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Ideology in Postcolonial Texts and Contexts reflects that critiques of ideological formations occur within intersecting social, political, and cultural configurations where each position is in itself 'ideological' - and subject to asymmetrical power relations. Postcolonialism has become an object of critique as ideology, but postcolonial studies' highly diversified engagement with ideology remains a strong focus that exceeds Ideologiekritik. Fourteen contributors from North America, Africa, and Europe focus (I) on the complex relation between postcolonialism, postcolonial theory, and conceptualizations of ideology, (II) on ideological formations that manifest themselves in very specific postcolonial contexts, highlighting the potential continuities between colonial and postcolonial ideology, and (III) on further expanding and complicating the nexus of postcolonial ideology, from veiling as both ideological practice and individual resistance to home as ideological construct; from palimpsestic readings of colonial photography to aesthetics as ideology.
Postcolonialism. --- Ideology. --- Postcolonialism in literature.
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The World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory. It critiques the valorization of the local in cultural theories typically accompanied by a rejection of universal categories - viewed as Eurocentric projections. But the privileging of the local usually amounts to an exercise in exoticization of the South. The book argues that the rejection of Eurocentric theories can be complemented by embracing another, richer and non-parochial form of universalism. Through readings of texts from India, Sri Lanka, Palestine and Egypt, the book shows that the fine grained engagement with culture, the mapping of ordinary lives not just as objects but subjects of their history, is embedded in much of postcolonial literature in a radical universalism - one that is rooted in local realities, but is able to unearth in them the needs, conflicts and desires that stretch across cultures and time. It is a universalism recognized by Marx and steeped in the spirit of anti-colonialism, but hostile to any whiff of exoticism.
Postcolonialism --- Postcolonialism in literature --- Decolonization in literature
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"As the scholarly world attunes itself once again to the specifically political, this book rethinks the political significance of literary realism within a postcolonial context. Generally, postcolonial studies have either ignored realism or criticized it as being naïve, anachronistic, deceptive, or complicit with colonial discourse, in other words - incongruous with the postcolonial. This book argues that postcolonial realism is intimately connected to the specifically political in the sense that realist form is premised on the idea of a collective reality. Discussing a range of literary and theoretical works, Dr. Sorensen exemplifies that many postcolonial writers were often faced with the realities of an unstable state, a divided community inhabiting a contested social space, the challenges of constructing a notion of 'the people,' often out of a myriad of local communities with different traditions and languages brought together arbitrarily through colonization. The book demonstrates that the political context of realism is the sphere or possibility of civil war, divided societies, and unstable communities. Postcolonial realism is prompted by disturbing political circumstances and it gestures toward a commonly imagined world, precisely because such a notion is under pressure or absent"--
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This lucid and finely crafted book explores how migration has made 'home' a constantly evolving concept and how practices of home-making can extend through memory and imagination to include spaces as diverse as the call centre and the train station. Providing detailed new readings of a range of postcolonial texts in Italian, this book will be essential reading for all scholars and students who engage with cultural representations of migration. - Emma Bond, Reader, University of St Andrews, Scotland This is an inspirational book that provides a compelling analysis of how migration literature negotiates and reconceives notions of home. Giuliani brilliantly explores how domestic and public spaces are reconfigured in postcolonial literature, allowing us to grasp the complexity of the lived experiences of migrants. Giuliani's engaging work offers an innovative perspective on migration culture; an essential reading for anyone interested in Postcolonial, Memory and Space Studies. - Simone Brioni, Associate Professor, Stony Brook University, USA This book examines the meaning of home through the investigation of a series of public and private spaces recurrent in Italian postcolonial literature. The chapters, by considering Termini train station in Rome, phone centres, the condominium, and the private spaces of the bathroom and the bedroom, investigate how migrant characters inhabit those places and turn them into familiar spaces of belonging. Home, Memory and Belonging in Italian Postcolonial Literature suggests "home spaces" as a lens to examine these places and the practices enacted by their inhabitants to feel at home. Drawing on a wide array of sources, this book focuses on the role played by memory in creating transnational connections between present and past locations and on how these connections shape migrants' sense of self and migrants' identity. Dr Chiara Giuliani is Lecturer in Italian Studies at University College Cork (Ireland). She researches different aspects of postcolonial literature, questions of home and identity, as well as the cultural representation of the Chinese community in Italy. She has published widely on these topics in academic journals and books.
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"La conquête coloniale s'est accompagnée de l'établissement de cartes qui permettent de délimiter le territoire occupé. La cartographie du territoire colonial se fait par le tracé des frontières et diverses opérations de bornages et de cadastrage. ' L'empire des cartes ' (Christian Jacob) est d'autant plus coercitif qu'il s'agit de cartes de l'Empire, cartes de pouvoir qui symbolisent la puissance européenne. Même sans insérer de carte réelle, les textes littéraires produisent une cartographie de l'espace qui implique un ancrage territorial, la représentation d'une surface, réelle ou imaginaire, mais qui engage aussi un système métaphorique comme le suggère la notion de ' mapping ' en anglais. La métaphore cartographique s'est emparée de l'espace littéraire tant dans son versant fictionnel (Michel Houellebecq) que dans sa dimension théorique et critique. La réflexion relève d'une histoire spatiale du fait colonial dans la perspective de la ' spatial history ' anglo-saxonne et de la géographie sociale promue par Henri Lefebvre, mais telle qu'elle est perçue et représentée par la littérature. L'objet du volume est de privilégier une pensée géographique de la littérature, d'examiner comment la littérature articule une poétique et une politique à l'espace tel qu'il a été cartographié et produit par la colonisation et génère le plus souvent une réponse - topographique - du sujet écrivant. Il s'agit de montrer en quoi des textes littéraires coloniaux et postcoloniaux peuvent ' faire carte ' selon un cadastre mental élaboré par l'imaginaire.
Colonies in literature --- Colonization in literature --- Postcolonialism in literature --- Geography and literature --- Literature and geography --- Literature
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"The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature-and of the short story genre, in particular-to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come. Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga"--
English fiction --- Youth in literature. --- Postcolonialism in literature. --- History and criticism.
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"This collection on Ngũgĩ's work and the reach of his thinking chiefly within the US and areas of its closest hegemony joins artists, activists, critics and scholars (often the same) from the Caribbean through North America to Hawai'i. All have been deeply touched by Ngũgĩ's artistic, critical and political work, and testify to his being perhaps the "symbol" of radical political and artistic exchanges between Africa and America (and the West generally) and how that readily expands to global transcultural dialogue (as his own chapter attests)"--
African literature --- Postcolonialism in literature. --- History and criticism. --- Ngũgĩ wa Thiongʼo, --- Criticism and interpretation. --- Influence.
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"Figueroa-Vásquez analyzes Afro-Latinx and Afro-Hispanic artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba, revealing the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another"--
Caribbean literature (Spanish) --- Equatorial Guinean literature (Spanish) --- African diaspora in literature --- Postcolonialism in literature --- Spanish literature --- Equatorial Guinean literature --- Caribbean literature --- History and criticism --- Postcolonialism in literature. --- African diaspora in literature. --- History and criticism.
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