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"The Merchant of Venice and Othello are the two Shakespeare plays which serve as touchstones for contemporary understandings and responses to notions of 'the stranger' and 'the other'. This groundbreaking collection explores the dissemination of the two plays through Europe in the first two decades of the 21st-century, tracing how productions and interpretations have reflected the changing conditions and attitudes locally and nationally. Packed with case studies of productions of each play in different countries, the volume opens vistas on the continent's turbulent history marked by the instability of allegiances and boundaries, and shifting senses of identity in a context of war, decolonization and migration. Chapters examine productions in Bulgaria, Hungary, Poland, Romania, Serbia, Italy, France, Portugal and Germany to shed light on wide-scale European developments for the first time in English. In a final section, performance insights are offered by interviews with three directors: Karin Coonrod on directing The Merchant in Venice at the Venetian Ghetto in 2016, Plamen Markov on his 2020 Othello for the Varna Theatre (Bulgaria), and Arnaud Churin, whose Othello toured France in 2019. In drawing attention to the ways in which historical circumstances and collective memory shape and refashion performance, Shakespeare's Others in 21st-century European Performance offers a rich review of European theatrical engagements with Otherness in the productions of these two plays"--

Other (Philosophy) in literature. --- Strangers in literature. --- Ethnicity in literature. --- Shakespeare, William, --- Stage history --- Adaptations --- History and criticism.

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How does contemporary literature contend with the power and responsibility of authorship, particularly when considering marginalized groups? How have the works of multiethnic authors challenged the notion that writing and authorship are neutral or universal? In Necessary Fictions, Leah Milne offers a new and original way to look at multicultural literature by focusing on scenes of writing in the contemporary works of authors of marginalized identities. These scenes, she argues, establish authorship as a form of radical self-care-a term we owe to Audre Lorde, who defines self-care as self-preservation and "an act of political warfare." In engaging in this battle, the works discussed in this study confront limitations on ethnicity and nationality wrought by the institutionalization of multiculturalism. They also focus on identities whose mere presence on the cultural landscape is often perceived as vindictive or willful. Analyzing recent texts by Carmen Maria Machado, Louise Erdrich, Ruth Ozeki, Toni Morrison, and more, Milne connects works across cultures and nationalities in search of reasons for this recent trend of depicting writers as characters in multicultural texts. Her exploration uncovers fiction and memoir that embrace unacceptable or marginalized modes of storytelling-such as plagiarism, historical revisions, jokes, and lies-as well as inauthentic, invisible, and unexceptional subjects. These works ultimately reveal a shared goal of expanding the borders of belonging in ethnic and cultural groups, and thus add to the ever-evolving conversations surrounding both multicultural literature and self-care.

American fiction --- Fiction --- Authors in literature --- Group identity in literature --- Multiculturalism in literature --- Ethnicity in literature --- Minority authors --- History and criticism --- Technique

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This volume explores traditional and contemporary concerns surrounding gender and ethnicity in Chile through a textual analysis of historical novels depicting seventeenth-century figure, Catalina de los Ríos y Lisperguer. Drawing on theories from the Global North and South, it incorporates postcolonial perspectives and decolonial feminist methodologies to expose patriarchal, Eurocentric hierarchies constructed during the colonial era, which remain in Chilean society today.

Historical fiction, Chilean --- Chile --- Sex in literature. --- Ethnicity in literature. --- History and criticism. --- Social life and customs --- Ríos Lisperguer, Catalina de los, --- In literature. --- la Quintrala --- intersectional --- historical fiction --- ethnicity --- feminism --- politics --- gender studies --- Catalina de los Ríos y Lisperguer --- gender --- postcolonial --- identity