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"Of sport. It highlights the importance of sports for different individuals and how the function and use of sports can be brought into the consulting room. Passionate interest in actively engaging in sports is a universal phenomenon. It is striking that this aspect of human life, prior to this volume, has received little attention in the literature of psychoanalysis. This edited volume is comprised largely of psychoanalysts who are themselves avidly involved with sports. It is suggested that intense involvement in sports prioritizes commitment and active engagement over passivity and that such involvement provides an emotionally tinged distraction from the various misfortunes of life. Indeed, the ups and downs in mood related to athletic victory or defeat often supplant, temporarily, matters in life that may be more personally urgent. Engaging in sports or rooting for teams provides a feeling of community and a sense of identification with like-minded others, even among those who are part of other communities and have sufficient communal identifications. This book offers a better psychoanalytic understanding of sports to help us discover more about ourselves, our patients, and our culture, and will be of great interest to psychotherapists and psychoanalysts, or anyone with an interest in sport and its link to psychoanalysis and mental health"--
Sports --- Athletes --- Sports spectators --- Psychoanalysis.
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Soccer --- Soccer fans --- Social aspects. --- Soccer spectators --- Sports spectators --- Society and soccer --- Fans
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"Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, José Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves"--
Crowds --- Sports spectators --- Sports --- Stadiums --- Social aspects --- Social aspects
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Branding (Marketing) --- Consumer behavior --- Sports spectators --- Social aspects. --- Psychological aspects. --- Psychology. --- Spectators, Sports --- Sports --- Sports fans --- Audiences --- Fans (Persons) --- Behavior, Consumer --- Buyer behavior --- Decision making, Consumer --- Human behavior --- Consumer profiling --- Market surveys --- Brand name products --- Marketing --- Advertising --- Spectators
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Games --- Festivals --- Spectators --- Social aspects --- Social life and customs. --- Spectacles et divertissements romains --- Comportement collectif --- Cirques romains --- Courses de chars --- Sociologie du sport --- Moeurs et coutumes --- Société.
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This book is the first comprehensive attempt to identify the deeper causes that have shaped contemporary behaviour patterns and motivations among football fans in Poland. Fan culture in Poland has long been based on a distinctively grassroots, spontaneous movements that ruled out any cooperation with local authorities and sports organizations. The activity of supporter groups has regularly failed to meet the principles set by official bodies, intentionally breaching the moral and legal standards of the day. Based on data derived from ethnographic fieldwork, content analysis of fan journals, magazines, social media and online forums, as well as a wide range of qualitative interviews conducted over the years, the book analyses the ways in which fandom culture in Poland has evolved: from its moderate beginnings in the shadows of a communist regime in the 1970’s, through the anomic, ‘uncivilized’ and pathological decade of the 1990’s, to the peculiar culture based on strong cohesion, capabilities of social mobilization and emerging 'resistance identity' in the 21st century. It thus provides a detailed analysis of Polish fandom’s multi-dimensional structure, and will be of interest to students and academics interested in the growing field of football research, as well as those researching the transformation of Central and Eastern Europe, or more generally in European Studies.
Sports—Sociological aspects. --- Sports sciences. --- Culture. --- Popular Culture. --- Sociology of Sport and Leisure. --- Sport Science . --- Sociology of Culture. --- Popular Culture . --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Sciences, Sports --- Sport sciences --- Physical education and training --- Science --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Soccer hooliganism --- Soccer fans --- Soccer fans. --- Soccer --- Soccer spectators --- Sports spectators --- Hooliganism, Soccer --- Disorderly conduct --- Fans
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Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.
American literature --- Authorship in literature. --- Authorship --- Authors and readers --- History and criticism. --- History --- Readers and authors --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- American literature. --- Technology in literature. --- English literature --- Agrarians (Group of writers) --- Books --- America --- Printing. --- Publishers and publishing. --- Economics and literature. --- Celebrities. --- Audiences. --- History of the Book. --- North American Literature. --- Printing and Publishing. --- Literature Business. --- Celebrity Studies. --- Fan and Audience Studies. --- Audiences, Communication --- Communication audiences --- Communication --- Spectators --- Celebrity culture --- Celebs --- Cult of celebrity --- Famous people --- Famous persons --- Illustrious people --- Well-known people --- Persons --- Fan clubs --- Literature and economics --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- History. --- Literatures. --- Social aspects --- Economic aspects --- Publishing
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Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or ‘the’ popular and what role(s) does music play in it? What is the function of the popular, and is ‘pop’ a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the ‘popular’? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
Popular culture. --- Popular music --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History and criticism. --- Literature and technology. --- Mass media and literature. --- Popular music. --- Music --- Audiences. --- Mass media and culture. --- Literature and Technology. --- Popular Music. --- Philosophy of Music. --- Fan and Audience Studies. --- Media Culture. --- Literature and mass media --- Literature --- Culture and mass media --- Audiences, Communication --- Communication audiences --- Spectators --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Industry and literature --- Technology and literature --- Technology --- Philosophy and aesthetics. --- Social aspects --- Philosophy
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