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In this exploration of the meaning of home, Annie Zaidi reflects on the places in India from which she derives her sense of identity. She looks back on the now renamed city of her birth and the impossibility of belonging in the industrial township where she grew up. From her ancestral village, in a region notorious for its gangsters, to the mega-city where she now lives, Zaidi provides a nuanced perspective on forging a sense of belonging as a minority and a migrant in places where other communities consider you an outsider, and of the fragility of home left behind and changed beyond recognition. Zaidi is the 2019/ 2020 winner of the Nine Dots Prize for creative thinking that tackles contemporary social issues. This title is also available as Open Access.

Authors, Indic --- Women authors, Indic --- Journalists --- Zaidi, Annie. --- Indic women authors --- Indic authors

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Science fiction, Indic --- Science fiction, Indic (English) --- Science fiction, Indic. --- History and criticism.

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"I define 'philosophy' as the attempt to explain systematically, and without relying on superhuman agency, the fundamental features of the universe and the place of human beings in it. This is not the only possible definition, but is the most revealing one for our period, in which we find the advent of 'philosophy' (or something very like it) in Greece, India, and China, and nowhere else"--

History of philosophy --- Greece --- India --- Philosophy, Ancient. --- Philosophy, Indic --- History.

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Les arts naissent, se développent, traversent des crises suivies de renouvellement, vieillissent et meurent. Toute une vie, beaucoup plus complexe que ne le laisseraient supposer les schémas tout faits - archaïsme, classicisme, baroque, décadence - se révèle à qui en étudie minutieusement l’évolution. C’est elle que s’efforce de découvrir la méthode présentée dans ce cahier. Cette méthode, qui a permis en particulier de retracer l’histoire des arts khmer et cham, a été utilisée et perfectionnée, sinon découverte, par Philippe Stern et l’équipe qu’il a dirigée au Musée Guimet de Paris. Elle est ici étudiée d’abord en elle-même et illustrée d’exemples empruntés aux arts de l’Inde, et de l’Asie du Sud-Est (travaux de Philippe Stern sur les colonnes d’Ajanṭā et d’Ellora, sur le Bayon d’Angkor, sur l’art cham). Deux articles en montrent ensuite l’application : Claudine Picron établit une chronologie détaillée et sûre des stèles Pāla-Sena et Philippe Stern montre tout ce que peut révéler l’étude d’un motif aussi limité que la colonnette khmère.

Sculpture, Indic --- Sculpture, Southeast Asian --- Historiography. --- Southeast Asian sculpture --- Indic sculpture --- art --- histoire des arts --- biologie --- histoire de l’art

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Art, Indic --- Sanskrit literature --- Antiquities. --- Art, Indic. --- Civilization. --- Literature. --- Sanskrit literature. --- History and criticism. --- Patna (India) --- India --- In literature.