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Several early Christians identify Isaiah's Servant of the Lord as Jesus; yet Paul appears to connect the Servant with himself. In this study, Daniel Cole examines the hermeneutical warrants and ethical implications of Paul's use of texts within Isa. 49-54, arguing that this section constitutes a coherent prophetic narrative in which God saves a new people from sin by the Servant's death and subsequent work in his followers, the servants. While several Second Temple works interpret elements of this prophecy with differing conceptions of history, Paul sees Isaiah's Servant fulfilled in Jesus' death and subsequent spiritual union with the apostle. The author thus demonstrates that the coherent salvation history of the Servant prophecy provides both the interpretive framework for Paul's reading of Isaiah and the relational definitions for the imperatives that Paul places on himself and others.
Servant of Jehovah --- Jehovah, Servant of --- Servant of Yahveh --- Suffering servant --- Yahveh, Servant of --- Suffering of God --- Bible. --- Book of Isaiah (Book of the Old Testament) --- Ēsaias (Book of the Old Testament) --- Esaïe (Book of the Old Testament) --- Isaia (Book of the Old Testament) --- Isaiah (Book of the Old Testament) --- Isaias (Book of the Old Testament) --- Isaïe (Book of the Old Testament) --- Izaya sho --- Jesaja (Book of the Old Testament) --- Jesajabuch (Book of the Old Testament) --- Sefer Y'sha'yah (Book of the Old Testament) --- Yeshaʻyahu (Book of the Old Testament) --- Y'sha'yah (Book of the Old Testament) --- Epistles of Paul --- Paul, Epistles of --- Paul Sŏsin --- Pauline epistles --- Risālat al-Qiddīs Būlus al-rasūl al-thāniyah ilá Tīmūthīʼūs --- Criticism, interpretation, etc. --- Quotations in the New Testament
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"Vertiginous Life provides a theory of the intense temporal disorientation brought about by life in crisis. In the whirlpool of unforeseen social change, people experience confusion as to where and when they belong on timelines of previously unquestioned pasts and futures. Through individual stories from crisis Greece, this book explores the everyday affects of vertigo: nausea, dizziness, breathlessness, the sense of falling, and unknowingness of Self. Being lost in time, caught in the spin-cycle of crisis, people reflect on belonging to modern Europe, neoliberal promises of accumulation, defeated futures, and the existential dilemmas of life held captive in the uncanny elsewhen"--
Crises --- Time perception --- Vertigo --- Psychological aspects --- Social aspects --- Greece --- Social conditions
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"One of our most lauded scientist-writers shows how astonishing breakthroughs in medical science are changing previously immutable aspects of humanity. Welcome to a revolution in the science of human health. This book takes us to the frontier of medical research and reveals stunning recent advances that are changing our understanding of how human body works, how we combat and prevent disease and how we understand what it means to be human. We see how super-resolution nano-scopes are revealing hitherto hidden operations within our cells and opening up new new ways of manipulating the immune system; how human embryos can now be preserved alive long enough to see how genetic abnormalities can be corrected during the early stages of foetal development; how light is being used to excite pathways in the brain allowing us to understand and manipulate thoughts and feelings; how our rapidly increasing understanding of the microbiome is radically changing every aspect of human biology. These and many more astonishing discoveries are related as gripping dramas of discovery by an award-winning scientist at the very forefront of this adventure"--
Human biology --- Medical innovations. --- Biologie humaine --- Médecine --- SCIENCE / Life Sciences / Biology. --- MEDICAL / Immunology. --- SCIENCE / History. --- Human biology. --- Innovations.
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The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.
Art --- History of civilization --- decorative arts [discipline] --- fine arts [discipline] --- architecture [object genre] --- anno 1500-1799 --- Europe --- Art, European --- Art, Renaissance --- Architecture, European --- Architecture, Renaissance --- Purity (Philosophy) --- Contamination (Psychology) --- Cognition disorders --- Schizophrenics --- Philosophy --- Renaissance architecture --- Renaissance revival (Architecture) --- European architecture --- Renaissance art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Language --- Art, European. --- Art, Renaissance. --- Architecture, European. --- Architecture, Renaissance.
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The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.
Art, European. --- Art, Renaissance. --- Architecture, European. --- Architecture, Renaissance. --- Purity (Philosophy) --- Contamination (Psychology) --- Art. --- architecture. --- contamination. --- materials. --- purity.
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The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.
Art, European. --- Art, Renaissance. --- Architecture, European. --- Architecture, Renaissance. --- Purity (Philosophy) --- Contamination (Psychology)
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