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"What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--
Sanskrit drama --- Theater --- Aesthetics, Indic. --- History and criticism. --- Bharata Muni. --- Abhinavagupta,
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Medieval Kashmir in its golden age saw the development of some of the most sophisticated theories of language, literature, and emotion articulated in the pre-modern world. These theories, enormously influential on the later intellectual history of South Asia, were written at a time when religious education was ubiquitous among intellectuals, and when religious philosophies were hotly and publicly debated. It was also a time of deep interreligious influence and borrowing, when traditions intermixed and intellectuals pushed the boundaries of their own inheritance by borrowing ideas from many different places-even from their rivals. To Savor the Meaning examines the overlap of literary theory and religious philosophy in this period by looking at debates about how poetry communicates emotions to its readers, what it is readers do when they savor these emotions, and why this might be valuable. Focusing on the work of three influential figures--Ānandavardhana [ca. 850 AD], Abhinavagupta [ca. 1000 AD], and the somewhat lesser known theorist Mahimabhaṭṭa [ca. 1050 AD]--this book gives a broad introduction to their ideas and reveals new, important, and previously overlooked aspects of their work and their debates, placing them within the wider context of the religious philosophies current in Kashmir at the time, and showing that their ideas cannot be fully understood in isolation from this broader context.
Sanskrit poetry --- Dhvani (Poetics) --- Emotions in literature --- Religion and literature --- Religion --- Kashmir Śaivism --- Poets, Sanskrit --- Ānandavardhana, - active 9th century --- Abhinavagupta, - Rājānaka --- Mahimabhaṭṭa, - active 11th century
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