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This book provides a rhetorical manual for political and business leaders to motivate followers even in times of hardship. It covers the fine art of persuasion and argues that there are four speeches every leader has to know: the opening speech, the executioner speech, the consolation speech, and the farewell speech. The authors explore how leaders could speak in order to appear credible to an audience, and they argue that the leader has to take on suffering and give meaning to suffering people experience. To be persuasive, the speaking leader therefore has to acknowledge that life is inscribed in the reality of change and suffering. The point is not to glorify suffering, but to acknowledge the depths of the human condition and how this knowledge may shape the art of speaking well. The book analyzes speeches from a wide variety of speakers, including Sir Winston Churchill, Barack Obama, Nelson Mandela, and Angela Merkel, and ends with a rhetorical dictionary for leaders to help readers familiarize themselves with helpful terms from rhetorical theory. Bård Norheim is Associate Professor of Practical Theology at NLA University College, Norway. Joar Haga is Associate Professor II of Church History at NLA University College, Norway, and Associate Professor of Church History at VID Specialized University, Norway.
Narration (Rhetoric) --- Leadership. --- Ability --- Command of troops --- Followership --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Political communication. --- Political leadership. --- Political Communication. --- Political Leadership. --- Business Strategy/Leadership. --- Leadership --- Political communication --- Political science
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The first translations and commentaries of the martyrdoms of three virgin martyrs: Ia, Horaiozele, and Tatiana. The first book on narratology and focalisation in Byzantine hagiography. Exciting new perspective on the agency of the Byzantine hagiographer. New assessments on the relationship between a hagiographer and his audience Reconceives the rewriting of Byzantine hagiography.
Christian hagiography --- Christian saints --- Byzantine Empire --- Narration (Rhetoric) --- Christian women martyrs --- Women Christian martyrs --- Christian martyrs --- Women martyrs --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Saints --- Canonization --- Hagiography, Christian --- Hagiography --- Martyre --- Byzance
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Using digital storytelling-a new media genre that began in California in the late 1990s and that proliferated across 'the West' in the 2000s-as a site of analysis, this book asks, 'What is done in the name of the everyday?' Like everyday multiculturalism, digital storytelling is promoted as an accessible, enabling, and ordinary phenomenon that represents cultural experience more accurately than official sites. As such, the genre frequently houses stories of migration, community, and ethnic and racial differences. In turn, digital story collections often act as digital monuments or repositories of multiculturalism, giving a digital life to narratives of migration, cultural difference, and national belonging. This is evidenced in one of the world's largest public collections of digital stories, found in the Australian Centre for the Moving Image (ACMI) and referenced throughout this book.
Sociology of culture --- Narration (Rhetoric) --- Storytelling in mass media --- Digital storytelling --- Storytelling --- Mass media --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Storytelling in mass media. --- Digital storytelling.
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"Neuroscience sheds light on the human proclivity for storytelling. Humans would not produce narratives so prolifically if they weren't somehow good for human brains and embodied interactions with the world. The author connects neuroscience with humanistic narrative theory. He explains how stories coordinate time, represent embodied action, and promote social collaboration, which are all fundamental to the brain-body interactions through which humans evolved as a species and constructed the cultures they inhabit"--
Psychological study of literature --- Narration (Rhetoric) --- Neurosciences and the arts --- Arts and neurosciences --- Arts --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Psychological aspects --- Narration (Rhetoric) - Psychological aspects --- Neurosciences and the arts. --- Psychological aspects.
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"Examines the concept of the enthymeme in ancient Greek rhetoric, arguing that it is a technique of storytelling aimed at eliciting from the audience an inference about a narrative"--
Narration (Rhetoric) --- Rhetoric, Ancient --- Syllogism --- Enthymeme (Logic) --- Logic --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Argumentation --- Reasoning --- Logic, Symbolic and mathematical --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- E-books --- Syllogism. --- Rhetoric, Ancient. --- Argument. --- Aristotle. --- Enthymeme. --- Inference. --- Logos. --- Lysias. --- Narrative Reasoning. --- Narrative. --- Orators. --- Oratory. --- Rhetoric.
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Unnatural Narratology: Extensions, Revisions, and Challenges offers a number of developments, refinements, and defenses of key aspects of unnatural narrative studies. The first section applies unnatural narrative theory and analysis to ideologically charged areas such as feminism, postcolonial studies, cultural alterity, and subaltern discourse. The book goes on to engage with and intervene in theoretical debates in several areas of both critical theory and narrative theory, including affect studies, immersion, narration, character theory, frames, and theories of reception and interpretation. Antimimetic perspectives are also extended to additional fields, including autobiography, graphic narratives, drama and film, performance studies, and interactive gamebooks. Written by an international assemblage of distinguished and emerging narrative scholars and theorists, this collection promises to greatly enhance the study of narrative and further advance the frontiers of narrative theory.
Narration (Rhetoric) --- Fiction --- Literature --- Feminism and literature. --- Postcolonialism in literature. --- History and criticism --- Theory, etc. --- Feminism and literature --- Postcolonialism in literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- History and criticism&delete& --- Theory, etc --- Women authors --- Philosophy --- Literature History and criticism --- Literature and feminism
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What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.
Narration (Rhetoric) --- Sex role in literature. --- Heterosexuality in literature. --- Man-woman relationships in literature. --- Homosexuality and literature --- Lesbians --- Women and literature --- Lesbians' writings, English --- English literature --- American literature --- Lesbians' writings, American --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Female gays --- Female homosexuals --- Gay females --- Gay women --- Gayelles --- Gays, Female --- Homosexuals, Female --- Lesbian women --- Sapphists --- Women, Gay --- Women homosexuals --- Gays --- Women --- English lesbians' writings --- Agrarians (Group of writers) --- Intellectual life. --- History --- History and criticism. --- Women authors
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« Lol resta toujours là où l’événement l’avait trouvée ». À son entrée dans l’histoire, le personnage est chez Marguerite Duras stoppé net. Confronté à un événement traumatique, impossible à oublier comme à convertir, il est rendu à la vacance d’une vie privée de conquêtes. On le voit alors aller et venir, dans un exercice élaboré de reprises et de redites, avant qu’il n’envisage la seule décision susceptible d’orienter l’histoire : revenir se placer au lieu même où son existence fut gagée. Mais pénétrer dans ce haut lieu ne ranime pas les faits vécus. Le Ravissement de Lol V. Stein se ferme. Son monde survit cependant par le développement du cycle, ou plutôt par son enroulement, à travers Le Vice-consul et L’Amour, décrivant, sur le tracé de la danse inaugurale, un soir de bal au casino municipal de T. Beach, une large boucle spiralée. Chez Marguerite Duras, le récit accorde à l’espace l’importance qu’il refuse à l’intrigue. Au contact de cette œuvre, il s’agit de rendre à la poétique du récit de fiction la dimension de l’espace trop longtemps sacrifiée à l’évidence des interactions entre temps et récit. Espace et narration, espace et perception, décor et représentation donneront à cette poétique construite avec le soutien de la linguistique et de la phénoménologie ses grands axes.
Duras, Marguerite --- Espace dans la littérature --- Ruimte in de literatuur --- Space in literature --- Space and time in literature. --- Narration (Rhetoric) --- Criticism and interpretation --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Space and time as a theme in literature --- デュラス, マルグリット --- デュラス, M. --- Dwirasŭ, Marŭgŭrittŭ --- Twirasŭ, Marŭgŭrittŭ --- Tu-la-ssu, Ma-ko-li-tʻe --- Dulasi, Magolite --- Tu, La-ssu --- Du, Lasi --- Di︠u︡ras, Marherit --- Дюрас, Маргерит --- דיראס, מרגריט --- Dûras, Margrît --- Doras, Margerête --- Doras, Margrête --- Donnadieu, Marguerite, --- Criticism and interpretation. --- Duras, Marguerite - Criticism and interpretation --- fiction --- espace --- littérature --- récit --- cycle indien
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'The Power of Narrative' provides fresh insight into the rhetorical and semantic properties on both sides of the climate change debate that preclude dialogue around climate science, and proposes a means for moving beyond ideological entrenchment through language mediation, further ethnographic study, and research-informed teaching.
Climatic changes --- Communication in climatology. --- Communication in science. --- Anti-environmentalism. --- Narration (Rhetoric) --- Effect of human beings on --- Philosophy. --- Social aspects. --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Anti-environmental movement --- Green backlash --- Social movements --- Environmentalism --- Communication in research --- Science communication --- Science information --- Scientific communications --- Science --- Climatology --- Changes, Climatic --- Changes in climate --- Climate change --- Climate change science --- Climate changes --- Climate variations --- Climatic change --- Climatic fluctuations --- Climatic variations --- Global climate changes --- Global climatic changes --- Climate change mitigation --- Teleconnections (Climatology) --- Environmental aspects --- Effect of human beings on. --- Anthropogenic effects on climatic changes --- Human ecology --- Climate --- Climate science --- Climate sciences --- Science of climate --- Atmospheric science --- Authorship --- Expression --- Literary style --- Language and languages --- Speaking --- Climatology - Social aspects. --- Climatic changes - Effect of human beings on. --- Rhetoric - Social aspects.
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