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Le théâtre néo-latin est longtemps resté en marge de l’histoire du théâtre français. Les pièces conservées ont souffert en effet de divers a priori : composées en latin par d’obscurs « Apollons de collège », elles ont semblé scolaires et didactiques ; écrites par des érudits qui ne songeaient pas à la scène, elles ont paru coupées de la création dramatique contemporaine. Depuis quelques décennies, cependant, bien des chercheurs mettent en question ces certitudes. Certains textes font l’objet d’un intense travail d’exégèse et d’édition, d’autres demeurent peu étudiés. L’heure n’est pas encore aux bilans. Le présent volume entend plutôt donner à découvrir une riche production, dont les auteurs ont non seulement exploré des voies originales mais aussi fécondé une part du théâtre français. Une anthologie complète le volume et illustre l’inventivité des dramaturges néo-latins de la Renaissance française.
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The aim of the book is to encourage discussion among experts on De ira, a text of philosophical nature, by reading it page by page, from a philosophical, philological, and literary perspective (a multidisciplinary choice which is the conditio sine qua non of all judicious research on Seneca). Moreover, the way in which each of these close readings is conducted adds an additional value: they each deal with a section of the text, presenting all the data necessary for its understanding. All together, they cover the whole work. Each of them is also an attempt at a global interpretation of the treatise, examined through the particular framing of the textual passage around which the “Lectures plurielles” are conceived. Around this “polyphonic” analysis of the text, we have built a structure that aims to offer the reader a complete reference work on all the issues of the De ira. Sources, manuscript tradition, images, political and philosophical concepts, posterity – in short, all the aspects that a traditional commentary of the text would not have allowed us to distinguish so clearly – find their place here. This book is therefore aimed at specialists as well as students or anyone interested in the thought of emotions in antiquity. Un livre de référence sur le De ira de Sénèque qui offre, en privilégiant la multiplicité des voix, un commentaire de l'intégralité du traité, complété d'une vue d'ensemble sur la colère comme objet d'enquête philosophique dans l'antiquité.
Stoics. --- Authors, Latin. --- Latin drama --- History and criticism. --- Seneca, Lucius Annaeus, --- Criticism and interpretation. --- Sénèque --- Sénèque --- LITERARY CRITICISM / Ancient & Classical
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Widely read as school texts, the comedies by the Roman dramatist Terence have come down to us in hundreds of medieval copies. Fourteen of the manuscripts produced between 800 and 1200 were given some kind of illustration. In this volume, Beatrice Radden Keefe explores the semiotics of the imagery found in the earliest illustrated Terence manuscripts, and its relationship to the iconography of comedy and theatre from antiquity. She examines six further manuscripts to show how later illustrators abandoned this imagery to varying degrees, finding new emphases and creating new layers of meaning. Illustrators of Terence, it is demonstrated here, brought a range of interests to illustrating the comedies, clarifying their narrative, incorporating social commentary and moralisation, and linking them with Christian allegorical traditions.
Latin drama (Comedy) --- Latin drama --- Illustrations --- Manuscripts --- Terence --- Terentius Afer, Publius --- Terentius, P. --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terenz --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio Afro, Publio --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Illustrations. --- Manuscripts. --- Literary semiotics --- Terentius
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