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As a powerful tool in the production of knowledge, comparing plays a crucial part in the sciences and the humanities. This volume explores the relationship between comparing and narrating in epistemic practices and clarifies the ways in which narratives enable or impede practices of comparing. It takes into account related activities, such as measuring and classifying, modeling, establishing norms and categories, as well as organizing and popularizing knowledge, to analyze the ambivalent relationship between narratives, scientific explanation, and understanding. The contributions bring out the epistemic role of narratives, and elucidate how narratives are connected to comparisons and scientific explanations.

HISTORY / Social History. --- Bielefeld University Press. --- Explanation. --- History of Art. --- History of Science. --- Literary Studies. --- Narrative. --- Philosophy of Science. --- Science. --- Sociology of Science. --- Comparison; Narrative; Explanation; History of Science; History of Art; Science; Philosophy of Science; Sociology of Science; Literary Studies; Bielefeld University Press --- Knowledge, Theory of. --- Science --- Discourse analysis, Narrative. --- Philosophy. --- Narrative discourse analysis --- Narration (Rhetoric) --- Normal science --- Philosophy of science --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Comparison --- Narrative --- Explanation --- History of Science --- History of Art --- Philosophy of Science --- Sociology of Science --- Literary Studies --- Bielefeld University Press

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Mit Bildern die Komplexität geschichtlicher Zeit reflektieren, fotografieren, zeichnen: Dies ist eine wenig beachtete, aber höchst produktive Dimension im Schaffen des Bielefelder Historikers Reinhart Koselleck. Damit wertete er die bildliche Dimension der Geschichte und ihrer Erforschung auf, lange bevor von einem »Iconic Turn« die Rede war. Die Beiträger*innen des Bandes setzen sich umfassend mit Kosellecks Bildpraxis auseinander und verbinden sie mit seinen Forschungen zur Begriffsgeschichte, Historik, Erinnerung und körperlich-sinnlichen Wahrnehmung des Politischen. Die Ergebnisse des Bandes dokumentieren zudem das Projekt des forschenden Ausstellens und gehen in weiten Teilen auf eine Ausstellung zurück, die 2018 an drei Orten in Bielefeld gezeigt wurde. Besprochen in: Frankfurter Allgemeine Zeitung, 23.04.2021, Peter Geimer https://clionauta.hypotheses.org, 21.06.2021 H-Soz-u-Kult, 17.08.2021, Ulrike Jureit

Reinhart Koselleck; Bild; Visual History; Fotografie; Geschichtstheorie; Begriffsgeschichte; Bielefeld; Ausstellung; Public History; Bildpraxis; Historik; Erinnerung; Wahrnehmung; Kultur; Kulturgeschichte; Bildwissenschaft; Zeitgeschichte; Bielefeld University Press; Image; Photography; Theory of History; Conceptual History; Exhibition; Picture Practice; History; Memory; Perception; Culture; Cultural History; Visual Studies; Contemporary History --- Bielefeld University Press. --- Bielefeld. --- Conceptual History. --- Contemporary History. --- Cultural History. --- Culture. --- Exhibition. --- History. --- Image. --- Memory. --- Perception. --- Photography. --- Picture Practice. --- Public History. --- Theory of History. --- Visual History. --- Visual Studies.