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En 1938, Vienne a perdu ses esprits les plus brillants et les plus créatifs. Cette rupture s’est manifestée dans tous les arts et les sciences et son empreinte se fait sentir jusqu’à aujourd’hui – notamment dans le domaine du design de meubles. Avec une créativité inépuisable, les designers de meubles juifs qui ont été contraints de fuir Vienne ont continué à travailler pendant leur exil. Ils ont enseigné dans les meilleures universités et ont diffusé leurs idées et leur vision dans le monde entier. Leurs créations sont devenues des classiques du design mobilier du XXe siècle, incarnant le style moderne du milieu du siècle. Ce livre honore la mémoire des designers en exil en présentant un aperçu complet de leur travail. Il détaille leurs histoires de vie et leurs conceptions visionnaires, qui restent aussi pertinentes et contemporaines que jamais, et met en lumière de nouveaux aspects de l’histoire du design mobilier viennois.
Design --- Furniture design --- Modernism (Aesthetics) --- Arts & Crafts --- Sezession --- Vienne
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"The first investigation of the role of how modernist objects were marketed by affirming buyers' racial and gender identities"--
Decorative arts --- Design --- Modernism (Aesthetics) --- Power (Social sciences) --- Marketing --- Social aspects --- History
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Une étude comparée de la culture artistique de l'Europe sous influence soviétique à la suite des accords de Yalta. Les rapports complexes entre l'art et la politique sont explorés jusqu'à la chute du communisme, entre pratiques traditionnelles et avant-gardes. ©Electre 2021
Art --- Communism and art --- Modernism (Aesthetics) --- Avant-garde (Aesthetics) --- Political aspects
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"The first investigation of the role of how modernist objects were marketed by affirming buyers' racial and gender identities"--
Art --- Decorative arts --- Design --- Modernism (Aesthetics) --- Power (Social sciences) --- Marketing --- Social aspects --- History
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Architecture --- architecture [discipline] --- interior architecture [object genre] --- Modernist --- anno 1900-1999 --- Modern movement (Architecture) --- Interior architecture --- Modernism (Art) --- Modernism (Aesthetics) --- Design --- History --- Influence
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"In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors-Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles-these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography. Contributors: Richard Begam, Maurizia Bascagli, Enda Duffy, Laura Frost, Andrzej Gasiorek, Scott W. Klein, Douglas Mao, Laura Marcus, Jesse Matz, Tyrus Miller, Michael Valdez Moses, Michael North, Elizabeth Otto, Carrie J. Preston, Lisa Siraganian, Michael Wood"--
Motion pictures --- Histoire du cinéma --- Cinéma --- Modernism (Aesthetics) --- Modernisme (esthétique) --- History --- Aesthetics. --- Esthétique. --- Histoire du cinéma --- Cinéma --- Modernisme (esthétique) --- Esthétique.
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We are living in a time of polarization. Cultural and educational institutions are confronted with the responsibility to provide tools and spaces for critical reflection, for engagement, and, more fundamentally, for meeting and recognizing each other in our differences. In this decolonial essay Rolando Vázquez introduces his critique which offers an option for thinking and doing beyond the dominant paradigms. It provides a critical analysis of modernity understood broadly as the western project of civilization, while it seeks to overcome the dominion of western epistemology and aesthetics and their embedded eurocentrism and anthropocentrism. Importantly for decolonial thought we are all located in relation to the colonial difference that structures our modern/colonial order. It is only from an awareness of our positioned realities that we can enter in relation with each-other, that we can listen to each-other and learn each-other. 'Vistas of Modernity' is a new title in a series of essays commissioned by the Mondriaan Fund, concerning actual topics about visual arts and cultural heritage. Eelco van der Lingen (director Mondriaan Fund): Rolando Vázquez is cautious in presenting his analysis. He does not look for quick conclusions, but slowly guides the reader through the context of our history and the contemporary labyrinth of text, language, symbols and images which (often without being properly noticed) give great meaning to our existence. His decolonial aesthesis lifts us above the labyrinth and offers us a new panorama.
Modernism (Aesthetics) --- Decolonization --- Postcolonialism --- Civilization, Western --- Civilization, Modern --- 7.01 --- Kolonisatie --- Dekolonisatie --- Postkolonisatie --- Gender Studies --- Feminisme --- Diversiteit --- Post-colonialism --- Postcolonial theory --- Political science --- Sovereignty --- Autonomy and independence movements --- Colonization --- Aesthetics --- Philosophy --- Kunst ; theorie, filosofie, esthetica --- Philosophy and psychology of culture --- Colonisation. Decolonisation --- Modernism (Aesthetics). --- Decolonization. --- Postcolonialism. --- Philosophy. --- cultuurfilosofie --- racisme --- kunsttheorie --- 130.2 --- postkolonialisme --- kolonialisme --- aesthetics --- #breakthecanon --- Art --- philosophy of art --- dekolonisatie
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Un recueil d'études consacrées à la matérialité et aux usages quotidiens des calendriers, avant que l'introduction de l'imprimerie n'entraîne de nouveaux usages. Les contributeurs examinent notamment les calendriers retrouvés dans les tombes chinoises, les emplois détournés dans le Japon médiéval ou encore les liens entre les phénomènes naturels et les divisions calendaires en Occident.
Civilization, Modern --- Modernism (Aesthetics) --- Ruskin, John, --- Knowledge and learning. --- Influence. --- 094:059 --- 094:059 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Kalenders. Almanakken --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Kalenders. Almanakken --- Calendar --- Church calendar --- History --- History. --- Calendrier (chronologie) --- Calendars --- Civilisation antique. --- Civilization, Ancient --- Kalender --- Geschiedenis
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