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"The orchestral conductor Heinz Unger (1895-1965) was born in Berlin, Germany and was reared from a young age to follow in his father's footsteps and become a lawyer. In 1915, he heard a Munich performance of Gustav Mahler's Das Lied von der Erde ("The Song of the Earth") conducted by Bruno Walter and thereafter devoted the rest of his life to music and particularly to the dissemination of Gustav Mahler's music"--
Conductors (Music) --- Unger, Heinz, --- Germany. --- Canada. --- Bruno Walter. --- German Jewish Identity. --- Gustav Mahler. --- Heinz Unger. --- Jewish Identity. --- Jewish Music. --- Jews in Canada. --- Munich. --- biography. --- conductors. --- history of music. --- orchestral music.
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This book is an attempt at a new interpretation of Stravinsky’s thoughts about music and art, an interpretation made in dialogue with the philosophy of new music and 19th-century artistic ideas. It is also a proposal for a new method of analysing the construction of his musical masterpieces (for example a proposal of new formal sound-units: partons with perceptual invariance), a method in-spired by research into cognitive psychology. Furthermore, in the analysis of Stravinsky’s music, the author emphasises its connection with the Eastern and Western traditions of European culture and links with Plato’s triad of values.
Stravinsky, Igor, --- History and criticism. --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Stravinskij, Igor' Fëdorovič --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Theory of music & musicology --- History: specific events & topics --- history of music --- Jarzebska --- Music --- music analysis --- musical aesthetics --- musical psychology --- new music --- serial music --- Stravinski --- Stravinsky --- Thoughts
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Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.
Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Political aspects --- History. --- Social aspects --- Music, power, popular music, popular songs, social justice, change, history of music, politically-conscious music, Pete Seeger, Woody Guthrie, Green Day, NWA, reggae, country, metal, soul, world-changing songs, social change, protest songs, war, racism, sexism, ecological destruction, psychedelia, rap, punk, folk, musicians, injustice, mocking authority, Phil Ochs, Gil Scott-Heron, The Dead Kennedys, politicized artists, Lesly Gore, James Brown, Black Sabbath, music industry, political context, Bob Dylan, Bob Marley, political science, hip-hop, sociopolitical songs, union songs, Joan Baez, the Folk Revival, Pink Floyd, Jimi Hendrix, psychedelic rock, R&B, Rhythm & Blues, Curtis Mayfield, The Temptations, The Sex Pistols, Public Enemy, John Lennon, Peter Gabriel, Frank Zappa, The Who, The Dixie Chicks, rock music history, music and politics, music activism.
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