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"Offers pedagogical techniques for teaching Jewish American fiction, poetry, drama, graphic novels, children's literature, and digital texts, including considerations of religious and secular Jewish culture, race and multicultural contexts, immigration, the Holocaust, gender and sexuality, multilingual literary traditions, and humor. Gives syllabus suggestions for undergraduate and graduate courses"--
American literature --- American literature --- American literature --- Jewish authors --- History and criticism. --- Jewish authors --- Study and teaching (Higher). --- Jewish authors.
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"Examines how Second Temple Jewish writings appropriated and adapted Hellenistic generic conventions"--
Greek literature --- Jewish authors --- History and criticism.
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The ancient world, much like our own, thrived on cultural diversity and exchange. The riches of this social reality are evident in the writings of Jews in the Hellenistic and Roman eras. Jewish authors drew on the wide range of Greek literary conventions and gave fresh expressions to the proud traditions of their faith and ethnic identity. They did not hesitate to modify and adapt the forms they received from the surrounding culture, but their works stand as legitimate participants in Greco-Roman literary tradition. In Greek Genres and Jewish Authors, Sean Adams argues that a robust understanding of ancient genre facilitates proper textual interpretation. This perspective is vital for insight on the author, the work's original purpose, and how the original readers would have received it. Adopting a cognitive-prototype theory of genre, Adams provides a detailed discussion of Jewish authors writing in Greek from ca. 300 BCE to ca. 135 CE--including New Testament authors--and their participation in Greek genres. The nine chapters focus on broad genre divisions (e.g., poetry, didactic, philosophy) to provide studies on each author's engagement with Greek genres, identifying both representative and atypical expressions and features. The book's most prominent contribution lies in its data synthesis to provide a macroperspective on the ways in which Jewish authors participated in and adapted Greek genres--in other words, how members of a minority culture intentionally engaged with the dominant culture's literary practices alongside traditional Jewish features, resulting in unique text expressions.
Greek literature --- Jewish authors --- History and criticism
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French literature --- Italian literature --- Jews in literature. --- Jews --- Judaism in literature. --- Jewish authors --- History and criticism. --- Jewish authors. --- Identity.
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Austrian fiction --- Jewish authors --- Jewish authors. --- Religiousness in literature. --- Secularism in literature. --- History and criticism. --- Broch, Hermann, --- Critique et interprétation. --- Religion. --- Austria.
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Examining connections between Jewish American authors and Jewish authors elsewhere in America, Europe, and Israel, this book explores a concept of authorial affiliation that emphasizes how writers intentionally highlight their connections with other writers. Starting with Philip Roth as a catalyst, David Hadar reveals a larger network of authors involved in formations of Jewish American literary identity, including among others Cynthia Ozick, Saul Bellow, Nicole Krauss, and Nathan Englander. Whether it's incorporating other writers into fictional work as characters, interviewing them, publishing critical essays about them, or invoking them in paratext or publicity, writers use a variety of methods to forge public personas, craft their own identities as artists, and infuse their art with meaningful cultural associations. Hadar's analysis deepens our understanding of Jewish American and Israeli literature, positioning them in de-centered relation with one another as well as with European writing. The result is a thought-provoking challenge of the concept of homeland, recasting each of these literatures as diasporic and questioning the assumption that Jewish languages necessarily claim centrality in Jewish literatures.
American literature --- Jewish authors --- Jews --- Social networks --- History and criticism --- Identity
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An inventive literary account of Cixous's remarkable journey to her mother's birthplace and of the Jewish community of a German town that was wiped out in the Holocaust.
Jews --- Women authors, French --- Authors, French --- Jewish authors --- Social conditions --- Cixous, Hélène, --- Travel --- Family.
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"Zum Celan-Jahr 2020. Kein anderes Gedicht hat nach 1945 solche Berühmtheit erlangt wie Paul Celans "Todesfuge". Entstanden unter dem unmittelbaren Eindruck der Ermordung seiner Eltern durch die Nationalsozialisten, gilt es als eines der frühesten literarischen Zeugnisse im Angesicht der Shoah. Thomas Sparr zeichnet die Geschichte dieses Gedichts nach, das wie kein zweites deutschsprachiges Werk in der Nachkriegszeit eine ganze Epoche ins Bild setzt und eine enorme, bis heute andauernde internationale Wirkungsgeschichte entfaltet. Er spannt den Bogen von seiner Entstehung über seine zunächst kontroverse Aufnahme in den 1950er Jahren bis hin zu den Literaten und Künstlern, die sich bis in unsere Tage davon inspirieren lassen. Seine Erzählung zeigt auch, dass das Gedicht auf besondere Weise die Biographie Celans birgt. Bedruckter Vorsatz, Lesebändchen, Abbildungen. Ausstattung: mit Abbildungen und Faksimiles."
German poetry --- Holocaust, Jewish (1939-1945), in literature --- Jewish authors --- Celan, Paul. --- Celan, Paul --- Criticism and interpretation.
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Vom Tanz auf dem Vulkan in den 1920er Jahren, von Flucht und Vertreibung und dem Leben im Exil erzählt Bestsellerautorin Gabriele Tergit.Sie war eine der ersten Gerichtsreporterinnen der Weimarer Republik, P.E.N.-Sekretärin, verfolgte Jüdin und Emigrantin. Gabriele Tergit (1894–1982) hat den Grenzbereich von Fakt und Fiktion ihrer Zeit vermessen: politisch, kulturell und historisch, dabei immer die Gesellschaft im Blick, in der sie lebte.Das Heft wirft ein Schlaglicht auf ihr von Brüchen und Zäsuren geprägtes Leben und zeigt die ganze Breite ihrer schriftstellerischen und publizistischen Produktion: von der Weimarer Republik über das Exil bis in die Nachkriegszeit. Neben einer unveröffentlichten Reportage aus dem "Palästina-Konvolut" präsentiert das Heft Beiträge, die u. a. Tergits Feuilletons und Reportagen der 1920er Jahre und ihren Debütroman "Käsebier erobert den Kurfürstendamm" in den Blick nehmen. Ergänzt durch Analysen, die sich anhand bisher weitgehend unbekannten Archivmaterials ihrer Fluchtroute und den facettenreichen im Exil entstandenen Arbeiten – auch im konfliktgeladenen Austausch mit Zeitgenossen – widmen.
Tergit, Gabriele --- Critique et interprétation. --- Authors, German --- German literature --- Jewish authors --- Jewish women --- History and criticism --- Criticism and interpretation --- Authors, German - 20th century - History and criticism --- German literature - Jewish authors - History and criticism --- Jewish authors - Germany --- Jewish women - Germany --- Tergit, Gabriele - Criticism and interpretation
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American literature --- Israeli literature --- Jews --- Translating and interpreting --- Appreciation --- Appreciation. --- Jewish authors --- History and criticism. --- Jewish authors. --- Translations into Hebrew --- Translations into English --- Translations into English. --- Identity --- Identity. --- Political aspects. --- Israel. --- United States. --- Theory of literary translation --- Germanic literature --- Sociology of literature
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