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"In discussions of the works of Donne, Milton, Marvell, and Bunyan, Early Modern Asceticism shows how conflicting approaches to asceticism animate depictions of sexuality, subjectivity, and embodiment in early modern literature and religion. The book challenges the perception that the Renaissance marks a decisive shift in attitudes towards the body, sex, and the self. In early modernity, self-respect was a Satanic impulse that had to be annihilated--the body was not celebrated, but beaten into subjection--and, feeling circumscribed by sexual desire, ascetics found relief in pain, solitude, and deformity. On the basis of this austerity, Early Modern Asceticism questions the ease with which scholarship often elides the early and the modern."--
Spirituality in literature. --- 1500-1700 --- England. --- Bunyan. --- Donne. --- Early modern literature. --- Marvell. --- Milton. --- Reformation. --- Renaissance. --- asceticism. --- austerity. --- body/soul. --- early modern literature. --- poetry. --- religion. --- self-denial. --- self. --- the body.
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This book provides a recipe for healthy moral and personal transformation. Belliotti takes seriously Dante’s deepest yearnings: to guide human well-being; to elevate social and political communities; to remedy the poisons spewed by the seven capital vices; and to celebrate the connections between human self-interest, virtuous living, and spiritual salvation. By closely examining and analyzing five of Dante’s more vivid characters in hell—Piero della Vigna, Brunetto Latini, Farinata degli Uberti, Cavalcante de’ Cavalcanti, and Guido da Montefeltro—and extracting the moral lessons Dante intends them to convey, and by conceptually analyzing envy, arrogance, pride, and human flourishing, the author challenges readers to interrogate and refine their modes of living.
Dante Alighieri, --- Christianity. --- Religion—Philosophy. --- Literature, Modern. --- Philosophy of Religion. --- Early Modern/Renaissance Literature. --- Modern literature --- Arts, Modern --- Christianity --- Religions --- Church history
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This book offers the first full study of the challenges posed to an emerging English nationalism that stemmed from the powerful appeal exerted by the leaders of the international Protestant cause. By considering a range of texts, including poetry, plays, pamphlets, and religious writing, the study reads this heroic tradition as a 'connected literary history,' a project shared by Protestants throughout Northern Europe, which opened up both collaboration among writers from these different regions and new possibilities for communal identification. The work’s central claim is that a pan-Protestant literary field existed in the period, which was multilingual, transnational, and ideologically charged. Celebrated leaders such as William of Orange posed a series of questions, especially for English Protestants, over the relationship between English and Protestant identity. In formulating their role as co-religionists, writers often undercut notions of alterity, rendering early modern conceptions of foreignness especially fluid and erasing national borders.
English literature --- Protestant authors --- History and criticism. --- Literature, Modern. --- Literature—History and criticism. --- Religion—History. --- Early Modern/Renaissance Literature. --- Literary History. --- History of Religion. --- Modern literature --- Arts, Modern
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Five centuries after the forced conversion of Spanish and Portuguese Jews to Catholicism, stories of these conversos' descendants uncovering long-hidden Jewish roots have come to light and taken hold of the literary and popular imagination. This seemingly remote history has inspired a wave of contemporary writing involving hidden artifacts, familial whispers and secrets, and clandestine Jewish ritual practices pointing to a past that had been presumed dead and buried. The Converso's Return explores the cultural politics and literary impact of this reawakened interest in converso and crypto-Jewish history, ancestry, and identity, and asks what this fascination with lost-and-found heritage can tell us about how we relate to and make use of the past. Dalia Kandiyoti offers nuanced interpretations of contemporary fictional and autobiographical texts about crypto-Jews in Cuba, Mexico, New Mexico, Spain, France, the Ottoman Empire, and Turkey. These works not only imagine what might be missing from the historical archive but also suggest an alternative historical consciousness that underscores uncommon convergences of and solidarities within Sephardi, Christian, Muslim, converso, and Sabbatean histories. Steeped in diaspora, Sephardi, transamerican, Iberian, and world literature studies, The Converso's Return illuminates how the converso narrative can enrich our understanding of history, genealogy, and collective memory.
Literature, Modern. --- Conversos. --- Sephardi history. --- critical genealogy. --- crypto-Jews. --- historical consciousness. --- historical fiction. --- missing archives. --- returns in literature. --- the production of remnants. --- world literature. --- Modern literature --- Arts, Modern
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What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary.
Sociology of literature --- Originality in literature. --- Other (Philosophy) in literature. --- Literature, Modern --- History and criticism --- Theory, etc. --- Originality in literature --- Other (Philosophy) in literature --- History and criticism&delete& --- Theory, etc --- Modern literature --- Arts, Modern
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This book examines Shakespearean adaptations through the critical lens of fan studies and asks what it means to be a fan of Shakespeare in the context of contemporary media fandom. Although Shakespeare studies and fan studies have remained largely separate from one another for the past thirty years, this book establishes a sustained dialogue between the two fields. In the process, it reveals and seeks to overcome the problematic assumptions about the history of fan cultures, Shakespeare’s place in that history, and how fan works are defined. While fandom is normally perceived as a recent phenomenon focused primarily on science fiction and fantasy, this book traces fans’ practices back to the eighteenth century, particularly David Garrick’s Shakespeare Jubilee in 1769. Shakespeare’s Fans connects historical and scholarly debates over who owns Shakespeare and what constitutes an appropriate adaptation of his work to online fan fiction and commercially available fan works.
Shakespeare, William, --- Criticism and interpretation. --- Motion pictures. --- Literature, Modern. --- Shakespeare, William, 1564-1616. --- Adaptation Studies. --- Shakespeare. --- Modern literature --- Arts, Modern --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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This book examines literary representations of birds from across the world in an age of expanding European colonialism. It offers important new perspectives into the ways birds populate and generate cultural meaning in a variety of literary and non-literary genres from 1700–1840 as well as throughout a broad range of ecosystems and bioregions. It considers a wide range of authors, including some of the most celebrated figures in eighteenth-century literature such as John Gay, Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and Gilbert White.
Literature, Modern—18th century. --- British literature. --- Fiction. --- Eighteenth-Century Literature. --- British and Irish Literature. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Birds in literature. --- Literature, Modern --- Literature, Modern. --- Modern literature --- Arts, Modern --- History and criticism.
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At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "other" that haunts its universalising, assimilative imperative with the force of the uncanny.
Middle Eastern fiction --- Orientalism in literature. --- Oriental literature --- Civilization, Modern --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Middle Eastern literature --- History and criticism. --- Middle Eastern influences. --- History --- Literature, Modern. --- Modern literature --- Arts, Modern --- Middle Eastern fiction - History and criticism
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How was the early modern pursuit of knowledge in very different spheres conditioned by a shared desire for certainty? How did this desire in turn link the epistemological crises produced by the religious upheavals of early modern Europe with the development of new scientific methods? This volume recontextualizes the production of knowledge in the early modern period (1550-1700), focusing on the social and institutional dimensions of inquiry in light of political and cultural challenges. The collection explores how uncertainties about religious identities (and even the status of irreligion) challenged traditional modes of learning. As knowledge of all sorts was integrated into different traditions in a context of unprecedented religious questioning, institutions and texts sought new means of controlling and regulating "truth." Questions of representation became newly fraught as the production of knowledge increasingly challenged established orthodoxies. --
Religion and civilization --- History --- Europe. --- Europe --- Civilisation --- Civilization --- Inquisition. --- Jesuit learning. --- Spain. --- early modern biblical exegesis. --- early modern epistemology. --- early modern literature. --- early modern skepticism. --- history of medicine. --- history of religion. --- picaresque.
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Contextualizing the duo’s work within British comedy, Shakespeare criticism, the history of sexuality, and their own historical moment, this book offers the first sustained analysis of the 20th Century’s most successful double-act. Over the course of a forty-four-year career (1940-1984), Eric Morecambe & Ernie Wise appropriated snippets of verse, scenes, and other elements from seventeen of Shakespeare’s plays more than one-hundred-and-fifty times. Fashioning a kinder, more inclusive world, they deployed a vast array of elements connected to Shakespeare, his life, and institutions. Rejecting claims that they offer only nostalgic escapism, Hamrick analyses their work within contemporary contexts, including their engagement with many forms and genres, including Variety, the heritage industry, journalism, and more. ‘The Boys’ deploy Shakespeare to work through issues of class, sexuality, and violence. Lesbianism, drag, gay marriage, and a queer aesthetics emerge, helping to normalise homosexuality and complicate masculinity in the ‘permissive’ 1960s.
Morecambe, Eric, --- Bartholomew, John Eric, --- Comedy. --- Gender identity. --- Literature, Modern. --- Shakespeare, William, 1564-1616. --- Comedy Studies. --- Gender and Sexuality. --- Shakespeare. --- Modern literature --- Arts, Modern --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- Gender dysphoria
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