Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Home thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.

Homère --- Critique et interprétation. --- Homer --- Criticism and interpretation --- Homer. --- Homerus, --- Criticism and interpretation. --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- E-books --- Homerus --- Homer - Criticism and interpretation --- Criticism, interpretation, etc

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Den Gegenstand der beiden Teilbände bilden die in den homerischen Epen Ilias und Odyssee u·berlieferten nominalen Flexionsformen. Zu den nominalen Klassen gerechnet werden außer den Substantiven, Adjektiven und Partizipien auch die zum Teil flexionslosen Kardinalia und die Pronomina. Eigennamen und Ableitungen von Eigennamen sind eingeschlossen und durch Großschreibung kenntlich gemacht. Im Partizip u·berschneiden sich Verbum und Nomen. Während in dem Band u·ber die homerischen Verbalformen die Partizipstämme den verschiedenen Temporalstämmen und Diathesen zugeordnet, also der verbalen Konjugation zugerechnet sind, sind hier ihre nominalen Deklinationsformen verzeichnet. Das Ziel der Bände ist es, sämtliche homerischen Flexionsformen in dem beschriebenen Rahmen zu sammeln, zu bestimmen, nach formalen und inhaltlichen, insbesondere grammatischen Grundsätzen zu ordnen sowie mit Stellenangaben vorzufu·hren. Die homerischen Nominalformen werden nach Möglichkeit aufgrund des innerhomerischen Befundes bestimmt und beurteilt. Sprachgeschichtliche Erkenntnisse sind jedoch ebensowenig außer Acht gelassen wie der Befund des nachhomerischen Griechisch.

Greek language --- Nominals. --- Homer --- Language. --- Nominals --- Language --- Grammar. --- Classical languages --- Indo-European languages --- Classical philology --- Greek philology --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homerus

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Homer's Iliad and Odyssey are the only early Greek heroic epics to have survived the transition to writing, even though extant evidence indicates that they emerged from a thriving oral culture. Among the missing are the songs of Boeotian Thebes. Homer's Thebes examines moments in the Iliad and Odyssey where Theban characters and thematic engagements come to the fore. Rather than sifting through these appearances to reconstruct lost poems, Elton Barker and Joel Christensen argue that the Homeric poems borrow heroes from Thebes to address key ideas--about politics, time, and genre--that set out the unique superiority of these texts in performance. By using evidence from Hesiod and fragmentary sources attributed to Theban tradition, Barker and Christensen explore Homer's appropriation of Theban motifs of strife and distribution to promote his tale of the sack of Troy and the returns home. As Homer's Thebes shows, this Theban material sheds light on the exceptionality of the Homeric epics through the notions of poetic rivalry and Panhellenism. Furthermore, by emphasizing a nonhierarchical model of "reading" the epics derived from oral-formulaic poetics, this book contributes to recent debates about allusion, neoanalysis, and intertextuality"--

Literature. --- Homer --- Homer. --- Criticism and interpretation. --- Greece --- Thebes (Greece) --- In literature. --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Thēvai (Greece) --- Thívai (Greece) --- Thebes (Greece : Ancient city) --- Thiva (Greece) --- Thēva (Greece) --- Tebe (Greece) --- Theben (Greece) --- Thebes (Greece : Extinct city) --- Θῆβαι (Greece) --- Thēbai (Greece) --- Θήβα (Greece) --- E-books --- Homerus