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The Encyclopedia of Color Science and Technology provides an authoritative single source for understanding and applying the concepts of color to all fields of science and technology, including artistic and historical aspects of color. Many topics are discussed in this timely reference, including an introduction to the science of color, and entries on the physics, chemistry and perception of color. Color is described as it relates to optical phenomena of color and continues on through colorants and materials used to modulate color and also to human vision of color. The measurement of color is provided as is colorimetry, color spaces, color difference metrics, color appearance models, color order systems and cognitive color. Other topics discussed include industrial color, color imaging, capturing color, displaying color and printing color. Descriptions of color encodings, color management, processing color and applications relating to color synthesis for computer graphics are included in this work. The Encyclopedia also delves into color as it applies to other domains such as art and design – ie – color design, color harmony, color palettes, color and accessibility, researching color deficiency, and color and data visualization. There is also information on color in art conservation, color and architecture, color and educations, color and culture, and an overview of the history of color and comments on the future of color. This unique work will extend the influence of color to a much wider audience than has been possible to date.
Lasers. --- Photonics. --- Signal processing. --- Image processing. --- Speech processing systems. --- Chemical engineering. --- Optical data processing. --- Printing. --- Publishers and publishing. --- Optics, Lasers, Photonics, Optical Devices. --- Signal, Image and Speech Processing. --- Industrial Chemistry/Chemical Engineering. --- Image Processing and Computer Vision. --- Printing and Publishing.
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Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.
Publishers and publishing --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Publishing --- Books—History. --- Creative writing. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Printing. --- Publishers and publishing. --- History of the Book. --- Creative Writing. --- Contemporary Literature. --- Printing and Publishing. --- Printing, Practical --- Typography --- Graphic arts --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Literature, Modern --- Literature --- History. --- 20th century. --- 21st century.
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What skills do journalists exhibit in sensationalising, exaggerating and otherwise ‘tabloiding’ the truth, while usually stopping short of stating unambiguous falsehoods? Why has the tabloid news not collapsed as predicted, but thrived as a medium in an age of interaction and online commentary? This book is a comprehensive and accessible exploration of the British tabloid newspapers from the 1960s to the present day. Examining topics such as sex and the representation of women, national stereotypes and Britain’s relationship with Europe, war coverage, celebrities, investigative journalism and instances where the tabloids have misread the public mood, the author draws on Critical Discourse Analysis and Stylistics to take a language-led approach to the UK tabloids. With its interdisciplinary approach and readable prose style, this book will be of interest to a wide range of readers across language and linguistics, media and communication, journalism, political science and British cultural studies. Steve Buckledee is a Lecturer in English Language and Linguistics at the University of Cagliari, Italy. His previous publications include The Role of Motivation in Second Language Acquisition (2011) and The Language of Brexit (2018).
Tabloid newspapers --- History --- Tabloids --- Newspapers --- Linguistics. --- Language and languages—Style. --- Ethnology—Europe. --- Journalism. --- Printing. --- Publishers and publishing. --- Discourse analysis. --- Popular Science in Linguistics. --- Stylistics. --- British Culture. --- Printing and Publishing. --- Discourse Analysis. --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Linguistic science --- Science of language --- Language and languages --- Publishing
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This volume is the first book-length study of disguised forms of plagiarism that mar the body of published research in humanities disciplines. As a contribution to applied research ethics, this practical guide offers a typology of the principal forms of disguised plagiarism. It provides detailed analyses, in-depth case studies, and useful flow charts to assist researchers, editors, and publishers in protecting the integrity of the body of published research literature. Disguised plagiarism is more subtle than copy-and-paste plagiarism; all its varieties involve some additional concealment that creates further distance between the plagiarizing text and its source. These disguised forms are the most difficult forms of plagiarism to detect. Readers of the volume will become acquainted with the subtler forms of plagiarism that corrupt the production and dissemination of knowledge in humanities fields. The book is valuable not only to those interested in research ethics, but also to those in humanities fields including philosophy, theology, and history.
Plagiarism. --- Humanities --- Learning and scholarship --- Classical education --- Authorship --- Copyright infringement --- Literary ethics --- Literature --- Quotation --- Torts --- Imitation in literature --- Originality in literature --- Authorship. --- Research—Moral and ethical aspects. --- Study skills. --- Printing. --- Publishers and publishing. --- Research Ethics. --- Research Skills. --- Printing and Publishing. --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- How to study --- Learning, Art of --- Method of study --- Study, Method of --- Study methods --- Life skills --- Publishing
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This collection of essays traces a scientific journey bookmarked by remarkable mentors and milestones of science. It provides fascinating reading for everyone interested in the history, public appreciation, and value of science, as well as giving first-hand accounts of many key events and prominent figures. The author was one of the “sputnik kids” growing up in the US at the start of the space age. He built a working laser just two years after they were first invented, an experience that convinced him to become a physicist. During his 50-year career in physics, many personalities and notable events in science and technology helped to form his view of how science contributes to the modern world , including his conviction that the impact of science can be most effective when introduced within the context of the humanities - especially history, literature and the arts. From the Foreword by former U.S. Congressman, Rush D. Holt: In this volume, we have the wide-ranging thoughts and observations of Fred Dylla, an accomplished physicist with an engineer’s fascination for gadgets, a historian’s long perspective, an artist’s aesthetic eye, and a teacher’s passion for sharing ideas. Throughout his varied career [...] his curiosity has been his foremost characteristic and his ability to see the connection between apparently disparate things his greatest skill. [...] Here he examines the roots and growth of innovation in examples from Bell Laboratories, Edison Electric Light Company, and cubist painter Georges Braque. He considers the essential place of publishing in science, that epochal intellectual technique for learning how the world works. He shows the human enrichment and practical benefits that derive from wise investments in scientific research, as well as the waste resulting from a failure to embrace appropriate technologies.
Physics. --- Science—Social aspects. --- Technology. --- History, Modern. --- Printing. --- Publishers and publishing. --- United States—Politics and government. --- Popular Science in Physics. --- Societal Aspects of Physics, Outreach and Education. --- Popular Science in Technology. --- Modern History. --- Printing and Publishing. --- US Politics. --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Modern history --- World history, Modern --- World history --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Natural philosophy --- Philosophy, Natural --- Physical sciences --- Dynamics --- Publishing --- History.
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The Contemporary Small Press: Making Publishing Visible addresses the contemporary literary small press in the US and UK from the perspective of a range of disciplines. Covering numerous aspects of small press publishing—poetry and fiction, children’s publishing, the importance of ethical commitments, the relation to the mainstream, the attitudes of those working for presses, the role of the state in supporting presses—scholars from literary criticism, the sociology of literature and publishing studies demonstrate how a variety of approaches and methods are needed to fully understand the contemporary small press and its significance for literary studies and for broader literary culture.
Books—History. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Technology in literature. --- Printing. --- Publishers and publishing. --- History of the Book. --- Contemporary Literature. --- Literature and Technology/Media. --- Printing and Publishing. --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Publishing --- Literature publishing --- Literary publishing --- Literature --- Publishers and publishing --- Literature, Modern --- Literature and technology. --- Mass media and literature. --- Literature and Technology. --- Literature and mass media --- Industry and literature --- Technology and literature --- Technology --- History. --- 20th century. --- 21st century.
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“If we de-europeanize the historical narrative of the development of print, and of its motive power in generating modern social and political formations, and further pluralize that ‘modernity’ to ‘alternative modernities,’ what will be the result? Taking this question as a point of departure, the contributors to Comparative Print Culture provide vibrant studies of the role of print in effecting, and reflecting, individual sensibilities, collective networks, and political movements self-defined as ‘modern,’ working with considerable temporal range, a global span, and careful inflection for cultural difference.” —Heather Murray, University of Toronto, Canada “A succinct and accomplished contribution to this growing field.” —Robert Fraser, The Open University, UK “This is a fascinating collection of essays that brings together a number of hitherto under-represented and overlooked aspects of print cultural histories of Asia in a global comparative context. In doing so, the authors create a novel space to chart the development of modernities and trace formations of knowledge, but also creations of entertainment cultures across continents.” —B. Venkat Mani, University of Wisconsin-Madison, US, author of Recoding World Literature: Libraries, Print Culture, and Germany’s Pact with Books Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective of comparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality. Rasoul Aliakbari (PhD) has taught English Studies, Comparative and World Literature, and Writing and Communication Studies at the University of Alberta, MacEwan University, Northern Alberta Institute of Technology, and NorQuest College, all in Canada.
Literature and society. --- Culture. --- Printing. --- Publishers and publishing. --- Technology. --- Comparative literature. --- Literature . --- Global/International Culture. --- Printing and Publishing. --- Culture and Technology. --- Comparative Literature. --- Postcolonial/World Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Comparative literature --- Literature, Comparative --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- History and criticism --- Publishing --- Social aspects
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The Novel as Network: Forms, Ideas, Commodities engages with the contemporary Anglophone novel and its derivatives and by-products such as graphic novels, comics, podcasts, and Quality TV. This collection investigates the meaning of the novel in the larger system of contemporary media production and (post-)print culture, viewing the novel through the lens of actor network theory as a node in the novel network. Chapters underscore the deep interconnection between all the aspects of the novel, between the novel as a (literary) form, as an idea, and as a commodity. Bringing together experts from American, British, and Postcolonial Studies, as well as Book, Publishing, and Media Studies, this collection offers a new vantage point to view the novel in its multifacetious expressions today.
Books—History. --- Fiction. --- Humanities—Digital libraries. --- Motion pictures. --- Printing. --- Publishers and publishing. --- History of the Book. --- Digital Humanities. --- Adaptation Studies. --- Printing and Publishing. --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Publishing --- History and criticism --- Philosophy --- English fiction --- American fiction --- Mass media and literature. --- American literature --- English literature --- Literature and mass media --- History and criticism. --- Digital humanities. --- Adaptation (Literary, artistic, etc.). --- Fiction Literature. --- Arts --- Inspiration --- Humanities --- History.
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This book includes a selection of peer-reviewed papers presented at the 10th China Academic Conference on Printing and Packaging, which was held in Xi'an, China, on November 14–17, 2019. The conference was jointly organized by the China Academy of Printing Technology, Beijing Institute of Graphic Communication, and Shaanxi University of Science and Technology. With 9 keynote talks and 118 papers on graphic communication and packaging technologies, the conference attracted more than 300 scientists. The proceedings cover the latest findings in a broad range of areas, including color science and technology, image processing technology, digital media technology, mechanical and electronic engineering, Information Engineering and Artificial Intelligence Technology, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book appeals to university researchers, R&D engineers and graduate students in the graphic arts, packaging, color science, image science, material science, computer science, digital media, and network technology.
Graphic design (Typography) --- Typographic design --- Design --- Printing --- Layout (Printing) --- Signal processing. --- Image processing. --- Speech processing systems. --- Optical data processing. --- Industrial engineering. --- Production engineering. --- Printing. --- Publishers and publishing. --- Signal, Image and Speech Processing. --- Computer Imaging, Vision, Pattern Recognition and Graphics. --- Industrial and Production Engineering. --- Printing and Publishing. --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Processing, Signal --- Information measurement --- Signal theory (Telecommunication) --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Manufacturing engineering --- Process engineering --- Industrial engineering --- Mechanical engineering --- Management engineering --- Simplification in industry --- Engineering --- Value analysis (Cost control) --- Optical computing --- Visual data processing --- Bionics --- Electronic data processing --- Integrated optics --- Photonics --- Computers --- Computational linguistics --- Electronic systems --- Information theory --- Modulation theory --- Oral communication --- Speech --- Telecommunication --- Singing voice synthesizers --- Publishing --- Optical equipment
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