils portent à la création contemporaine. Associant vingt historiens de l’art et chercheurs en littérature, philosophie, droit ou psychanalyse, Postcolonial/Décolonial. La preuve par l’art réunit des textes portant sur des productions artistiques (Betye Saar, Fred Wilson, Sarkis, Lidwien van de Ven, Voluspa Jarpa, Iris Kensmil, Jean Renoir et bien d’autres), des propositions institutionnelles (Centro de Arte y Comunicación de Buenos Aires, Biennale de Venise ou Van Abbemuseum d’Eindhoven), l’historiographie de l’histoire de l’art ou celle du droit. Une place particulière est réservée aux singularités artistiques, théoriques et juridiques en Amérique latine, lieu d’émergence des théories décoloniales.

Decolonization in art --- Postcolonialism and the arts --- Installations (Art) --- Conceptual art. --- Art, Colonial --- Influence. --- Décolonisation. --- Décolonialité. --- Postcolonialisme et arts. --- Création (esthétique)

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BPB9999 --- Colonisation. Decolonisation --- cultureel erfgoed --- kolonisatie (mensen) --- kolonialisme --- Netherlands --- Belgium --- tangible cultural heritage --- restitution --- Cultureel erfgoed. --- Kolonie͏̈n. --- Kunstroof. --- Nederland. --- Koloniale geschiedenis. --- Belgie͏̈. --- 904 --- 904 Culturele overblijfselen uit historische tijden. Antiquitates --- Culturele overblijfselen uit historische tijden. Antiquitates --- BPB2112 --- Kunstdiefstal --- België ; koloniale geschiedenis --- Nederland ; koloniale geschiedenis --- C9 --- Gedeeld erfgoed --- België ; koloniale geschiedenis --- Art [Colonial ]

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"This book excavates the unequaled reception of Flemish artist Peter Paul Rubens in Latin America in the form of prints made after his works, arguing that colonial artists in the New World forged new frameworks for artistic creativity by conforming to European printed designs"--

Art, Latin American --- Prints, European --- Art, Colonial --- European influences --- Copying --- Rubens, Peter Paul, --- Influence --- Influence. --- Art, Spanish American --- Latin American art --- Colonial art --- European prints --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Graphic arts --- prints [visual works] --- influence --- copies [derivative objects] --- anno 1600-1699 --- anno 1700-1799 --- Latin America --- Colonial Latin American fine arts styles --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Art, Latin American - European influences --- Prints, European - Copying --- Art, Colonial - Latin America --- Art, Latin American - 17th century --- Art, Latin American - 18th century --- Rubens, Peter Paul, - 1577-1640 - Influence --- Rubens, Peter Paul, - Sir, - 1577-1640 --- Rubens, Peter Paul, - 1577-1640 --- European influences. --- Copying.