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This book explores literary culture in England between 1630 and 1700, focusing on connections between material, epistemic, and political conditions of literary writing and reading. In a number of case studies and close readings, it presents the seventeenth century as a period of change that saw a fundamental shift towards a new cultural configuration: neoclassicism. This shift affected a wide array of social practices and institutions, from poetry to politics and from epistemology to civility.
English literature, contingency, neoclassicism, politics. --- 1500-1700 --- England --- England. --- Intellectual life --- Civilization --- Classical Period --- Early Modern Period --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra
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Neoclassicism (Art) --- Art, British --- Great Britain --- Art --- drawings [visual works] --- sculpture [visual works] --- easel paintings [paintings by form] --- Neoclassical --- anno 1700-1799 --- anno 1800-1899 --- United Kingdom --- Sculpture, Greco-Roman --- Human figure in art --- Influence. --- lichaam (van de mens)
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The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing—often referred to as robe à la grecque, empire style, or “undress”—is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived: by the 1820s, corsets, silks, and hoop skirts were back in fashion. Amelia Rauser investigates this sudden transformation and argues that women styled themselves as living statues, artworks come to life, an aesthetic and philosophical choice intertwined with the experiments and innovations of artists working in other media during the same period. Although neoclassicism is often considered a cold, rational, and masculine movement, Rauser’s analysis shows that it was actually deeply passionate, with women at its core—as ideals and allegories, as artistic agents, and as important patrons.
Clothing and dress --- Women's clothing --- Clothing and dress. --- Women's clothing. --- History --- 1700-1799. --- Europe. --- Dress, Neoclassical --- Iconography --- History of civilization --- History of Europe --- anno 1700-1799 --- Neoclassicism (Art) --- Women --- Portraits --- fashion [concept] --- costume [mode of fashion] --- clothing --- kostuumgeschiedenis --- fashion [culture-related concept]
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Long before they appeared in the pages of Ivanhoe and nineteenth-century Old English scholarship, the Anglo-Saxons had become commonplace in Georgian Britain. The eighteenth century - closely associated with Neoclassicism and the Gothic and Celtic revivals - also witnessed the emergence of intertwined scholarly and popular Anglo-Saxonisms that helped to define what it meant to be English. This book explores scholarly Anglo-Saxon studies and imaginative Anglo-Saxonism during a century not normally associated with either. Early in the century, scholars and politicians devised a rhetoric of Anglo-Saxon inheritance in response to the Hanoverian succession, and participants in Britain's burgeoning antiquarian culture adopted simultaneously affective and scientific approaches to Anglo-Saxon remains. Patriotism, imagination and scholarship informed the writing of Enlightenment histories that presented England, its counties and its towns as Anglo-Saxon landscapes. Those same histories encouraged English readers to imagine themselves as the descendants of Anglo-Saxon ancestors - as did history paintings, book illustrations, poetry and drama that brought the Anglo-Saxon past to life. Drawing together these strands of scholarly and popular medievalism, this book identifies Anglo-Saxonism as a multifaceted, celebratory and inclusive idea of Englishness at work in eighteenth-century Britain.
National characteristics, English. --- English national characteristics --- England --- Civilization --- Social life and customs --- Affective. --- Anglo-Saxon Past. --- Anglo-Saxonism. --- Book Illustrations. --- Celtic Revival. --- Drama. --- Eighteenth-Century Britain. --- Gothic Revival. --- History Paintings. --- Idea of Englishness. --- Imaginative Anglo-Saxonism. --- Neoclassicism. --- Patriotism. --- Poetry. --- Scholarly Anglo-Saxon Studies. --- Scientific Approaches. --- Nationalism --- Anglo-Saxons --- History. --- Historiography.
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