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Die Erforschung des Apollonheiligtums von Didyma begann in der Renaissance. Seitdem kamen viele Reisende, um die Ruine des weltgrößten Apollontempels zu besichtigen und zu untersuchen. Und auch heute noch werden neue Gebäude zutage gefördert.Ulf Weber, als jahrelanger Erforscher des Apollonheiligtums, stellt hier Didymas Forschungsgeschichte dar und präsentiert die wichtigsten Gelehrten sowie Bauten, Geschichte und Religion des Apollonheiligtums. Daneben beschreibt er den aktuellen Forschungsstand der deutschen Ausgrabungen, die das Theater und den Artemistempel beinhalten. Zahlreiche unveröffentlichte Zeichnungen und Fotos sowie viele, oft sehr unterhaltsame Episoden aus dem Erleben der beteiligten Wissenschaftler lassen dieses bedeutende Stück Kultur- und Forschungsgeschichte lebendig werden.

Excavations (Archaeology) --- Temples --- History. --- Apollo --- Didyma (Extinct city) --- Turkey --- Antiquities

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Lunar landing sites --- Historic sites --- Government policy --- Law and legislation --- Project Apollo (U.S.) --- United States.

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Sociability may be a key term of reference for eighteenth-century studies as a whole, but it has not yet developed an especially strong profile in music scholarship. Many of the associations that it brings do not fit comfortably with a later imperative of individual expression. W. Dean Sutcliffe invites us to face up to the challenge of re-evaluating the communicative rationales that lie behind later eighteenth-century instrumental style. Taking a behavioural perspective, he divides sociability into 'technical' and 'affective' realms, involving close attention both to particular recurring musical patterns as well as to some of the style's most salient expressive attributes. The book addresses a broad span of the instrumental production of the era, with Haydn as the pivotal figure. Close readings of a variety of works are embedded in an encompassing consideration of the reception of this music.

Instrumental music --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music, Instrumental --- History and criticism. --- Social aspects --- History --- Haydn, Joseph, --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Haydn, Joseph --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- Criticism and interpretation. --- Haydn, Franz Joseph --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz