Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Provided by publisher.

Dissemination of music. --- Music and globalization. --- Music --- Social aspects. --- Music and society --- Globalization and music --- Globalization --- Dissemination of music --- Circulation of music --- Music dissemination --- Music and globalization --- Circulation

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Can the rules of the European Union’s E-Commerce Directive, which date back to the year 2000, continue to be valid with regard to the dissemination of content in view of the constantly evolving online environment and the changing role of platforms as a result of new business models? The relevant legal foundations in this respect at EU and national level are complex, and their interplay is often unclear. The resulting uncertainty about who is responsible and therefore liable for certain content requires a critical review of the current legal framework. This study, conducted by the Institute of European Media Law (EMR) on behalf of the State Media Authority NRW, analyses the current legal framework and reveals ways of enforcing the applicable provisions concerning illegal content. It pays special attention to the need for reform of the E-Commerce Directive in light of the changing role of platforms. Können die Regelungen der bereits im Jahr 2000 verabschiedeten europäischen E-Commerce-Richtlinie angesichts der sich stetig weiterentwickelnden Online-Welt und der auf neuen Geschäftsmodellen beruhenden veränderten Rolle von Plattformen bei der Inhalteverbreitung fortbestehen? Die einschlägigen Rechtsgrundlagen auf EU- und nationaler Ebene sind vielschichtig und das Zusammenspiel oftmals unklar. Die daraus resultierende Unsicherheit darüber, wer für einen Inhalt verantwortlich und daher haftbar ist, erfordert die Überprüfung des geltenden Rechtsrahmens. Die vom Institut für Europäisches Medienrecht (EMR) im Auftrag der Landesanstalt für Medien NRW erstellte Studie analysiert den aktuellen Rechtsrahmen und zeigt rechtliche Gestaltungsmöglichkeiten der Rechtsdurchsetzung bei als rechtswidrig einzustufenden Inhalten auf. Besonderes Augenmerk wird dabei auf den Reformbedarf der E-Commerce-Richtlinie vor dem Hintergrund der sich wandelnden Rolle von Plattformen gelegt.

Digital media --- Electronic commerce --- Freedom of expression --- E-Commerce Directive --- content dissemination --- online content --- Law and legislation --- Law and legislation --- European Parliament. --- E-Commerce Directive --- content dissemination --- online content

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Can the rules of the European Union’s E-Commerce Directive, which date back to the year 2000, continue to be valid with regard to the dissemination of content in view of the constantly evolving online environment and the changing role of platforms as a result of new business models? The relevant legal foundations in this respect at EU and national level are complex, and their interplay is often unclear. The resulting uncertainty about who is responsible and therefore liable for certain content requires a critical review of the current legal framework. This study, conducted by the Institute of European Media Law (EMR) on behalf of the State Media Authority NRW, analyses the current legal framework and reveals ways of enforcing the applicable provisions concerning illegal content. It pays special attention to the need for reform of the E-Commerce Directive in light of the changing role of platforms. Können die Regelungen der bereits im Jahr 2000 verabschiedeten europäischen E-Commerce-Richtlinie angesichts der sich stetig weiterentwickelnden Online-Welt und der auf neuen Geschäftsmodellen beruhenden veränderten Rolle von Plattformen bei der Inhalteverbreitung fortbestehen? Die einschlägigen Rechtsgrundlagen auf EU- und nationaler Ebene sind vielschichtig und das Zusammenspiel oftmals unklar. Die daraus resultierende Unsicherheit darüber, wer für einen Inhalt verantwortlich und daher haftbar ist, erfordert die Überprüfung des geltenden Rechtsrahmens. Die vom Institut für Europäisches Medienrecht (EMR) im Auftrag der Landesanstalt für Medien NRW erstellte Studie analysiert den aktuellen Rechtsrahmen und zeigt rechtliche Gestaltungsmöglichkeiten der Rechtsdurchsetzung bei als rechtswidrig einzustufenden Inhalten auf. Besonderes Augenmerk wird dabei auf den Reformbedarf der E-Commerce-Richtlinie vor dem Hintergrund der sich wandelnden Rolle von Plattformen gelegt.

Digital media --- Electronic commerce --- Freedom of expression --- Law and legislation --- European Parliament. --- E-Commerce Directive --- content dissemination --- online content

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

La 4e de couv. indique : "Une musique indéchiffrable pour toute autre nation! Depuis Rousseau, la musique française d'Ancien Régime est vue comme une étrange exception culturelle dans une Europe baroque toute acquise à la musique italienne. Cependant, les nombreux exemples d'acclimatation du style français dans l'espace germanique entre 1660 et 1730, de Georg Muffat à Johann Sebastian Bach en passant par Johann Sigismund Kusser et Georg Philipp Telemann, nous invitent à ouvrir les yeux sur un phénomène trop longtemps méconnu. La migration de nombreux musiciens français dans l'Empire, leur engagement dans de prestigieuses chapelles ducales et princières, la circulation de sources musicales manuscrites et imprimées, sont autant de phénomènes essentiels que ce livre aborde pour la première fois de façon conjointe et systématique. À la croisée de l'histoire des migrations, de l'anthropologie historique et de la musicologie, il déploie les routes empruntées par la musique et les musiciens français dans l'espace germanique, parcourt leur destin et reconstruit leur vie quotidienne dans ce nouvel environnement. L'ouvrage s'organise en cinq grands chapitres consacrés à l'Europe galante comme marché du travail, à l'administration de la musique française, aux carrières et aux mobilités des musiciens, à la circulation des sources musicales, et à l'invention allemande du style français."

Music --- Musicians --- History and criticism --- Influence --- History and criticism. --- Influence. --- Dissemination of music --- Job descriptions --- anno 1600-1699 --- anno 1700-1799 --- Musique --- Influence française. --- Histoire et critique. --- Music - Germany - 17th century - History and criticism --- Music - Germany - 18th century - History and criticism --- Musicians - France - Influence

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Through a transnational, comparative and multi-level approach to the relationship between youth, migration, and music, the aesthetic intersections between the local and the global, and between agency and identity, are presented through case studies in this book. Transglobal Sounds contemplates migrant youth and the impact of music in diaspora settings and on the lives of individuals and collectives, engaging with broader questions of how new modes of identification are born out of the social, cultural, historical and political interfaces between youth, migration and music. Thus, through acts of mobility and environments lived in and in-between, this volume seeks to articulate between musical transnationalism and sense of place in exploring the complex relationship between music and young migrants and migrant descendant's everyday lives."--

Popular music --- Folk music --- Music and globalization. --- Emigration and immigration --- Globalization and music --- Globalization --- Dissemination of music --- Ethnic music --- Traditional music --- Folklore --- Music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Social aspects.