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"Through drawings of beautiful women published in popular media, Citizens of Beauty introduces readers to the dramatically changing Chinese social world at the turn of the twentieth century. China's most famous commercial artists promoted their sketches of idealized women through journals, newspapers, and distinct compendia called One Hundred Illustrated Beauties. The genre drew upon a centuries-old tradition in which publishers produced illustrated books of beauties and virtuous women that were steeped in traditions of morality, desirability, and literary cultivation. By comparing illustrations produced in the nineteenth and early twentieth centuries, Citizens of Beauty reveals the shifts in foundational values organizing Chinese society that would bring forth the democratic citizenry of the Republic. Modern beauties were freed of Confucian moral constraints and even "good women" forged productive, independent lives that included careers. Changes in the Illustrated Beauties genre reveal how ordinary readers of books and newspapers were able to imagine these social transformations. Citizens of Beauty is the first book to explore the One Hundred Beauties illustrations as a tool for comparing social ideals during the shift from imperial to Republican times and to show how images of women expressed ordinary people's desire for democratic, technological modernity. The book contextualizes the social and political significance of the aestheticized female body through its comparison of images from one genre as it underwent rapid and radical change"--
Women in art --- Women in mass media --- One Hundred Beauties in art --- Women and democracy
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"Through drawings of beautiful women published in popular media, Citizens of Beauty introduces readers to the dramatically changing Chinese social world at the turn of the twentieth century. China's most famous commercial artists promoted their sketches of idealized women through journals, newspapers, and distinct compendia called One Hundred Illustrated Beauties. The genre drew upon a centuries-old tradition in which publishers produced illustrated books of beauties and virtuous women that were steeped in traditions of morality, desirability, and literary cultivation. By comparing illustrations produced in the nineteenth and early twentieth centuries, Citizens of Beauty reveals the shifts in foundational values organizing Chinese society that would bring forth the democratic citizenry of the Republic. Modern beauties were freed of Confucian moral constraints and even "good women" forged productive, independent lives that included careers. Changes in the Illustrated Beauties genre reveal how ordinary readers of books and newspapers were able to imagine these social transformations. Citizens of Beauty is the first book to explore the One Hundred Beauties illustrations as a tool for comparing social ideals during the shift from imperial to Republican times and to show how images of women expressed ordinary people's desire for democratic, technological modernity. The book contextualizes the social and political significance of the aestheticized female body through its comparison of images from one genre as it underwent rapid and radical change"--
Women and democracy --- One Hundred Beauties in art. --- Femmes dans les medias. --- Femmes dans l'art. --- Women in mass media. --- Women in art. --- Women in art --- Women in mass media --- One Hundred Beauties in art
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"Être visibles. Marcher dans la rue sans peur. Exprimer haut et fort nos opinions. C’est ce que la société interdit aux femmes et aux minorités. Et c’est le programme de ce livre. Messieurs qui tenez les manettes, si vous voulez régler le problème, les chercheuses et militantes féministes ont fait le boulot. Les mécanismes sont identifiés, les solutions existent. Tout est là. Ce qu’il manque maintenant, c’est votre volonté. Or, chaque jour, on constate qu’elle est nulle. Manifestement, l’idée de vivre dans un monde où les femmes seraient vraiment les égales des hommes ne vous emballe pas plus que ça". Avec Présentes, Lauren Bastide signe un manifeste féministe ultra-documenté, nourri par les réflexions des militantes les plus inspirantes de la génération #MeToo. Un livre à mettre entre toutes les mains pour mieux comprendre les nouvelles luttes féministes et antiracistes d’aujourd’hui. --
Sex discrimination against women --- Women in public life --- Women in mass media. --- Women --- Public spaces --- History --- Social conditions --- Social aspects --- Women in mass media --- Mass media and women --- Discrimination à l'égard des femmes --- Femmes dans la vie publique --- Femmes dans les médias --- Médias et femmes --- Femmes --- Espaces publics --- Histoire --- Conditions sociales --- Aspect social --- Sex discrimination against women - France - History - 21st century. --- Women in public life - France - History - 21st century. --- Women - France - Social conditions - 21st century. --- Public spaces - Social aspects - France.
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“Sobande’s book is a landmark study of Black British women and their double struggle with and for their media representations. Sobande’s playful text deftly shifts between media theory and digital practice in order to showcase how Black British women are re-making themselves through a variety of digital media.” —Akwugo Emejulu, University of Warwick, UK “This is an engaging, rigorously researched documentation of the culturally significant but often neglected digital experiences of Black women. As Sobande so vividly explains, this is a story rooted offline, one of intersecting ‘in real life’ oppressions and structural racism, a story grounded in the particular history of Black women in Britain organising and creating spaces for themselves.” —Rebecca Omonira-Oyekanmi, reporter, editor and writer, UK “This book adds to the important but limited literature on the realities of Black women's experiences in the UK. The book offers a timely and deft treatise of the digital strategies that Black British women use to navigate their world. Whether it's hair tutorial videos on YouTube or clever Twitter banter, Black women in Britain are using the internet in innovative ways and Francesca Sobande offers an excellent guide to these practices.”—Moya Bailey, Northeastern University, USA “Sobande’s work thrusts open the doors of an area of limited research to date. Scholars, teachers and students alike will want to reach for this book time and time again. I know this will fast become a new favourite on the reading lists of my journalism students!” —Marverine Duffy, Birmingham City University, UK Based on interviews and archival research, this book explores how media is implicated in Black women’s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande's analysis traverses tensions between digital culture’s communal, counter-cultural and commercial qualities. Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Francesca Sobande is a lecturer in digital media studies at the School of Journalism, Media and Culture at Cardiff University, Wales.
Women in mass media. --- Mass media --- Communication. --- Culture. --- Gender. --- Digital media. --- Ethnology—Europe. --- Marketing. --- Media and Communication. --- Culture and Gender. --- Digital/New Media. --- European Culture. --- Consumer goods --- Domestic marketing --- Retail marketing --- Retail trade --- Industrial management --- Aftermarkets --- Selling --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Communication, Primitive --- Mass communication --- Sociology --- Marketing --- Social aspects --- Sex. --- Gender Studies. --- Digital and New Media. --- Gender (Sex) --- Human beings --- Human sexuality --- Sex (Gender) --- Sexual behavior --- Sexual practices --- Sexuality --- Sexology
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